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75 Cards in this Set
- Front
- Back
Art
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any graphic element other than a photo
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bastard copy
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type set in a different width than the standard column measure
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byeline
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writer's name + credential
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closed page
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a page with ads
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column inch
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a measure a column wide and one inch down
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copy map
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the pattern of legs of a copy in a story
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cut out
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silhouette of a photo or portion thereof
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cutline
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also called a caption; info about a photo or illustration
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cutoff rule
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a line used to seperate elements on a page
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deck
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a line of a headline; also a smaller head below a main head
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display head
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a jazzed up headline that adds drama or flair to a story
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drop cap
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also called initial cap; large capital letter set into the opening paragraph of a special feature
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dummying
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sketching out where the elements on a page will go; mapping
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ears
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small pieces of info - like the weather- that run in the flag
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flag
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also called the nameplate; newspaper's name on page 1
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folio line
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a line showing the page number, date, paper's name, etc
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gutter
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the white space running vertically between elements on a page
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half tone
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a screened black and white photo; the screen breaks the image into dots to that it will print
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hammer
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a large headline above a smaller head
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index
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a directory of contents
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headline
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story's title display type
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infographic
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a diagram, chart, map, or list that conveys info pictorially
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jump head
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headline treatment reserved for jumped stories
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jump line
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a line that tells readers what page a story continues on; also a line that tells readers where a story has jumped from
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kerning
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adjusting the space between individual letters
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kicker
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a smaller headline above a main head
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leading
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the vertical space between lines of type
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logo
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a small boxed title used for labeling special stories or series
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mast head
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the box that holds publication and contact information
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mug shot
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head shot
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open page
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a page with no ads
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photo credit line
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a line giving the photographer's name
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pica
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1/6 of an inch
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point
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1/72 of an inch
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pullout quote
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also called a liftout quote; a quote from a story that's given graphic emphasis
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raw wrap (dutch wrap)
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headline that fails to cover all the text below (usually a bad idea unless there's onl one story on a page)
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refer
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a brief reference to a related story elsewhere on a paper
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reverse type
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a white type set on a dark background
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sidebar
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a related story, often boxed, that accompanies the main story
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rule/border
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a line or decorated line, usually measured in points
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sidesaddle head
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a headline that runds to the side of a story
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sig
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essentially a logo
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slammer
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a two-part headline that used a boldface word or phrase to lead into a contrasting main headline
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standing head
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a label head for an element that routinely shows up in a paper
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story count
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number of stories on a page
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subhead
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a boldface line of type used to organize the story and break up gray text
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teaser
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also called promos or skyboxes; promote stories inside a paper
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tombstoning
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also called bumping heads; two headlines directly adjacent to each other
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tracking
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the horizontal space between letters and words; generally goes from condensed to expanded
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tripod
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two part head the beings with a large, bold-face head that reads into a two deck smaller headline
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leg
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column of type
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balance
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means the visual weight of the elements on a page are equally distributed
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visual weight
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the illusion of an objects physical weight
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symmetrical/formal balance
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the elements are mirrored either top or bottom or side to side
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asymmetrical/informal balance
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elements are not mirrored but weights are equally distributed
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emphasis
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reflects the principle that the most important element should be the most prominent, the second most important the second most prominent and so on
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contrast
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distinguishes between elements on a page by calling attention to their differences
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benefits of emphasis
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simplifies the readers' task of organizing info, helps readers select the essential info quickly, providing them with visual interest
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determine emphasis
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designer must determine what the most important piece of information is and visually stress that information
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techniques to establish emphasis
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make an element the biggest, boldest, or brightest; use typographical device, us a drop shadow, set an element at an angle, etc
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methods to achieve contrast
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use different colors, fonts, sizes, weights, etc
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repetition
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used to create unity and rhythm, repeating elements
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gestalt
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how a design transcends its parts to create a unified whole
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creating effective flow
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must thoroughly understand the message you want to communicate; analyze the graphics available to support the message; establish the visual order that best communicates that message
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visual flow
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the order in which viewers looks at the images and graphics on a page
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verbal flow
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the order in which viewers reads the text on a page
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enhance verbal flow
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place headlines near articles, coose legible typeface and use it consistently, use the same typographical template from page to page, make sure column widths enhance legibility, make sure leading enhances legibility, keep related elements near each other
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design revolution; social forces
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moved from a text-based to an image based society
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design revolution; economic forces
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technology has made graphics, pagination, color more affordable
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design revolution; technology
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desktop publishing has democratized design and publishing
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Bauhaus
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emphasizes rationality, function, understatement, and formality
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Push Pin
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emphasizes irrationality, decoration, overstatement, and expressiveness
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principles of design
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balance, contrast, focus, proportion, unity
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alignment
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grouping and organizing elements on a page by having them on the same horizontal or vertical line
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grids
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work with single and multiple page formats, simplify the layout decision-making process, ensure consistency
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