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36 Cards in this Set
- Front
- Back
The element of hair design that defines form and space is: |
Line |
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Lines a constant distance apart in the same direction that are used to create width in a hair design are: |
Horizontal Lines |
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The type of line used to make a hairstyle appear longer and narrower is a(n): |
Vertical Line |
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Curved lines repeating in opposite directions create a(n): |
Wave |
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Contrasting lines are horizontal and vertical lines that create a hard edge and form a: |
90-degree angle |
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Curved lines that are used to blend and soften horizontal or vertical lines are: |
Transitional Lines |
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Another name for the form or mass of a hairstyle is: |
Volume |
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The part of the overall design that the client will respond to first is the: |
Silhouette |
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The area surrounding the form or the area the hairstyle occupies is: |
Space |
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The wave pattern used to accentuate the face and narrow a round head shape should be: |
Smooth |
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The element used to define texture and line and tie design elements together is: |
Color |
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To draw a line in a hairstyle in the direction you want the eye to travel, use a: |
Light Color |
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A single line of color, or a series of repeated lines, creates a: |
Bold, dramatic accent |
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The comparative relationship of one thing to another in hair design is called: |
Proportion |
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Establishing equal or appropriate proportions to create symmetry in a design is called: |
Balance |
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The hair design where both sides of a hairstyle form a mirror image or each other is said to have: |
Symmetrical Balance |
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The regular pulsation or recurrent pattern of movement in a design is the |
Rhythm |
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The principle of hair design that hold all the elements of design together is |
Harmony |
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The two defining characteristics of hair type are |
Wave Patterns and Hair Texture |
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A client's facial shape is determined by the position and prominence of the: |
Facial Bones |
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The facial shape that is one and a half times longer than its width across the brow is the : |
Oval Face |
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The styling choice for a client with a round facial type would be a style that has: |
Volume on top and closeness or no volume at the sides |
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To offset or round out the square facial type, choose a style that has: |
Volume around areas between the temples and jaw and adds width around ears. |
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The outline of the face, head, and figure seen in a side view is the: |
Profile |
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The profile that is considered to be ideal is the: |
Straight Profile |
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Lighter highlights may be used at the temples to create the illusion of: |
Width |
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A curved part is used for a high forehead or: |
Receding Hairline |
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Positioned between horizontal and vertical lines, often used to emphasize or minimize facial features is: |
Diagonal Lines |
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Lines moving in a circular or semi-circular direction, used to soften a design are: |
Curved Lines |
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Lines with a definite forward or backward movement are: |
Directional Lines |
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Refers to wave patterns that must be taken into consideration when designing a style for a client: |
Design Texture |
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Established when an imaginary line is drawn through the center of the face and the two resulting halves of a hairstyle have an equal visual weight, but are positioned unevenly. |
Asymmetrical Balance |
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Also known as focus, in a design is what draws the eye first, before it travels to the rest of the design. |
Emphasis |
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Face with a receding forehead and chin |
Convex Profile |
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Face with a prominent forehead and chin, with other features receded inward |
Concave Profile |
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The triangular section that begins at the apex, or high point of the head, and ends at the front corners. |
Fringe Area |