Music History Ii Written Exam One

Front 1

Prince Nikolaus Esterházy

Back 1

Haydn's patron

Front 2

Alberti bass

Back 2

Broken Chords for Harmonic accompaniment

Front 3

Classical Era

Back 3

Intellectual movement of the early classical period

Front 4

Double exposition form in a concerto

Back 4

Tutti exposition, Solo exposition, Development, Recapitulation, Cadenza&coda

Front 5

Cadenza

Back 5

Moments of intense improvisation

Front 6

I 6/4 Chord

Back 6

Precedes the cadenza

Front 7

V7 chord trill

Back 7

Follows the cadenza

Front 8

Lorenzo da Ponte

Back 8

Mozart's primary librettist for his mature operas

Front 9

Sonata Allegro Form

Back 9

Exposition (T1, Trans[mod], T2), Development (development of earlier themes, exploration of tonalities), Retransition (thinning of texture and prepare to return to tonic), Recapitulation (T1, Trans[no mod], T2)

Front 10

Empfindamkeit

Back 10

Sensitive style; emotional sensitivity

Front 11

Sturm und Drang musical characteristics

Back 11

Minor modes, large melodic leaps, sudden dynamic contrast

Front 12

Cyclical coherence/unity

Back 12

Manner in which the various movements relate to one another

Front 13

Haydn, Mozart, Beethoven

Back 13

Composers of the First Viennese School

Front 14

Croatian and Hungarian folk music

Back 14

Influential genres of Haydn

Front 15

Dies Irae

Back 15

Gregorian Chant, Day of wrath

Front 16

K + #'s

Back 16

Catalogue system of Mozart

Front 17

Hoboken #'s

Back 17

Catalogue system of Haydn

Front 18

Symphony

Back 18

Genres Haydn contributed extensively to

Front 19

Christoph Willibald Gluck

Back 19

Primary opera reformer

Front 20

Symphonie cooncertante

Back 20

Symphonies with individual soloistic display

Front 21

Requiem

Back 21

D minor (Mozart's tragic key)

Front 22

Gottfried van Swieten

Back 22

Patrons of Haydn and Mozart

Front 23

Intermezzo

Back 23

work intended for performance between acts of a large, opera seria

Front 24

Italian comic opera

Back 24

sung throughout; dialogue produced through recitative

Front 25

French Opera Comique

Back 25

Simple melodies; spoken dialogue

Front 26

Ballad Opera: England

Back 26

Popular tunes set to new words

Front 27

Singspiel

Back 27

Important predecessor of Germanic Romantic opera

Front 28

Sonata Movement I

Back 28

Sonata Allegro Form, Tonic key, fast

Front 29

Sonata Movement II

Back 29

Theme and Variations, ABA, contrasting key, slow

Front 30

Sonata Movement III

Back 30

Minuet & Trio, tonic Key, Medium

Front 31

Sonata Movement IIII

Back 31

Rondo, Sonata, Sonata Rondo, Tonic, fast

Front 32

Beautilful simplicity

Back 32

Changes made to Opera

Front 33

Start of opera wars

Back 33

Started from Pergolesi production in Paris

Front 34

French Revolution influences to music

Back 34

Less ornamentation, Homophonic texture, slow harmonic rhythm