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53 Cards in this Set
- Front
- Back
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The Circus Band
- form - 2 features - demonstrates Ives? |
1894, Charles Ives
- march form - syncopation, radical shifts in dynamics - connects to daily life, pictorial/narrative |
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Stars and Stripes Forever
- form? - based on? - significance - ending? |
1897, John Sousa
- march (intro, 1st strain, 2nd strain, trio, break strain, trio) - Baroque dance - official US march 1987 - different key than it started |
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Second Piano Sonata "Concord Mass 1840-1860" III Alcotts
- quotes? - published? - premiere? - movements describe whom? - significance? - demonstrates Ives? - length? |
1904, 1911, 1920 IVES 1919
- Beethoven, hymns - self published/distributed - John Kirkpatrick 1938, establishes Ives - HEAT: Hawthorne, Emerson, Alcotts, Thoreau (ii, i, iii, iv) - promotes individualism, spirituality - quotation, layering, unexpected, complexity - 45 minutes long, transcendental journey |
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Swanee
- performer? - performances? |
1919, Gershwin's 1st hit
- Al Jolson - 1923 Recital of Ancient and Modern Music |
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The Governor's Own
- form, influence - written for? |
1921 Alton Adams
- march, Sousa - US Naval Governor of Virgin Islands |
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Rhapsody in Blue
- also known as - commissioned by - musical sources? (3) |
1924, Gershwin
- "An Experiment in Modern Music" - Paul Whiteman's Orchestra - 3 spheres: folk (African American), popular (jazz, Broadway, song), Classical (concerto) |
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The Banshee
- How is it played? |
1925, Henry Cowell
- pulling on strings of piano |
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When the World is On Fire
- music used for? |
1930, Carter Family baptist hymn
- this land is your land |
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Afro-American Symphony I
- premiered by? - mvmt 1: 2 characteristics, significance - mvmt 3: form, instrument, quotation |
1930, William Grant Still
- Rochester Phil - blues theme, English horn like Dvorak, black techniques in white/European genre - scherzo, banjo, I Got Rhythm |
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Into the Streets of May
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1934, Copland (not online)
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I Got Rhythm
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1930, Gershwin (not online)
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114 Songs
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1922, Ives, Not online
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El Salon Mexico
- 4 characteristics - which period of composer's life? |
1934, Copland
- polystlistic, rhythmic displacement, mariachi influence, named after nightclub - 4th: popular |
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Can the Circle Be Unbroken
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1935, Carter Family
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Porgy and Bess: I got Plenty of Nothin
- genre? based on? - significance? |
1935, Gershwin
- folk opera based on Berg's Wozzeck and Heyward novel - all black cast - white author, white composer for all black cast |
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Symphony No. 3 III
- title |
1940, Florence Price
- Juba - Harlem Renaissance |
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This Land is Your Land
- functions as? - melody from? |
1940, Woody Guthrie
- protest song, reaction to "God Bless America" - When the World is On Fire 1930 Carter Family baptist hymn |
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Fanfare for the Common Man
- period? |
1942, Copland
- 4th: popular |
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Appalachian Spring/Ballet for Martha
- Influences (3) - set design? |
1944, Copland, NOT online
- folk music, dance forms, hymns - Japanese Internment camps |
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Sonatas and Interludes for Prepared Piano
- written for? - how is it played? |
1946, John Cage
- dance production when no room for a percussion orchestra was available - putting nails and screws and rubberbands in the piano strings |
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Hound Dog (3 Differences)
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- 1952 and 1956
- lyrics "cryin all the time and "never caught a rabbit" NOT "snoopin round my door" - ensemble vs solo work - party song/nonsense vocals |
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String Quartet and Harp- name?
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1956, William Grant Still, Ennanga
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Songs of Innocence and Experience
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1956-1981, William Bolcom
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Peg and Awl
- form - significance of form - based on? - characteristic |
traditional, Pete Seeger
- structure and expression; strophic - same music=no text/music relationship - Woody Guthrie - flat delivery=authentic |
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John Henry
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traditional, Mike and Peggy Seeger
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We Shall Overcome
- significance? |
1959, Pete Seeger
- theme of Civil Rights Movement |
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Piano Sonata No 2 I
- form? |
1957, George Walker
- 10 variations in 10 minutes |
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Hard Rain's Gonna Fall
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1963, Bob Dylan
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Blowin' In the Wind
- functions as? |
1963, Bob Dylan
- protest song, Civil Rights |
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voice and tape comp...
- genre |
Philomel, 1964, Milton Babbitt
- experimental, voice and tape |
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Respect
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1967, Aretha Franklin/Otis Redding
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Kick out the Jams
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1969, MC5
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Rapper's Delight
- significance? - sampled from? |
1979, Sugarhill Gang
- one of 1st rap hits - Chic disco "Good Times" 1979 |
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Gratitude
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1990, Ani DiFranco
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Desi
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1991, Michael Daugherty NOT online
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Double Dare Ya
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1992, Bikini Kill
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Toy Story
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1995, Randy Newman NOT online
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Dreamer "Bound No'th Blues"
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2001, Erik Santos
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"Rosa Parks"...
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String Quartet No. 5, 2006, Daniel Roumain
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On the Transmigration of Souls
- for? |
2002, John Adams
- 9/11 |
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ORGAN2/ASLSP
- how is it played? - where? |
1987, John Cage
- 1.5 years of silence in 2001, 1st 3 notes in 2003, next 3 in 2006 - church in Germany |
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Piano Quartet
- demonstrative of composer? |
1950, Aaron Copland
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Symphony No. 3 (Copland)
- period? movement? |
1946, Copland
- 4th: popular II |
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Turkey in the Straw
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1840, Zip Coon/George Washington Dixon
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Music for Brass....
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Sacred and Profane: Invokation, 1975, George Walker
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It Takes Twelve to Tango
- form? |
1984, Milton Babbitt 12 tone tango form, 12-tone
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Music of Changes
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1951, John Cage, chance music
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Studies for Player Piano
- describe |
1949, Conlon Nancarrow
- two voices on player piano, one starts slow speeds up, one starts fast slows down |
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Roll Over Beethoven
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1956, Chuck Berry
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Gold Digger
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2005, Kanye West
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I Got a Woman
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1955, Ray Charles
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Into the Streets May 1st
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1934, Aaron Copland
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Piano Quartet
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1950, Aaron Copland
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