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70 Cards in this Set

  • Front
  • Back
Joseph Nicephore Niepce
invented photographic process, latent image, not acknowledged
William Henry Talbot
“photographic drawing” first to make a photograph on paper
Louis Jacques Maudi Daguerre
invents “Daguerreotype” exposure took 8-15 min. Polished silver
Margaret Julia Cameron
Calcutta, to secret service parents. Daughters gave her a camera and she photographed high society people
David Octavius Hill
commissioned to paint over 400 heads, instead used camera, did the compositional work with R.Adamson
Robert Adamson
worked with David O. Hill, did the technical work
Mathew B Brady
worked in nyc, captured the civil war, then the government did not want to buy his negatives
Alexander Gerdner
worked for Brady, made Rogues? exhibit
Timothy O’Sullivan
apprentice for Mathew Brady, photographed the civil war, then got commissioned to photo the American Western frontier, chief photographer for US treasury
Roger Fenton
British, photoed soldiers, Crimean war,
Frank Meadow Sutcliffe
Photoed lots of boats
Eugene Atget
Loved photographing Paris
Jacques-Henri Lartigue
French photographer and painter, he is most famous for his stunning photos of automobile races, planes and fashionable Parisian women from the turn of the century. Life magazine too.
Lewis Wickes Hine
American photographer. Camera was research tool and instrument for social reform. Documented child labor, documented the building of empire state building, worked for red cross in depression,
August Sander
German. Photoed real people in their jobs, ie baker and farmer
Bill Brandt
british photographer and photojournalist, high-contrast images of British society and distorted nudes and landscapes,
Dorothea Lange
American. Depression-era work for farm security administration. Humanized the tragedies, peoples faces
Walker Evans
worked for Farm Security Administration during great depression, lots of portraits, worked in south
Bernice Abbott
best known for b and w of new york city architecture and urban design in the 1930s, started with man ray.
Brassai
)“I invent nothing, I imagine everything” also a sculptor, worked in Paris. The pic with the man and woman in café with mirrors.
Robert Capa
photographed 5 wars, Spanish civil, 2nd sino-jap., WWII, 1948 arab-Israeli, 1st Indochina war. Famous DDay pics
Weegee
he was connected to a police radio, and went to the calls. Used infrared lights.
Paul Strand
American, helped est. photo as art form in 20th century, pic of woman with “blind” sign
Lisette Model
born in Austria, moved to Usa. Happy fat woman on the beach
Henri Cartier-Bresson
was French, father of modern photojournalism, 35 mm format. “street photography”, worked for lots of journals all over the world
Robert Doisneau
French, noted for frank and often humorous depictions of Parisian street life. Lots of children’s street culture
William Eugene Smith
American photojournalist known for his refusal to compromise professional standards and his brutally vivid WWII pics. Worked for Life
William Klein
had high contrast with many blurred out faces, lots of children closeups
Elliot Erwitt
born in paris moved to USA when young. b and w candid shots of ironic and absurd situations within everyday settings, master of the “indecisive momement”,
Nan Goldin
color pictures, documented grunge, highly sexual, did a series ‘in my hotel room’
Martin Parr
British documentary photographer and photojournalist. His photographic projects take a critical look at modern society, specifically consumerism, foreign travel and tourism, motoring, family and relationships, and food.

Parr is probably best known for his photography at New Brighton, Merseyside in the 1980s. His use of high saturation colour in photography produces some, at first glance boring and subdued images, though when you look a little deeper into them and the history behind them they are highly profound.
Edward J. Steichen
born in Luxemburg, moved to US in 1900. painter > fashion >documentary. Did portraits and landscapes, extremely painterly. In with the Linked Ring and Pictorialism (1902) ‘Family of Men’ exhibition (1952) – love, life, and death. Shown in 69 countries. Took pictures of Rodin
Alfred Stieglitz
Took pictures of modernity. Shows advanced water parks, and transportation. He also shows the change in mindset in that people were at ease with showing more of their body in bathing suits and such.
Took a lot of “objective” shots of his wife which showed a real picture. Did not use weird angles or lighting to hide or accentuate things but photographed them as they were. Pictures of her hands and legs.
Cecil Beaton
He made sure his subjects were beautifully photographed. Used lighting and costume to make his subjects become the utmost beauty. Used extravagance in his photos. Made elaborate scenes.
Georgia o keeffe
Painter associated with American southwest
Paul Strand
american photographer and filmmaker, modernist photographer
Philip Hausman
Took a famous photo of Einstein. Also took the famous photo of Dali (Atomica) with everything suspended in the air. Took lots of surreal shots.
Diane Arbus
Took a lot of pictures of transvestites. Also took pictures of freaks. Jewish giant, carnival freaks.
Andy Warhol
Pop art! To produce his silkscreens, Warhol made photographs or had them made by his friends and assistants. These pictures were mostly taken with a specific model of Polaroid camera that Polaroid kept in production especially for Warhol. This photographic approach to painting and his snapshot method of taking pictures has had a great effect on artistic photography.
Richard Avedon
had a very successful beginning to his career as fashion photographer and then moved to more fine art photography. Daughters of the Revolution pic where one girl is backwards, lots of portraits
Arnold Newman
wanted to be a painter but did documentary photos, did a collage of andy Warhol. Conscious attempts to shoot painters and the idea of their images.
Cindy Sherman
did self portraits based on how women were portrayed in film/photo. Didn’t use names, only ‘film still #_’
Annie Liebovitz
involved with Rolling Stone, did fashion/portraits
Vaclav Jirasek
Vaclav Jirasek makes staged portraits that use symbols to talk about the importance of the individual and his or her spiritual nature. He works with large format cameras (13 x 18 cm. to 24 x 30 cm.) and makes only contact prints, so the viewing experience is intense and intimate. Sometimes he shoots through a piece of gauze or some textured glass, which gives the image a heightened sense of mystery. Most of the figures are caught at the height of the gesture-they are very aware of the camera and the props they carry act as symbols-which makes the image walk a line between melodrama and deep psychological meaning. From 1980-1990 he was a member of Brno Bratrstvo (brotherhood) which was a community formed to combat "feelings of emptiness, hopelessness and isolation at the end of the twentieth century." They came together not to make collaborative work, but to discuss ideas and values that they had in common, which they must have felt were not dominant in the culture at large. The content of this work draws on myth, religion, ritual, magic and expression of the inner energy and sensitivity of the individual.
Joseph Sudek
he fascination with light and mood was however to permeate his lifetime's work, with brilliant shafts of sunlight penetrating the dusty gloom of St Vitus Cathedral (his use of light in these interiors reminiscent of the great master of the platinum print, Frederick Evans).

