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66 Cards in this Set

  • Front
  • Back
Alfred Stieglitz
studied in europe, started with pictorialism, studio 291, married georgia o'keeffe, camera work magazine
Clarence H. White
ohio-to new york, one of 1st photo teachers as an art, in stieglitz's pictorial society
Gertrude Kasebier
pictorialist, photos of mother/childhood, bad marriage, commercial portrait photographer when husband was sick
Edward Steichen
milwaukee lithographic firm, pictorialist, aerial photography in WWI fashion photographer in europe, modern museum of art "the family of man"
Frederick Holland Day
wealthy, reenacts crucifixion, gay, didn't leave house for final 11 years
Alvin Langdon Coburn
-F. Holland Day's cousin
-worked with stieglitz
-portraits of important men
-fuzzy like pictorialism, but strong geometry
-vortograph-1st completely abstract photos
-stops photographing-joins cult-like group
Kahlil Gibran
F. Holland Day's protege, was encouraged by him in his creative endeavors
Pablo Picasso
-modern art
-art was shown in Stieglitz's studio, 291
Paul Strand
-not like pictorialism,very clear
-worked w/ stieglitz
-abstract photos
-sent to texas to get o'keefe for stieglitz, strand fell for her too, enlisted in army
-cinematographer
-socialist
Georgia O'Keefe
-artist
-marries Stieglitz
-photographed by Stieglitz
Karl Struss
-factory, photography was hobby
-learned from clarence white
-German-American, in WWI, friends reported some pro-german remarks-jail then guard for military prisoners
-went to L.A- stills photographer then cinematographer
-academy award
Lewis Hine
-from WI
-fought against child labor in US
-taught photography in a high school
-photographed workers
-poor
-used flash
Eugene Atget
-orphaned
-street photography of Paris
-very poor, freelance photographer
-left behind lots of prints/negatives when he died, many bought by berenice abbott
August Sander
-"People of the 20th Century"- 7 categories (the farmer, the skilled tradesmen, the woman, classes and professions, the artists, the city, the last people) in Germany
-his other book confiscated by Nazis
Edward Weston
-left family to go to mexico with tina modotti
-pictures of sink/toilet, and shells- very sensual
-precisionist style
Tina Modotti
-in mexico with Weston
-photographs had political messages- communist
-Vittorio Vidali- partner
-died mysteriously in Mexico in back of taxi
Vittorio Vidali
-partner of Tina Modotti
-professional assassin for Stalin
-involved in Modotti's death?
Anton Giulio Bragaglia
-1st futuristic photographer
-assisted by his brother
-held shutter open, 'smear' image across photo
-rejected from futuristic movement, photography rejected as an art
Alexander Rodchenko
-wife stepanova
-rejected painting, used engineering tools
-graphic design, used photos in them
-new points of view- bird's eye and worm's eye
-eventually fell out of favor w/ Stalin- only allowed to photograph parades and sporting events
Dziga Vertov
-filmmaker
-rejected normal way of making films- thought it should be footage of real people and real situations
Mikhail Kaufman
-Dziga Vertov's brother and cameraman
Raoul Hausman
Dada
-used photomontage, applied to three-dimensional sculpture
-photographs often had appearance of discontinuous, overlapping layers
Hannah Hoch
-friend of Raoul Hausman
-more disciplined, less cluttered collage style- european high fashion mixed with African/ancient artifacts
John Heartfield
Dada
-used photomontage as a weapon against political rivals (he was a communist)
-mocked Hitler and communist party
Laszlo Moholy-Nagy
-taught at Bauhaus
-photos very geometric, straight lines
-founded New Bauhaus in Chicago- still exists as the Institute of Design
Herbert Bayer
a teacher at the Bauhaus
Francis Picabia
Dada
-Came to New York from France
-worked with Stieglitz, made cover for 291 magazine
Marcel Duchamp
Dada
-came to new york with Picabia
-"Nude descending a staircase #2" painting
-Used name R. Mutt to submit urinal as art- rejected
Man Ray
-friends w/ Duchamp, went to Europe with him, take pictures for Dada
-surrealist group
-knew Atget, bought some photos from him
-assistant was Berenice Abbott, bill brandt, and lee miller
Berenice Abbott
-influenced by Atget in paris, bought as many of his photographs as she could
-back to New York, portraits then did straight photography of New York like Atget
Jean Cocteau
filmmaker- "Blood of a Poet" with Lee Miller
Kiki de Montparnasse
In Man Ray's movie Emak-Bakia, eyes painted on her eyelids
Bill Brandt
-briefly Man Ray's assistant
-photographs stayed surreal throughout career- dark, foggy, dreamlike
-mysterious
-printed very dark and heavy
-magaizine work with Stefan Lorant
Lee Miller
-fashion model
-assistant to Man Ray, started and ended relationship with him
-discovered solarization technique
-in jean cocteau's film "Blood of a Poet"
-style started like Man Ray, but became more journalistic with surrealist eye
Stefan Lorant
-started as a still photographer on a movie set
