Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
98 Cards in this Set
- Front
- Back
Ligeti is from
|
Hungary
|
|
Ligeti Grew up in
|
kolozsvar
|
|
Ligeti first studied at the
|
Kolozsvar Conservatory
|
|
Ligeti's initial studies were interrupted
|
because he was forced to do labor corps duties because of the nazis
|
|
Ligeti's bro was sent to
|
Mathausen
|
|
Liget's parents
|
sent to Auschwitz (mom survived)
|
|
Ligeti after the war
|
continued studies at the academy of Music in Budapest
|
|
Ligeti taught at
|
the Academy of Music in Budapest
|
|
Ligeti fled West
|
To escape the grip of the soviets on the arts
|
|
Ligeti became involved in avant guarde music
|
at darmstadt and cologne
|
|
Ligeti learned these techniques
|
total serialism and electronic music
|
|
Electronic music effected Ligeti's
|
approach to orchestra music
|
|
ligeti's second teaching position
|
music academy of stockholm
|
|
ligeti experiments with
|
microtonal developments
|
|
waning of avant guarde caused ligeti to
|
change his style to more traditional techniques
|
|
atmospheres
|
ligeti
|
|
premiere of atmospheres
|
germany, swf symphony, hans rosbaud cond.
|
|
orchestration of atmospheres
|
double winds, piano, strings
|
|
atmospheres same name
|
earlier unfinished electronic piece by ligeti. not musically related, but did develop some of the same concepts (sound masses)
|
|
Sound masses
|
Ligeti. Music that concetrates on more or less indeterminate clouds of sound built on complete verical collections of the 12 tones.
|
|
later ligeti developed
|
a language of microtonal clusters.
|
|
ligeti first introduced microtonal clusters
|
independently but at the same time as xenakis, pendercki, and stockhausen
|
|
ligeti gained international reputation from
|
apparitions
|
|
apparitions lead ligeti to a more
|
homogenous and static handling of orchestral clusters in atmospheres, either in sustained tones or in micropolyphony
|
|
micropolyphony
|
ligeti. dense weaves of unison canons in which the lines move at different speeds and are not separately identifiable.
|
|
micropolyphony
|
ligeti: "the complex polyphony of the individual parts is embodied in a harmonic-musical flow, in which the harmonies do not change suddenly but merge into one another; one clearly discernible interval combo is gradually blurred, and from this cloudiness it is possible to discern a new interval combination taking shape."
|
|
ligetis clusters drift through
|
regions of color, harmony and texture
|
|
kaufmann said ligeti
|
thought of a representation of mass for the dead, as though far below, in the remote distance, a requiem were taking place."
|
|
other cluster composition by ligeti
|
volumina for organ
|
|
Old Hungarian parlour dances
|
ligeti
|
|
ballad and dance
|
ligeti
|
|
concert romanesc
|
ligeti
|
|
apparitions
|
ligeti
|
|
atmospheres
|
ligeti
|
|
lontano
|
ligeti
|
|
ramifications
|
ligeti
|
|
melodien
|
ligeti
|
|
clocks and clouds
|
ligeti
|
|
san francisco polyphony
|
ligeti
|
|
grisey got his initial training
|
at the trossingen conservatory in germany
|
|
Who were Grisey's teachers and where?
|
Messaien, paris
dutilleux, ecole normale xenakis and ligeti, darmstadt electroacoustics acoustics, faculte des sciences |
|
grisey won
|
prix de rome
|
|
at the villa medici, grisey
|
met tristan murail
|
|
grisey cofounded
|
L'intineraire with Murail
|
|
music grisey liked
|
oriental, african, avant guarde, sibelius, janacek
|
|
grisey taught at
|
darmstadt summer courses, UC Berkeley, Paris
|
|
grisey died suddenly
|
from an aneurism
|
|
transitoires
|
grisey
|
|
Transitoires is part of
|
a 6 piece orchestral cycle, written from 1974-1985.
|
|
6 movements of Les Espaces Acoustiques
|
pppmte
|
|
Les Espaces Acoustiques
|
moves away from serialism towards techniques based on acoustic properties of sound (harmonic spectrum) and human perception
|
|
Musique spectrale
|
mixes human perception and the harmonic spectrum, popular in france from the 80s on
|
|
orchestration of les espaces acoustiques
|
solo viola-full orhcestra
|
|
movement flow of l.e.a.
|
all can be played separately or with any adjacently written piece
|
|
l.e.a. based on a model
|
inhale, exhale, rest
|
|
inhale
|
build tension
|
|
exhale
|
release tension
|
|
rest
|
on e
|
|
instrumental sythesis
|
grisey's name for the blurring distinction between harmony and timbre
|
|
grisey has a trombone play a low e
|
then follows it with a chord that simulates the E based on a sonogram analysis
|
|
grisey tries to simulate the ring modulation by
|
using long stretches of the same work employing hamonic transformations
|
|
grisey's goal of rind modulation
|
to modulate away from and back to the harmonic spectra
|
|
Takemitsu from
|
tokyo
|
|
TTs early education
|
cut short because of conscription
|
|
TT employed during occupation after the war
|
at a us military base
|
|
while working at the military base, tt
|
heard a lot of western music, decided he wanted to be a composer
|
|
tt's teacher
|
self taught
|
|
TT cofounded
|
an experimental workship
|
|
tt's experimental workshop was specifically for
|
mixed media projects
|
|
tt worked with this in the mid 50s
|
electronic music
|
|
tt early 60s
|
first came to international attention with requiem for strings
|
|
requiem for strings popularity aided by
|
stravinsky praising and promoting
|
|
tt began to like native japanese music when he met
|
john cage
|
|
1970s tt turns to
|
japanese gardens in color, spacing, and form
|
|
tt wrote 93
|
scores for film
|
|
tt's best known film score
|
Ran
|
|
1980s and 1990s, tt guest composer and lecturer
|
aldeburgh, tanglewood, suny buffalo, columbia
|
|
tt died of
|
bladder cancer and pneumonia while going through cancer treatment
|
|
visions
|
tt
|
|
visions premiere
|
chicago, barenboim
|
|
visions orch
|
b fl, cb cl, c bsn, b tp, 4 perc= lots of bass
|
|
visions movements
|
1. mystere, 2. les yeux clos
|
|
visions commissioned
|
by chicago for it's centenary
|
|
1968 tt
|
stranded in chicago due to a blizzard that closed the airport. went to art institute of chicago, liked the paintings of redon (mystere and les yeux clos)
|
|
tt's fave painter
|
odilon redon
|
|
other pieces tt composed based on redon
|
2 works for piano
|
|
tt's treatment of orch in visions
|
treats a large orch as though it were a chamber orch
|
|
visions shows influences from which composers
|
debussy and messiaen
|
|
chamber concerto, requiem, tableau noir
|
tt
|
|
solitude sonore, scene, music of trees
|
tt
|
|
arc 1, dorian horizon, green, november steps
|
ttt
|
|
asterism, eycalyptus
|
tt
|
|
crossing, cassiopeia, winter, gemeaux
|
tt
|
|
autumn, a flock, far calls, dreamtime, toward the sea, a way a lone, star-isle, rain coming
|
tt
|
|
to the edge of dream, orion and pleiades, vers l'arc-en-ciel
|
tt
|
|
palma, reiver run, dream/window, i hear the water dreaming, nostalghia, treeline, twill by twilight
|
tt
|
|
a string around autumn, from me flows what you call time, visions, mystere, how slow the wind, quotation of dream-cermonials,
|
tt
|
|
fantasma, spirit garden, 3 film scores, spectral cantical
|
tt
|