Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
47 Cards in this Set
- Front
- Back
ensemble cast
|
No star personality; group of performers, cheaper to hire
|
|
keystone editing
|
creating jerky, unreal quality to films by removing pieces
|
|
farce
|
characters are not identifiable; no close ups
|
|
comic surrealism
|
a heightened sense of illogical logic, two forms; familiar object in an unfamiliar setting, the familiar distorted
|
|
walking 180
|
a trick where one pretends to slip on a banana peel and fall backward onto their face
|
|
auteur
|
a sole artist of own movies
|
|
scale
|
alternating between bravura and quiet
|
|
pathos
|
we deliberately have feelings for comic characters
|
|
tone
|
the way the creator of a film shows how they feel about a character
Cool- we feel superior Warm- we see realistic characters |
|
exhibition
|
methods of film deliver, ex: theaters
|
|
block booking
|
giving feature films to small theaters with the condition that they will also carry b list movies from the same company
|
|
blind bidding
|
bidding and buying films that haven’t been made yet
|
|
vita phone
|
first sound track Company
|
|
sweat box
|
box put around camera to muffle cameras sound so it wouldn’t be picked up by the microphones
|
|
micky mousing
|
place a sound with something that looks logical
|
|
cutting to the sound track
|
- sound track dictate pace
|
|
sound extension
|
using sound to replace something visual
|
|
sound amplification
|
using larger than life sounds
|
|
sound transference
|
pairing an action with a sound that cannot be logical
|
|
sound enhancement
|
takes away violence in stooges
|
|
literal gags
|
gags where people take words literally
|
|
motif
|
use of sound that takes on a mood
|
|
audio metaphor
|
use of sound that takes on a symbolic meaning
|
|
foley artis
|
specializes in sound
|
|
screwball comedy
|
situational not gag related
|
|
comedy contrast
|
characters come together that don’t belong together
|
|
subtext
|
hidden meaning in words
|
|
issue
|
when you break emotion into physical movement
|
|
double bill
|
2 movies for one price
|
|
A Film
|
big budget, prestigious, concerned with profits and getting awards
|
|
B Film
|
no time to make (10-15 days) major stars on their way up or old stars on their way down
|
|
Star Personality
|
actor who plays one character very well, with variation
|
|
Technical Actor
|
acting by a technical process, create character from outside in
|
|
Method Actor
|
create the characters emotional identity first
|
|
Character Actor
|
supporting player who plays the same part over and over again
|
|
Exploitative
|
sensational subjects/ideas; done by independent producers
|
|
Independent
|
tries to make a statement
|
|
Flooding Markets
|
get market saturated to make quick profit
|
|
Serial
|
same plot and characters. Formulaic
|
|
Reserve Clause
|
contract with a performer that assigns an actor for 7 years, at the end of the 6th year the studio can enact the reserve clause to renew the contract for another 7 years
|
|
Film Noir
|
has visual style, mood, and thematic content that expose the dark side of culture
|
|
Antihero
|
a man, usually; moral ambiguity, doomed from the start
|
|
Existentialism
|
vision that the world is without a moral center (god)
|
|
Consonance
|
- major keys, upbeat
|
|
Dissonance
|
sharpness, keys/chords don’t match, dark
|
|
dynamics
|
uses differences between loud and soft with jump cuts to startle us
|
|
framing device
|
we start and end at the same place
|