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30 Cards in this Set
- Front
- Back
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Binchois (Gilles de Bins) De plus en plus |
Jorge's Favorite (1400-1460) 15th century Rondeau Secular Love Poem (Courtly Love) |
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Jean de Ockeghem: Missa prolationum: Kyrie |
Polyphonic Latin Mass Religious (1420-1497) 15th century 4 parts |
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Josquin Deprez: Mille Regretz |
French Chanson (1520) 15th-16th Century Homophonic Mode 3 Phrygian Secular |
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Martin Luther: Ein Feste Burg |
Lutherin Choral 15th-16th Century Attributed to St. Ambrose: Hymn like choral German
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Giovanni Pierluigi da Palestrina: Pope Marcellus Mass a) credo |
Polyphonic Mass Less dissonant Less melismatic Many Cadences Text clearly said 16th century 6 voices |
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Juan del Encina: Oy comamos y bebamos |
Villancico 15th-16th century Spanish ABBA musical form dancelike rhythms Solo voice |
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John Dowland: Flow, my Tears |
Lute accompaniment Solo voice English 16th-17th century Secular AABBCC - functional dance music |
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Claudio Monteverdi: Cruda Amarilli |
Madrigal Italian Dissonant 16th-17th century Love song |
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Jean-Baptiste Lully: Armide: Excerpts (a)Overture |
"Most beautiful aria ever written!" -Jorge Sosa Heavily Instrumental No singing Secular Tragedi en Musique French Origin Strings divided into 5 parts 17th century |
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Henry Purcell: Dido Aeneas: conclusion Lament: When I am Laid in Earth |
Solo Voice Kiera (Ugh lol) English style recitative 17th century Stepwise decent of a 7th Basso Stanato (grounding bass) |
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Chorale |
Main musical form of protestants in Germany during reformation |
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Madrigal |
The italian madrigal - music is representing the lyrics, word painting |
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Orfeo |
Discuss Peri, Caccini, and Monteverdi All wrote operas based on Orfeo |
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Binary Form |
AABB dance form, associated with dancing, song style |
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Contenance Angloise |
English ,early renaissance sound using only 3rds and 6ths |
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Counter reformation |
Catholic Church trying to bring people back (Palestrini) Great Marcellus Mass |
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Virginalists |
Composer that used the virginal English name for a harpsichord used for all types of keyboard. virginals was among the most popular keyboard instruments of this period |
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Consort |
group of instruments all in the same family |
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Broken Consort |
A group of instruments not all in the same family of instruments |
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Recitative |
associated with opera, a style of delivery in which a singer is allowed to adopt the rhythms of ordinary speech |
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Toccatta |
A type of keyboard style, mainly associated with keyboard instruments (DUH) a viruosso piece of music derived form the italian word "to touch" |
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Fugue |
Harmonized, one subject and develops throughout each round. mimicking sound |
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Suite |
A collection of dances, allemande, grande, sarabande |
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Cantata (In the style of Barbara Strozzi) |
Little chamber operas people would hold at home |
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Ground bass |
Basso ostinato (Recurring bass that repeats over and over) Ex. Descending 4ths |
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Cori Spezzati |
St Mark's cathedral. Gabrielli's choir placed in balconies sounding like surround sound, Sacred Concerto |
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Trio Sonata |
4 people usually playing bass, 2 treble lines, 1 to fill in the rest of the chords, usually improvised usually played by lute or keyboard |
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Basso continuo |
a bass instrument and another instrument that fills in the harmony (Figured bass) |
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French Overture |
Used in tragedy in music opens with a slow homophonic majestic section, followed by a faster section |
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Da Capo Aria |
Aria form with two sections, first section repeated after second section closed, Da Capo means from the head ABA Form |
