Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
34 Cards in this Set
- Front
- Back
Intervals
|
meaure distance between two notes
|
|
Harmonic Interval
|
two pitches sounded simultaneoulsy. In measure two notes on top of each other.
|
|
Melodic Interval
|
two pitches sounded in succession. In measure notes right after each other.
|
|
Interval quality
|
Perfect -P
Major -M minor -m Augmented -A or + diminished -d or ° |
|
Perfect Interval
|
P1=0 half steps
P4=5 half steps P5=7 half steps p8=12 half steps |
|
Major intervals
|
M2=2 half steps
M3=4 half steps M6=9 half steps M7=11 half steps |
|
minor intervals
|
1 less hs than a Major
m2=1 half steps m3=3 half steps m6=8 half steps m7=10 half steps |
|
simple intervals
|
are one octave or smaller in size
|
|
compound intervals
|
intervals larger than an octave
|
|
Related keys
|
major and minor scales with that have the same key signature. They are said to be in a relative relationship
|
|
minor key (number of sharps)
|
a- 0
e- 1 b- 2 f sharp- 3 c sharp- 4 g sharp- 5 d sharp- 6 a sharp- 7 |
|
minor key (number of flats)
|
a- 0
d- 1 g- 2 c- 3 f- 4 b flat- 5 e flat- 6 a flat- 7 |
|
Minor scales
|
natural minor
harmonic minor melodic minor |
|
Natural minor
|
5 whole steps, 2 half steps
WhWWhWW -to convert natural minor into harmonic minor, raise the seventh note by a hs -to convert natural minor ti melodic minor, raise 6th & 7th notes by hs |
|
Harmonic minor
|
harmonic minor borrows the leading tone of the parallel major scale (half step below the tonic) to replace its own subtonic.
WhWWhWh |
|
Melodic minor
|
ascending: WhWWWWh
desending: WWhWWhW |
|
Pentatonic scale
|
is a scale with 5 tones per octave.
4th and 7th degrees are taken out |
|
Major& minor pentatonic
|
Five note scale and contains no half steps
4th and 7th notes are removed |
|
Blues scale
|
cotains 7 notes.
W+hWhhW+hW |
|
Traids (Chord)
|
a chord of three musical notes
root 3rd 5th |
|
Major triads
|
Is built with a M3 & P5 from the root
root-M3-P5 |
|
minor triads
|
root, m3, P5
|
|
Augmented triad
|
root, M3, Augemented 5th
|
|
diminished triad
|
root, m3, diminished 5th
|
|
Scale degrees for triad
|
tonic triad, supertonic triad, mediant triad, subdominant triad, dominant triad, submedisnt triad, leading tone triad, tonic triad
|
|
Inversions of triads
|
root position: root, 3rd, 5th
1st inversion: 3rd, 5th, root 2nd inversion, 5th, root, 3rd |
|
labeling inversions
|
!!
|
|
Roman numeral analysis
|
I, ii, iii, IV, V, vi, vii, I
captitalized letters are Major lower case is minor |
|
Seventh chords
|
the combination of a triad and the interval of a seventh.
|
|
Dominant seventh chords
|
major triad (M3, P5) and a minor seventh (9hs)
|
|
Inversion of seventh chords
|
!!
|
|
Augmented intervals
|
one more hs than a Perfect interval
A4: 6hs Major intervals can be augmented by adding a hs A6: 10hs |
|
diminished interval
|
one less hs than a Perfect
d5: 6 hs minor intervals can be diminished by subtraction 1 hs d7: 9hs |
|
Interval inversion
|
to move the lowest note in a group an octave higher.
C-G: P5 IVERSION: G-C: P4 Perfect<-->Perfect minor<-->Major fourth<-->fifth third<-->sixth seventh<-->seconds diminished<-->augmented |