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72 Cards in this Set

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  • Back
any of five styles of classical architecture ,doric ,ionic ,conrithian tuscan and composite ,characterized by the type and arrangement of columns and entablatures employed
order
the crowning member of a classical cornice usually a cyma recta
cymatium
- the projecting ,slablike member of a classical cornice supported by the bed molding and crowned by the cymatium
corona
the molding or group of moldings immediately beneath the corona of a cornice
bed molding
the use or arrangement of columns in a structure
columniation
having two columns on one or each front
distyle
having three columns on one or each front
tristyle
having four columns on one or each front
tetrastyle
having five columns on one or each front
pentastyle
having six column on one or each front
hexastyle
having seven columns on one or each front
heptastyle
having eight columns on one or each front
octastyle
having nine columns on one or each style
enneastyle
having 10 columns on one or each front
decastyle
12 columns on one or either front ,also dodecastylar,duodecastyle
dodecastyle
the space between two adjacent columns usaully the clear space between the lower parts of the shaft ,measured in column diameters ,also a system for spacing columns in a colonnade based on this measurement
intercolumniation
uppermost member of a classical entablature,consisting typically of a cymatium,corona and bed molding
cornice
the horizontal part of a classical entablature between the cornice and architrave ,often decorated with scuplture in low relief
frieze
the lowermost division of a classical entablature,resting directly on the column capitals and supporting the frieze
architrave
the distinctively treated upper end of a column ,pillar or pier crowning the shaft and taking the weight of the entablature or architrave
capital
the central part of a column or pier between the capital and the based
shaft
the lowermost portion of a wall column ,pier ,or other structure usually distinctively treated and considered as an architectural unit
based

the part of a pedestal between the base molding and cornice or cap,also called die

dado

usually a square slab beneath the based of the column pier ,or pedestal
plinth
having intercolumniation of 1 1/2 diameters
pynostyle
having an intercolumniatio of 2 diameters
systyle

2 1/4

eustyle

3 diameters
dia style

4 diameters also

araeostyle

the horizontal section of a classical order that rest on the column,usually composed of a cornice, frieze, and architrave
entablature
a cylindrical support in classical,architecture ,consisting of a capitals,shaft, and usually a base, either monolithic or built up of drum the full diameter of the shaft
column
a construction upon which a column statue,memorial shaft or the like ,is elevated ,usually consisting of a base ,a dado and a cornice or cap
pedestal
the placement of two columns or pilaster very close together
accouplement
the oldest and the simplest the five classical order,developed in greece in the 7th century bce and later immitate by the romans, characterized by a fluted column having no based ,a plain cushion shape capital supporting a square abacus ,ad an entablature consisting of a plain achitrave,a frieze of the triglyphs and metopes and a cornice ,the corona of which has matulus on its soffit , in the roman doric order,the column are more slender and usually have bases, the channeling is sometimes atered or omitted ,and the capital consist of a bandlike ,an echinus ,and a molded abacus
doric order
one of the vertical blocks separating the metopes in a doric frieze ,typically having two vertical grooves or glyphs on its face and two chamfers or hemiglyphys at the sides
triglyph
any of the panels ,either plain or decorated,between triglyphs in the doric freize ,also called intertriglyphs
metope

a raised band or fillet separating the frieze from the architrave on a doric entablature ,also

taenia/tenia

a fillet bemeath the taenia in a doric entablature corresponding to a triglyph above and from which guttae are suspended ,also called guttae band
regula
the flat slab forming the top of a column capital plain in the doric style ,but molded or otherwise enriches in the other styles
abacus
the prominent circular molding supporting abacus of a doric or tuscan capital
echinus
an upper part of the column just above the shaft and below the projecting part of the capital, when differentiated by a moling ,groove or the omission of fluting
necking
an encirling band molding or fillet ,on a capital or shaft of a column
annulet
a decorative motif consisting of series of long rounded ,parallel grooves ,as on the shaft of a classical column
fluting
a rounded channel or groove ,also called stria
flute
the underside of an architectural element ,as that of an arch ,beam,cornice,or staircase
soffit
one of a series of small ,droplike ornaments attached to the undersides of the mutules and regulae of a doric entablature ,also called drop
gutta

a projecting flat block under the corona of a doric cornice ,corresponding to the modillion of the other orders

mutule

a frieze bearing curvd figure of people or animals
zorphorus
that part of the necking between the hypotrachelium and the capital of a classical column
trachelium
any member between the capital and the shaft of a classical column
hypotrachelium
a slight convexity given to a column to correct an optical illusion of cancavity if the sides were straight
entasis
any of several cylindrical stones laid one above the other to form a column or pie
drum
an ornamental motif for enrichingan ovolo or echinus ,consisting of a closely set ,atlernating series of oval and pointed forms ,also called egg and tongue
egg and dart
any of a series of closely spaced ,small ,rectangular blocks forming a molding or projecting beneath the coronas of ionic, corinthian and composite cornices
dentil
one of the three horizontal bands making up the architrave in the ionic order
fascia
a bas to a classical column consisting of an upper and lower torus separated by a scotia between two fillets
attic base
a deep concave between two fillets ,also called trochilus
scotia
a large convex ,semicircular molding ,commonly found directly above the plinth of the base of the classical column
toru
the underlying part of a foliated capital between the abacus and neck molding
bell
an ornament ,such as on the coribthian capital pattern aftercthe large ,toothed leaves of a mediterranean plant of the same name
acanthus
one of the five orders popular esp since the beginning of the renaisance but invented by ancient roman ,in which the corinthian orders is modified by superimposing four diagonally set ionic volutes on a bell of corinthian acanthus leaves
composite order
an order of columns more than one story in height ,also called giant order
colossal order
a classical order that developed in the greek colonies of asia minor in the 6th century bce characterized esp ,by the spiral volutes of it capital ,fluted columns typically had molded bases and supported an entablature consisting of an architrave of three fascias ,and richly ornamented frieze ,and a cornice corbeled out on egg and dart and dentil molding ,roman and renaissance ,example anre often more elaborate, and usually set the volutes of the capitals 45° to the architrave
ionic order
a spiral scroll like ornament, as on the capitals of the ionic ,corithian and composite orders
volute
a vertical guidelines through the eye of s volute in an ionic capital ,from which the spiral forms is determined
cathetus
a circular molding under the cushion of an ionic capital between the volutes ,usually carved with an egg and dart pattern ,also called cymatium
echinus
a narrow part of the surface of a column shaft left between adjoining flutes
fillet
a small concave curve joining the shaft of a classical column to its base, also called apophysis
apophyge
anornament bracket ,usually in the form of a scroll with acanthus ,used in series beneath the corona of a corithian ,composite ,or roman ionic cornice
modillion
a spiral ornament,such as any of the volutes issuing from a cauliculus in a corinthiam capital
helix
any of the ornamental stalks rising between the acanthus leaves of a corinthian capital ,from which the volutes spring ,also called caulcole
cauliculus
the most ornate of the five classical orders, developed bt hte greek in the 4th century bce but used more extensively ing roman architecture ,similar in most respects to the ionic but usually of slenderer proportion and characterized esp ,by a deep bell shaped capital decorated with acanthus leaves and an abacus with concave sides
corinthian order