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11 Cards in this Set
- Front
- Back
Figured bass for triads in first inversion with the root doubled is...
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6
6 3 or 6 3 or 6 |
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Figured bass for triads in first inversion with the fifth doubled is...
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6
3 3 |
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Figured bass for triads in first inversion with the third doubled is...
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8
6 3 |
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Figured bass for triads in first inversion with the root tripled and fifth omitted is...
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6
6 6 (This voicing is rarely used and should be avoided) |
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What is a phrygian cadence?
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A form of half cadence created by the progression iv6 to V# with subdominant to dominant voice leading in the soprano.
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True or false: Double the root of all second inversion chords.
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False (double the fifth)
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The figured bass for second inversion chords is...
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8
6 4 or 6 4 |
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The most widely used of all second inversions is the ______ ______, a second inversion tonic chord which moves to the dominant chord at a cadence.
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Cadential six-four
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A ________ _______ occurs when a second inversion chord appears between root position
and first inversion of another chord. |
Passing six-four
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An ______ ______ (also called a _______ ______ ) occurs between two root positions of the same chord where the fifth of the ________ ________is the same note as the root of the root position chord.
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Auxiliary six-four, pedal six-four, auxilliary six-four
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An ________ _______ occurs when the second inversion of a chord is immediately preceded or followed by the same chord in root position and/or first inversion.
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Arpeggiated six-four
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