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36 Cards in this Set
- Front
- Back
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Phillip Larkin |
This Be the Verse 1971 Postmodernist |
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This Be the Verse |
Phillip Larkin 1971 Postmodernist |
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William Shakespeare |
Sonnet 18 1609 Elizabethan poetry Shakespearian Sonnet |
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Sonnet 18 |
William Shakespeare 1609 shakespearian sonnet Elizabethan |
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William Shakespeare (second) |
Sonnet 130 1609 Shakespearian sonnet Elizabethan |
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Sonnet 130 |
William Shakespeare 1609 Elizabethan poetry Shakespearian sonnet |
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John Donne |
Holy Sonnet 14 1633 Elizabethan Italian Sonnet (14 lines, imperfect iambic pentameter, abbaabba cdce gg) |
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Holy Sonnet 14 |
John Donne 1633 Elizabethan Italian sonnet(14 lines, |
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Phillis Wheatley |
On Being Brought from Africa to America 1773 Rennisance ideals of morals ideals of morals |
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On Being Brought from Africa to America |
Phillis Wheatley 1773 Enlightenment/ Rennisance ideals of morals |
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William Wordsworth |
Lines Composed a Few Miles Above Tintern Abbey Romanticism(1790-1830) 1798 |
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Lines Composed a Few Miles Above Tintern Abbey |
William Wordsworth Romanticisim(1790-1830) 1798 |
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John Keats x2 |
Ode to a Nightengale 1819 Ode on a Grecian Urn 1820 Romanticism(1790-1830) Odes |
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Ode to a Nightengale |
John Keats 1819 Romanticism(1790-1830) |
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Ode on a Grecian Urn |
John Keats 1820 Romanticism (1790-1830) |
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Robert Browning |
My Last Duchess Victorian(1830-1901). Dramatic monologue 1842 |
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My Last Duchess |
Robert Browning Victorian(1830-1901) 1842 |
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Gerard Manley Hopkins |
God's Grandeur 1877w 1918p Victorian (1830-1901) Italian sonnet (14 lines abbaabba cdcdcd) Also considered modernist due to publishing date and style |
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God's Grandeur |
Gerard Manley Hopkins 1877w 1918p Victorian(1830-1901) Considered modernist due to publishing date and style Italian sonnet (14 lines, abbaabba cdcdcd) with sprung rhythm and slant rhyme |
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Robert Frost (2) |
The Road Not Taken 1916 Stopping by the Woods on a Snowy Evening 1923 Transition to Modernist. Modernist style but before the time period (early 20th cenutury) |
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The Road Not Taken |
Robert Frost 1916 transition to modernism. |
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Stopping by the Woods on a Snowy Evening |
Robert Frost 1923 transition to modernism |
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Emily Dickinson |
[Because I could not stop for Death] w1863 p1890 Tranisition to modernism |
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[Because I could not stop for Death] |
Emily Dickinson W1863 p1890 Transition to modernism |
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William Carlos Williams (x2) |
The Red Wheelbarrow-1923 This is Just to Say-1934 American modernist, Imagist, Regionalism, Free verse |
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The Red Wheelbarrow |
William Carlos Williams 1923 American Modernist, Imagist, Free verse, regionalism |
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This is Just to Say |
William Carlos Williams 1934 American modernist, Free verse, imagist |
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Langston Hughes (x2) |
The Negro Speaks of Rivers 1926 Harlem(2) 1951 American modernism, Free verse, |
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The Negro Speaks of Rivers |
Langston Hughes 1926 American modernist, free verse, jazz structure (jazz is modernist) |
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Harlem(2) |
Langston Hughes 1951 American modernist, free verse |
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Marilyn Dumont |
Not Just a Platform for My Dance 1996 Postmodernist |
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Not Just a Platform for My Dance |
Marilyn Dumont 1996 Postmodernist |
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George Elliot Clarke |
Blank Sonnet 1990 Postmodernist Imperfect shakespearian sonnet in blank verse |
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Blank Sonnet |
George Elliot Clarke 1990 Postmodernist Imperfect shakespearian sonnet in blank verse |
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Arundhathi Subramaniam |
To the Welsh Critic Who Doesn't Find Me Identifiably Indian 2005 Postmodernist Post-colonial, hegemony, the other |
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To the Welsh Critic Who Doesn't Find Me Identifiably Indian |
Arundhathi Subramaniam 2005 Postmodernist, post-colonial, hegemony, the other |
