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15 Cards in this Set
- Front
- Back
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Impact of the printing press on 16th century music |
Sheet music is readily available. Easier to transport. Faster flow of music. |
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Ottaviano Petrucci |
Italian printer-- first collection of polyphonic music-- Harmonice Musices Odhecaton |
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Rota |
Wheel - Singing in rounds - Summer is a cumin in |
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Countenance angloise |
English manner, full rich harmonies based on third and sixth of a chord |
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Main innovation of Quam Pulchra Es |
Part of Countenance Angloise |
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Development of the motet from 1200s to 1400s |
Discant clausula to Gregorian chant in the tenor line to more rhythm and added text to a freely composed tenor line. |
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Significance of de plus in plus by Binchois |
English influenced song by a French man |
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Guillaume du Fay |
Center figure of Burgundian school. Leading composer of early Renaissance |
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3 Formes fixes. When did they flourish? |
Ballad, Rondeau, virelai. 1300-1400 |
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Different types of mass movements according to compositional techniques |
Contus fermus mass (preexisting music), paraphrase mass (uses all voices from a peice), parody mass (all voices are parodied in mass movement), Cyclic mass (recycling of musical parts throughout the mass), muto mass (same melodic motive) |
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L'homme Arme |
French secular song, Dorian mode, ordinary mass. |
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Unique about Missa prolationum. Who is the composer? |
Johanmes Oakeghem. Time signatures are different. Lower tesitura, double canon. |
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Missa sine nomine |
Mass without a name. No preexisting musical source. |
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2 definitions for canon |
2 parts derived from 1. Rule for singing in separate time signatures |
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New techniques Josquin uses? Example? |
Abandoned fixed forms (polyphonic to homophonic) douple meter. Ave Maria. |
