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18 Cards in this Set
- Front
- Back
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External Form for Liturgical Recitative
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Antiphone, Psalm Verses, Gloria Patri (lesser Doxology), Antiphone
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Internal form for Psalm Verses
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Intonation, Reciting tone, Mediant, Reciting Tone, Termination
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Internal form for Canticle
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Intonation, Reciting tone, Mediant, Reciting tone
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Use of free chant
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Used in mass, no reciting tone
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Ordinary of the Mass
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Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei
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External Form for Liturgical Recitative
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Antiphone, Psalm Verses, Gloria Patri (lesser Doxology), Antiphone
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Internal form for Psalm Verses
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Intonation, Reciting tone, Mediant, Reciting Tone, Termination
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Internal form for Canticle
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Intonation, Reciting tone, Mediant, Reciting tone
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Use of free chant
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Used in mass, no reciting tone
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Ordinary of the Mass
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Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei
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Proper of the Mass
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Introit, Gradual, Halleluah (not sung for lint or advent), Offertory, Communion
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Divine Offices
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Matins, Lauds, Prime, Terce, Sext, None, Vespers, Compline
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Liturgical Year
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Advent, Christmastide, Lent (Ash Wednesday to Maundy Thursday), Easter Tiduum (Good Friday, Holy Saturday, Easter Sunday), Easter (ends with Pentacost)
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Modes
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1. Dorian, 2. Hypodorian, 3. Phrygian, 4. Hypophrygian, 5. Lydian, 6. Hypolydian, 7. Mixolydian, 8. Hypomixolydian
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Boethius
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ca. 480 - 525 ,Wrote "De Musica," Established Musica Mundana (Music of the Heavens, Musica Humana (Music of the human body), and Musica Instrumentalis (instrumental Music)
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Guido
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ca. 991 - 1033, wrote "Micrologus," introduced staff notation, solfeggio (syllables taken from the first six musical phrases of Ut queant laxis), and Guidonian Hand.
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Trope
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A section before the mass that added either
1. New text to existing melisma 2. New melisma to existing text 3. New text and new melisma |
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Sequence
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Added words to existing chants making them easier to remember, often written in rhyming couplets, every two lines has the same melody
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