His use of a soft-focus lens to produce diffused highlights and a mood of romanticism, Sudek was soon to renounce such 'artistic' effects, becoming a part of the 'new wave' of modern photography in Europe.
Alvin Longdon Coburn
pictorial movement, did a lot of landscapes, Vortograph, ‘pictures through a kaleidoscope’ = obscured, blurred images that reflected cubism.
Ansel Adams
American. 1916 – yearly pictures of Yosemite
Edward Weston
portraits in CA > NY > Mexico (friends with artists of the revolution) bodies, pic of a pepper
Minor White
Post-WWI. Spiritual, Cool, zen picks, American, studied Botany, “When you approach something to photograph it, first be still with yourself until the object of your attention affirms your presence. Then don't leave until you have captured its essence” wanted the public to accept photography as an art, shot mostly in the 50's.
Bernd and Hilla Becher
photographed industrial buildings, blatant change from prior landscapes. "describing style" - little emotion or usefulness, it just showcases what's there, what looks good. they work in series.
Andreas Gursky
Big pics, industrial spaces with people and machines, highly textured
Thomas Ruff
Studied in Germany with Hilla and Bernd, Nasa Prints, developed serial photography, did night skys and interior of buildings in germany, obscured nudes. non-emotional, descriptions
Thomas struth
German photographer, detailed cityscapes, asian jungles and family portraits
Lukas Jasansky and Martin Polak
- Czech, wrote some stupid essay
Jeff Wall
staged photography - works digitally so you can't tell what's real or imposed.
Frantisek Drtikol
epic photographs, nudes and portraits, photographed like paintings, 1930s
EJ Bellocq
nudes of fat French women
Imogen Cunningham
American known for her photographs of nudes, botanicals, and industry – later took many photographs of hands and for Vanity Fair of actors without makeup
Martin Munkacsi
moved to u.s,. picked unexpected angles
Man Ray
American spent most time in Paris – Dada and Surrealist – invented solarization and rayographs
Hans Bellmer
– surrealist photographer with lifesized pubescent dolls aimed against perfect body in Nazi culture
Bill Brandt
British photographer high-contrast images of British society and distorted nudes/landscapes
Helmut Newton
after serving in Australian military, became fashion photographer – had partnership with Talbot – work appeared in Vogue (erotic, stylized, sado-masochistic, and fetish) – “Big Nudes”
Jan Saudek
Czech, personal erotic freedom and corrupt political pics – hand-tinted portrayal of painted dream worlds with nude figures
Ivan Pinkava
mainly nude photographs depicting either sickly or bald figures
Joel-Peter Witkin
deals with death, corpses, and outsiders such as dwarfs and trannies (surrealist)
Alexander Rodchenko
Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles—usually high above or below—to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again."
Jaromir Funke
Funke was a leading figure in Czech photography in the 1920s and 30s. In 1924 he, Josef Sudek and Adolf Schneeberger founded the Czech Photographic Society. Funke headed the photography department at the School of Arts and Crafts in Bratislava and was editor of the journal Fotografický obzor (Photographic Horizons) for several years.
Jaroslav Rossler
he would photograph simple objects against a stark background of black and white, or use long exposures to picture hazy cones and spheres of light. Czech
Les Krims
conceptualist photographer living in Buffalo, New York. He is noted for his carefully arrange fabricated photographs (called "fictions"), various candid series, a satirical edge, dark humor, and long-standing criticism of what he describes as leftist twaddle. Oddly manipulated nudes.