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48 Cards in this Set
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Post - Impessionism |
a predominantly French art movement that developed roughly between 1886 and 1905; from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists’ concern for the naturalistic depiction of light and colour. Due to its broad emphasis on abstract qualities or symbolic content, Post-Impressionism encompasses Neo-Impressionism, Symbolism, Cloisonnism, Pont-Aven School, andSynthetism, along with some later Impressionists' work. The movement was led by Paul Cézanne, Paul Gauguin, Vincent van Gogh, and Georges Seurat. |
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Seurat A Sunday Afternoon on the Island of La Grande Jatte Post-Impressionism - 1882 |
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Cezanne Mont Sainte Victoire Post-Impressionism - 1900-1904 |
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Cezanne Still life with peppermint bottle Post-Impressionism - 1984 |
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Van Gogh The Potato Eaters Post-Impressionism - 1888 |
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Van Gogh The Night Cafe Post-Impressionism - 1888 |
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Van Gogh The Starry Night Post-Impressionism - 1889 |
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Gauguin Vision After the Sermon Post-Impressionism - 1888 |
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Gauguin Spirit of the dead watching Post- Impressionism - 1892
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Toulouse Lautrec At the moulin rouge Post-Impressionism - 1892 |
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Rodin The Thinker Post-Impressionism - 1886 |
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Rodin burghers of calais Post-Impressionism - 1886 |
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Realism |
is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, implausible, exotic and supernatural elements.What is the truth of paintings? - Contains paint on a flat service. |
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Daumier Third-Class Carriage Realism - 1862-1865 |
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Millet The Gleaners Realism - 1857 |
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Courbet Burial at Ornans Realism - 1849 |
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Manet Le Dejeuner sur l’herbe Realism - 1865 |
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Manet Bar at the Folies-Bergere REalism - 1865 |
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Manet Olympia Realism - 1881 1882 |
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Eakins The Gross Clinic Realism - 1875 |
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Eakins |
Eakins The Gross Clinic Realism - 1875 |
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Bonheur The Horse Fair Realism - |
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Homer Snap the Whip Realism - 1872 |
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Homer The Fox Hunt Realism - 1892-1895 |
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Tanner The Thankful Poor Realism - 1894 |
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The Pre-RaphaeliteBrotherhood |
The group's intention was to reform art by rejecting what it considered the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. Its members believed the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art, hence the name "Pre-Raphaelite". In particular, the group objected to the influence of Sir Joshua Reynolds, founder of the English Royal Academy of Arts, whom they called "Sir Sloshua". To the Pre-Raphaelites, according to William Michael Rossetti, "sloshy" meant "anything lax or scamped in the process of painting ... and hence ... any thing or person of a commonplace or conventional kind".[1] The brotherhood sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. The group associated their work with John Ruskin,[2] an English critic whose influences were driven by his religious background. |
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Millais Ophelia The Pre-RaphaeliteBrotherhood 1852 |
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Burne-Jones King Cophetua & the Begger Maid The Pre-Raphaelite Brotherhood - 1884 |
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Impressionism |
Impressionist painting characteristics include relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of movement as a crucial element of human |
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Monet Impression Sunrise Impressionism - 1872 |
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Monet Rouen Cathedral Impressionism - 1872 |
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Monet Water Lily Pond Impressionism - 1875 |
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Pissarro Place du Theatre Francais Impressionism - 1878 |
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Renoir Le Moulin de la Galette Impressionism - 1876 |
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Renoir Luncheon of the Boating Party Impressionism - 1876 |
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Degas Ballet Rehearsal Impressionism - 1881 |
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Degas Glass of Absinthe Impressionism - 1876 |
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Cassatt The Bath Impressionism - 1876 |
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Morisot The Cradle Impressionism - 1872 |
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Whistler Arrangement of Grey and Black Impressionism - 1872 |
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Symbolism |
an artistic and poetic movement or style using symbolic images and indirect suggestion to express mystical ideas, emotions, and states of mind. It originated in late 19th century France and Belgium, with important figures including Mallarmé, Maeterlinck, Verlaine, Rimbaud, and Redon. |
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Moreau Jupiter and Semele Symbolism 1874-1876 |
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Redon The Cyclops Symbolism 1898 |
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Munch The Scream Symbolism 1895 |
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Ensor Christ’s Entry into Brussels Symbolism - 1888 |
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Rousseau The Sleeping Gypsy Symbolism - 1897 |
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Rousseau The Dream Symbolism - 1910 |
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Ryder Death on a Pale Horse Symbolism - 1910 |
