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75 Cards in this Set

  • Front
  • Back
Art
any graphic element other than a photo
bastard copy
type set in a different width than the standard column measure
byeline
writer's name + credential
closed page
a page with ads
column inch
a measure a column wide and one inch down
copy map
the pattern of legs of a copy in a story
cut out
silhouette of a photo or portion thereof
cutline
also called a caption; info about a photo or illustration
cutoff rule
a line used to seperate elements on a page
deck
a line of a headline; also a smaller head below a main head
display head
a jazzed up headline that adds drama or flair to a story
drop cap
also called initial cap; large capital letter set into the opening paragraph of a special feature
dummying
sketching out where the elements on a page will go; mapping
ears
small pieces of info - like the weather- that run in the flag
flag
also called the nameplate; newspaper's name on page 1
folio line
a line showing the page number, date, paper's name, etc
gutter
the white space running vertically between elements on a page
half tone
a screened black and white photo; the screen breaks the image into dots to that it will print
hammer
a large headline above a smaller head
index
a directory of contents
headline
story's title display type
infographic
a diagram, chart, map, or list that conveys info pictorially
jump head
headline treatment reserved for jumped stories
jump line
a line that tells readers what page a story continues on; also a line that tells readers where a story has jumped from
kerning
adjusting the space between individual letters
kicker
a smaller headline above a main head
leading
the vertical space between lines of type
logo
a small boxed title used for labeling special stories or series
mast head
the box that holds publication and contact information
mug shot
head shot
open page
a page with no ads
photo credit line
a line giving the photographer's name
pica
1/6 of an inch
point
1/72 of an inch
pullout quote
also called a liftout quote; a quote from a story that's given graphic emphasis
raw wrap (dutch wrap)
headline that fails to cover all the text below (usually a bad idea unless there's onl one story on a page)
refer
a brief reference to a related story elsewhere on a paper
reverse type
a white type set on a dark background
sidebar
a related story, often boxed, that accompanies the main story
rule/border
a line or decorated line, usually measured in points
sidesaddle head
a headline that runds to the side of a story
sig
essentially a logo
slammer
a two-part headline that used a boldface word or phrase to lead into a contrasting main headline
standing head
a label head for an element that routinely shows up in a paper
story count
number of stories on a page
subhead
a boldface line of type used to organize the story and break up gray text
teaser
also called promos or skyboxes; promote stories inside a paper
tombstoning
also called bumping heads; two headlines directly adjacent to each other
tracking
the horizontal space between letters and words; generally goes from condensed to expanded
tripod
two part head the beings with a large, bold-face head that reads into a two deck smaller headline
leg
column of type
balance
means the visual weight of the elements on a page are equally distributed
visual weight
the illusion of an objects physical weight
symmetrical/formal balance
the elements are mirrored either top or bottom or side to side
asymmetrical/informal balance
elements are not mirrored but weights are equally distributed
emphasis
reflects the principle that the most important element should be the most prominent, the second most important the second most prominent and so on
contrast
distinguishes between elements on a page by calling attention to their differences
benefits of emphasis
simplifies the readers' task of organizing info, helps readers select the essential info quickly, providing them with visual interest
determine emphasis
designer must determine what the most important piece of information is and visually stress that information
techniques to establish emphasis
make an element the biggest, boldest, or brightest; use typographical device, us a drop shadow, set an element at an angle, etc
methods to achieve contrast
use different colors, fonts, sizes, weights, etc
repetition
used to create unity and rhythm, repeating elements
gestalt
how a design transcends its parts to create a unified whole
creating effective flow
must thoroughly understand the message you want to communicate; analyze the graphics available to support the message; establish the visual order that best communicates that message
visual flow
the order in which viewers looks at the images and graphics on a page
verbal flow
the order in which viewers reads the text on a page
enhance verbal flow
place headlines near articles, coose legible typeface and use it consistently, use the same typographical template from page to page, make sure column widths enhance legibility, make sure leading enhances legibility, keep related elements near each other
design revolution; social forces
moved from a text-based to an image based society
design revolution; economic forces
technology has made graphics, pagination, color more affordable
design revolution; technology
desktop publishing has democratized design and publishing
Bauhaus
emphasizes rationality, function, understatement, and formality
Push Pin
emphasizes irrationality, decoration, overstatement, and expressiveness
principles of design
balance, contrast, focus, proportion, unity
alignment
grouping and organizing elements on a page by having them on the same horizontal or vertical line
grids
work with single and multiple page formats, simplify the layout decision-making process, ensure consistency