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34 Cards in this Set

  • Front
  • Back
Intervals
meaure distance between two notes
Harmonic Interval
two pitches sounded simultaneoulsy. In measure two notes on top of each other.
Melodic Interval
two pitches sounded in succession. In measure notes right after each other.
Interval quality
Perfect -P
Major -M
minor -m
Augmented -A or +
diminished -d or °
Perfect Interval
P1=0 half steps
P4=5 half steps
P5=7 half steps
p8=12 half steps
Major intervals
M2=2 half steps
M3=4 half steps
M6=9 half steps
M7=11 half steps
minor intervals
1 less hs than a Major
m2=1 half steps
m3=3 half steps
m6=8 half steps
m7=10 half steps
simple intervals
are one octave or smaller in size
compound intervals
intervals larger than an octave
Related keys
major and minor scales with that have the same key signature. They are said to be in a relative relationship
minor key (number of sharps)
a- 0
e- 1
b- 2
f sharp- 3
c sharp- 4
g sharp- 5
d sharp- 6
a sharp- 7
minor key (number of flats)
a- 0
d- 1
g- 2
c- 3
f- 4
b flat- 5
e flat- 6
a flat- 7
Minor scales
natural minor
harmonic minor
melodic minor
Natural minor
5 whole steps, 2 half steps
WhWWhWW
-to convert natural minor into harmonic minor, raise the seventh note by a hs
-to convert natural minor ti melodic minor, raise 6th & 7th notes by hs
Harmonic minor
harmonic minor borrows the leading tone of the parallel major scale (half step below the tonic) to replace its own subtonic.
WhWWhWh
Melodic minor
ascending: WhWWWWh
desending: WWhWWhW
Pentatonic scale
is a scale with 5 tones per octave.
4th and 7th degrees are taken out
Major& minor pentatonic
Five note scale and contains no half steps
4th and 7th notes are removed
Blues scale
cotains 7 notes.
W+hWhhW+hW
Traids (Chord)
a chord of three musical notes
root
3rd
5th
Major triads
Is built with a M3 & P5 from the root
root-M3-P5
minor triads
root, m3, P5
Augmented triad
root, M3, Augemented 5th
diminished triad
root, m3, diminished 5th
Scale degrees for triad
tonic triad, supertonic triad, mediant triad, subdominant triad, dominant triad, submedisnt triad, leading tone triad, tonic triad
Inversions of triads
root position: root, 3rd, 5th
1st inversion: 3rd, 5th, root
2nd inversion, 5th, root, 3rd
labeling inversions
!!
Roman numeral analysis
I, ii, iii, IV, V, vi, vii, I
captitalized letters are Major
lower case is minor
Seventh chords
the combination of a triad and the interval of a seventh.
Dominant seventh chords
major triad (M3, P5) and a minor seventh (9hs)
Inversion of seventh chords
!!
Augmented intervals
one more hs than a Perfect interval
A4: 6hs
Major intervals can be augmented by adding a hs
A6: 10hs
diminished interval
one less hs than a Perfect
d5: 6 hs
minor intervals can be diminished by subtraction 1 hs
d7: 9hs
Interval inversion
to move the lowest note in a group an octave higher.
C-G: P5 IVERSION: G-C: P4
Perfect<-->Perfect
minor<-->Major
fourth<-->fifth
third<-->sixth
seventh<-->seconds
diminished<-->augmented