• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/57

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

57 Cards in this Set

  • Front
  • Back
In what period was Gabrieli?
Baroque
In what period was Bach?
Baroque
In what period was Hayden?
Classical
In what period was Beethoven?
Classical
In what period was Mozart?
Classical
What are five families of instruments?
Strings, brass, woodwind, percussion, keyboard
What centuries does the Medieval period encompass?
8-14
What centuries does the Renaissance period encompass?
15, 16
What centuries does the Baroque period encompass?
17
What centuries does the Classical period encompass?
18
What period encompasses the 8th thru 14th centuries?
Medieval
What period encompasses the 15th and 16th centuries?
Renaissance
What period encompasses the 17th century?
Baroque
What period encompasses the 18th century?
Classical
What characterizes the Medieval period?
Monophonic, modal, a cappella, nonmetric, conjunct (stepwise) melodies, limited range, polyphonic independent voices
What characterizes the Renaissance period?
3 part compositions, melodic & rhythmic emphasis moves to top part, solos with accompaniment, new homophonic, texture, numerous thirds introduced to melody
What characterizes the Baroque period?
Grandiose concepts
Ornate design
Theatrical quality
Vivid contrast
Counterpoint giving way to homophony
Terraced dynamics
More prominent bass (basso continuo)
Modulation
Long melody lines
Polyphonic
What characterizes the Classical period?
Homophonic texture complete, no basso continuo, restraint, balance, clarity of form, sectional form, alberti bass (broken chord bass accompaniment), short melodic phrases, less complex harmony comprised of principal triads, introduction of piano
Mass
The catholic communion service (music written for this service)
Fugue
a musical composition in which one or two themes are repeated or imitated by successively entering voices and contrapuntally developed in a continuous interweaving of the voice parts
Polychoral
Two or more choirs that answer one another singing in alternation
Polyphonic
Two or more equally important melodic lines
Monophonic
One melodic line
Homophonic
One melodic line accompanied by harmony
Sonata
ADD
Recitative
Contains the narrative or dialog that moves the story forward, a solo and is part of an opera. May include light instrumentation.
Oratorio
A Bible story told (sung) by soloists and choir
Monodic
Having a solo vocal style distinguished by having a single melodic line and instrumental accompaniment
Long meter
8.8.8.8
Kantional
The structure with melody on top of the staff, with supporting chords planned for alto, tenor, and bass voices; encouraged the combination of choir and congregation.
Simile
A comparison that uses the word “like” or “as”
Flat
lower, a half-step lower
Verse
one line of poetry, a single metrical line
Alliteration
The occurrence of the same letter or sound at the beginning of adjacent or closely connected words
Eucharist
Catholic word for the Lord’s Supper is a rite to be a sacrament, the ceremony of partaking in communion
Timbre
Quality of the sound or voice as distinct from its pitch and intensity
Common meter
8.6.8.6
Pietism
An influential movement with Lutheranism that combined the 17th century Lutheran principles with the Reformed emphasis on individual piety and living a victorious Christian life; emphasized personal religion
Passion
Large choral work relating Christ’s last week and crucifixion
Rhyme
Correspondence of sound between words or the endings of words, especially when used at the ends of lines of poetry
Measure
A segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical lines
Short Meter
6.6.8.6
Personification
A figure of speech where human qualities are given to animals, ideas, or object, or representing non-human thing as if it were human.
Antiphonal
Alternate singing by two choirs or singers.
Fasola
Synonym of “shape note” (?)
Alto
Second highest part of a contrapuntal musical texture and is also applied to its associated vocal range, the lower voice in the treble clef in 4-part harmony
Metaphor
A comparison that does not use like or as, figure of speech which makes an implicit or implied comparison that are unrelated.
Octave
Interval between one musical pitch and another with half or double its frequency, 8 steps from itself.
Guido d'Arezzo
Guido d’Arezzo invented the primitive form of staff notation
The Sacred Harp
The Sacred Harp is a shape note songbook that has been published since 1844.
Benjamin Keach
Benjamin Keach wrote the book The Breach Repaired. It made a case for sacred music and hymn singing in the church.
Martin Luther
Martin Luther encouraged simple melodies and congregational singing; composed hymns and songs and set them to secular tunes; often used the Barform format.
Ordinary
Regular texts in the Mass, frequently set to music due to their regular use is called the Ordinary.
Concerto grosso
Concerto grosso means literally a “fat concerto” and has multiple soloists.
Theodore Beza
Theodore Beza and Clement Marot were involved in the creation of the Genevan Psalter.
Clement Marot
Theodore Beza and Clement Marot were involved in the creation of the Genevan Psalter.
What are Brian Wren's desirable traits for a hymn?
Devout, just, frugal, beautiful, simile, communal, purposeful, musical