-Hungarian magazine editor that Bill Brandt worked with
-after criticizing nazis, was imprisoned by Hitler for nearly a year
Martin Munkacsi
Hungarian
-sports journalism
-fashion photography for Harper's Bazaar
-high paid magazine photographer
Andre Kertesz
Hungarian
-drafted into army- photos from soldier's point of view
-photojournalist-humorous and ironic style
-to New York, contract with Keystone, problems with employer-became freelancer
-unknown in US
Brassai
Hungarian
-painter, influenced by Kertesz to do photography
-magazine photographer but most known for book- Paris at Night
Henri Cartier-Bresson
-influenced by one picture- Martin Munkacsi's "Black Boys on the Shore of Lake Tanganyika"
-fixed geometry in picture and waits for subject to enter frame to make photo
-Magnum picture agency
Walker Evans
-like Atget without romanticism
-Farm Security Administration (F.S.A) during depression to document gov't farm relief programs
-skeptical attitude
Ben Shahn
-F.S.A.- learned photography from Walker Evans
-made paintings from his photos
-camera's viewfinder pointed sideways-ppl not really sure what's going on
Gordon Parks
-F.S.A
-first black photographer published in LIFE, Vogue (France)
-first black director for Hollywood film
Dorothea Lange
-San Francisco, portraits until depression
-polio, had limp, barely graduated high school
-F.S.A
-famous photo "Migrant Mother"
-children in foster homes so she could do her work
Henry Luce
-behind Time, Life, and Fortune magazines
-film and radio news programs
-believed in free market
Margaret Bourke-White
-when photographing people, didn't get close physically or emotionally
-good at directing people
-Life magazine
-in soviet union when german bombs fell-accused of being un-american
-travelled, was often in danger, liked photographing from heights
W. Eugene Smith
-Life magazine photographer, often fought with management
-too close, emotionally, to people he photographed
-WWII photographs
Robert Capa
-born andre friedman
-press photography in Germany then freelance in France, he and girlfriend changed their names (Gerda Taro) to help careers
-Spanish Civil War, WWII, and others
-killed by landmine in Vietnam
Gerda Taro
-born Gerta Pohorylle
-Robert Capa's girlfriend, did war photography with him
-killed during Spanish Civil War when car she was standing on collided with tank
Ansel Adams
-first wanted to be a pianist
-reaction against commercialism and popular photography
-like timothy o'sullivan's photography
-mentor- Edward Weston
-nature photography at yosemite
Minor White
-was in war
-abstract photos, soldier portraits, poetry
-search for deeper meaning
-made students practice Zen meditation to become better photographers
Harry Callahan
-experimental approach to photography
-detroit
-friends with aaron siskind
-students loved him, taught mostly by example
-photos of his wife and child
Beaumont Newhall
-first curator of photography at museum of modern art
-first exhibition of history of photography
-resigned when Stiechen appointed director of photography department
Irving Penn
-magazine photography
-American south- interesting poses for portraits
-Vogue
Alexy Brodovitch
-Irving Penn's teacher and mentor
-graphic designer, art director
-Fled Russia, went to Paris
Robert Frank
-From Switzerland, moved to U.S.
-had photos in 'the family of man'
-book "the americans"- pessimistic, hated by many when first out
William Klein
-G.I bill to study art in France
- book "life is good and good for you in New York: Trance witness revival" - like paparazzi, right in peoples' faces- couldn't find an american publisher
-travel books
Garry Winogrand
-street photography, horizon often tilted, weird subjects
-left tons of film at death
-after death- photo show, book
Lisette Model
-learned from her sister
-photos of people are fearless, heartless? "One Photographer's Explanation of Why France Fell"
-good teacher of photography
Diane Arbus
-married husband right at 18
-worked together on commercial photography
-relationship with people in photos
-"freaks", nudists
-committed suicide, famous after death
John Szarkowski
-took Stiechen's position of director of photography at MoMA
-"The Photographer's Eye" and "Photography Until Now"
Sherrie Levine
used a copy Walker Evan's photograph as her own.
Sebastiao Salgado
-own photo journalism assignments all around the world- "major essays"
-gold mines
-popular, also critiqued that photos of tragedy should not be beautiful or sold as art for lots of money
Sally Mann
-"immediate family" pictures of her children, many nude. criticized- exploiting her children?
-"At Twelve"- of poor children
-went back to wet plate collodion
Joel-Peter Witkin
-very strange photographs
-pictures at morgue in Mexico
-old master paintings are his inspiration
Yasumasa Morimura
-close copies of old/famous paintings and photographs
-inserts himself as main figure (as women)
Daniel Lee
-digitally distorted portraits derived from photos
-satirical paintings that have photographic surfaces