Reading...
Play button
Play button
Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
25 Cards in this Set
- Front
- Back
|
Fauxbourdon
|
False bass; un-notated line that runs parallel to top of two notated lines
|
|
|
Martin Luther
|
Lutheran Reformation Leader
|
|
|
Jean Calvin
|
First to break from Luther; established own denomination; believed music must be carefully guarded
|
|
|
Plainsong Mass
|
Each movement is based on a different chant (Kyrie- Kyrie, Gloria- Gloria, etc); Missa sine nomine- Mass without a Name
|
|
|
Imitation/Parody Mass
|
Movements are based on polyphonic model (motet, madrigal); all voices may be re-worked or borrowed
|
|
|
Paraphrase Mass
|
Borrowed one melodic idea but freely elaborated
|
|
|
Head Motive
|
Thematic idea that occurs at the beginning of a movement or work and returns prominently throughout the course of the music that follows
|
|
|
English Guise
|
Homophonic texture
|
|
|
Chanson
|
courtly love subject matter; polyphonic; generally on the beat; Rondeau form
|
|
|
Parisian Chanson
|
Influenced by Italian frottola; not necessarily composed in paris; either one voice per part or a solo voice with lute
|
|
|
Frottola
|
Secular Italian vocal genre of the late 15th and early 16th centuries. the texture tends to be chordal and the texts are often lighthearted, comic, or ironic
|
|
|
Madrigal
|
14th century text usually consisting of two or three strophes, each with three lines, plus a two-line ritornello
|
|
|
Full anthem
|
Unaccompanied chorus in contrapuntal style
|
|
|
Verse anthem
|
One or more solo voices with organ or violin accompaniment with brief alternating passages for chorus
|
|
|
Council of trent
|
Eliminated many plainchants; Believe sacred music's function was to serve text and discouraged the use of secular music
|
|
|
Chorale
|
A hymn either in a harmonized form or a melody alone
|
|
|
Mannerism
|
Describes an artistic style prevalent in the works of certain artists that emphasized unusual degrees of distortion and exaggeration.
|
|
|
Triple impression printing
|
Form of music printing
|
|
|
Musica Transalpina
|
certain kinds of music reserved for connoisseurs and not intended for wide-scale distribution.
|
|
|
Ballett
|
To dance, form of AbbaA
|
|
|
Tenorlied
|
Type of secular song cultivated in Germany in the 16th century in which the principal melody appears in the tenor voice, with three contrapuntal voices surrounding it.
|
|
|
Italian Madrigals
|
More voices, Late 16th C, Word painting to extremes, and increased in virtuosity
|
|
|
Concerto dell donne
|
Women's Ensemble
|
|
|
Lute songs
|
Strophic notation for lute and one or more voices; notated in tablature
|
|
|
Functions of motets in Renaissance
|
Liturgical, devotional, and Occasional
|
