Music Theory 2 Final

Front 1

C

Back 1

0

Hint 1

Key sig

Front 2

F#

Back 2

6#

Hint 2

Key sig

Front 3

Cb

Back 3

7b

Hint 3

Key

Front 4

Db

Back 4

5b

Front 5

A

Back 5

3#

Front 6

F

Back 6

1b

Front 7

G

Back 7

1#

Front 8

Gb

Back 8

6b

Front 9

E

Back 9

4#

Front 10

D

Back 10

2#

Front 11

Bb

Back 11

2b

Front 12

B

Back 12

5#

Front 13

Eb

Back 13

3b

Front 14

Ab

Back 14

4b

Front 15

Major Scale Construct Pattern

Back 15

Whole W Half W W W H

Front 16

Steps in a m3

Back 16

1 1/2

Front 17

Steps in an octave

Back 17

6 whole 12 half

Front 18

Steps in a P5

Back 18

7 half steps, 3 1/2 whole steps

Front 19

Natural minor scale formula

Back 19

Whole half w w h w w

Front 20

Melodic minor scale formula

Back 20

Whole half w w w w h - w w h w w h w

Front 21

Harmonic minor scale formula

Back 21

Whole half w w h 1 1/2 h

Front 22

Major triad

Back 22

M3 m3

Front 23

Minor triad

Back 23

m3 M3

Front 24

Diminished triad

Back 24

m3 m3

Front 25

Augmented triad

Back 25

M3 M3

Front 26

Root pos figured bass

Back 26

5 3

Front 27

First inversion triad

Back 27

6 3

Front 28

Second inversion figured bass

Back 28

6 4

Front 29

Name the scale degrees

Back 29

Tonic, super Tonic, mediant, subdominant, dominant, sub mediant, leading tone, tonic

Front 30

Distance between S A and T must be less than an_____

Back 30

Octave

Front 31

Root position you double the____

Back 31

Root

Front 32

No parallel___ or____

Back 32

Fifth or octave

Front 33

In root position double which voice?

Back 33

Bass

Front 34

In a major first inversion double the?

Back 34

Soprano

Front 35

In a minor first inversion double either the _ or _?

Back 35

Bass or soprano

Front 36

In a diminished first inversion double the?

Back 36

Bass

Front 37

In a second inversion double the____

Back 37

Fifth, in the bass

Front 38

Cadential 6/4

Back 38

Tonic triad in second inversion followed by a root position dominant chord.

Front 39

Pedal 6/4?

Back 39

Second inversion chord where bass is treated as a pedal tone, approached and left by the same note.

Front 40

Passing 6/4?

Back 40

Second inversion where the bass is treated as a passing tone. Going stepwise up or down.

Front 41

Passing tone

Back 41

Approached by step, left by step in same direction

Front 42

Neighbor tone

Back 42

Approached and left by same note.

Front 43

Escape tone

Back 43

Resolves in opposite direction as the approach.

Front 44

Anticipation

Back 44

Chord tone played before the chord arrives

Front 45

Suspension tone

Back 45

A note held over from a previous tone

Front 46

Secondary dominant

Back 46

Take the dominant of the dominant

Front 47

Dominant 7th chord 7th interval

Back 47

m7

Front 48

Major 7th chord

Back 48

M7

Front 49

Minor 7th chord

Back 49

m7

Front 50

Half diminished 7th

Back 50

m7

Front 51

diminished 7th

Back 51

d7

Front 52

Half cadence

Back 52

Phrase ends with V

Front 53

authentic cadence

Back 53

Phrase ends with V or vii going to a I

Front 54

Perfect authentic cadence

Back 54

V -> I

Front 55

Plagal cadence

Back 55

Phrase ends with IV going to a I

Front 56

Deceptive cadence

Back 56

Phrase ends with a V going to something that is not a I