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90 Cards in this Set
- Front
- Back
- 3rd side (hint)
Sound |
Vibrations that are transmitted usually through air to the eardrum which sends impulses to the brain |
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Accelerando |
Becoming faster |
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A cappella |
Choral music without instrumental accompaniment |
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Accent |
Emphasis of a note, which may result from its being louder,longer,or higher in pitch than the notes near it |
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Beat |
Regular,recurrent pulsation that divides music into equal units of time |
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Bass |
Male voice of low range |
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Climax |
Highest tone or emotional focal point in a melody or a larger musical composition |
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Complete cadence |
Definite reading place, giving a sense of finality, at the end of a phase in a melody |
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Consonance |
Tone combination that is stable and restful |
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Contrast |
Striking differences of pitch, dynamics,rhythm,and tempo that provide variety and change of mood |
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Chords |
combination of three or more tones sounded at once |
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Church mode |
Like major or minor scales, seven different tones and an eighth tone that duplicates the first an octave higher, their patterns of whole and half steps are different |
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Crescendo |
Gradually louder |
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Chromatic scale |
Scale including all twelve tones of the octave , each tone is a half step away from the next one |
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Counterpoint |
Technique of combining two or more melodic lines into a meaningful whole |
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Interval |
The distance in pitch between any two tones |
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Octave |
When tones are separated by the interval , they sound very much alike |
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Pitch range or range |
The distance between the lowest and highest tones that voice or instruments can produce |
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Dynamic |
Degrees of loudness and softness in music |
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Tone color or timbre |
Is described by words such as bright,dark,brilliant,mellow,and rich |
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Improvisation |
The term used for music created at the same time it's played |
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Register |
Part of the total range of an instrument or voice. The tone color of the instrument or voice may vary with the ..... in which the is played or sung |
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Double stop |
Two notes at once |
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Vibrato |
The string player can produce a throbbing, expressive tone by rocking the left hand while pressing the string down. |
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Mute |
The musician can veil or muffle the tone by fitting a clamp (mute) onto the bridge |
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Tremolo |
The musician rapidly repeats tones by quick up and down strokes of the bow |
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Harmonics |
Very high pitched tones, like a whistles, are produced when the musician lightly touches certain points on the string |
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Pizzicato |
Plucked string |
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Arco |
Playing with a bow like a violin |
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Theme |
Ian a melody used for the basis for a musical composition |
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Variations |
Varied repetitions of the theme |
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Rhythm |
Is the flow of music through time |
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Meter |
Organization of beats into regular groups |
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Measure |
A group containing a fixed number of beats |
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Duple meter |
When a measure has 2 beats in a measure |
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Downbeat |
The first, or stressed, beat of the measure |
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Syncopation |
When an accented note comes where we normally would not expect one |
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Tempo |
The speed of the beat. The basic pace of the music |
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Tempo indication |
Usually given at the beginning of apiece |
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Ritardando |
Becoming slower |
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Metronome |
An apparatus that produces ticking sounds or flashes of light at any desired musical speed |
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Note |
Is an oval |
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Staff |
A set of five horizontal lines |
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Ledger lines |
If a pitch falls above or below the range indicated by the staff,short,horizontal |
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Sharp sign |
# |
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Flat sign |
b |
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Clef |
Placed at the beginning of a staff to show the pitch of each line and space |
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Treble clef |
Used for relatively high ranges |
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Bass clef |
Used relatively low ranges |
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Grand staff |
A combination of the treble and bass staves |
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Time signature |
Shows the meter of a piece |
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Score |
Shows the music for each instrumental or vocal category in a performance group |
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Melody |
Is a series of single tones that add up to a recognizable whole |
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Steps |
A melody moves by small intervals |
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Leaps |
Melody moves by larger intervals |
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Legato |
Are sung or played in a smooth, connected style |
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Staccato |
May be performed in a short, detached manner |
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Phrases |
Many melodies are made up of shorter parts |
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Sequence |
A repetition of a melodic pattern at a higher or lower pitch |
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Word painting |
The musical representation of specific poetic images |
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Strophic form |
Repeating the same music for each stanza of a poem |
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Through composed form |
Writing new music for each stanza |
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Harmony |
The way chords are constructed and how they followed each other |
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Progression |
As a melody unfolds,it provides clues for harmonizing ,but it does not always dictate a specific series, or... |
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Dissonance |
A tone combination that is unstable |
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Resolution |
A dissonance has it when it moves to a consonance |
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Triad |
The simplest and most basic chord |
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Tonic chord |
A Triad built on the first, or tonic, note of a scale |
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Dominant chord |
The Triad built on the fifth note of the scale is next importance to tonic |
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Cadence |
A progression from dominant chord to tonic chord, meaning both the resting point at the end of a melodic phrase and a chord progression that gives a sense of conclusion |
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Broken chord or arpeggio |
When the individual tones of a chord are sounded one after the another |
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Keynote or tonic |
The central tone, |
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Key |
Involves not only a central tone but also a central scale and chord |
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Scale |
Is made up of the basic pitches of a piece of music arranged in order from low to high or high to low |
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Tonality |
Another term for key |
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Major scale |
Do re mi fa sol la ti do, has two kinds of intervals in a specific pattern half step and whole step |
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Half step |
Is the smallest interval traditionally used in western music |
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Whole step |
Is twice as large as a half step |
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Key signature |
Need context to determine the key pieces |
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Modulation |
Shifting from one key to another within the same piece |
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Tonic or home key |
No matter how often a piece changes key there's usually one main key |
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Musical texture |
Refers to how many different layers of sound are heard at once or what kind of layers they are and how they are related to each other |
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Monophonic |
Having one sound |
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Unison |
Performance of a single melodic line at the same pitch by more than one instrument or voice is playing or singing results in a fuller richer surrounding one monophonic texture |
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Polyphonic |
Having many sounds |
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Imitation |
Occurs when a Melody idea as presented by one voice or instrument and is then restated immediately by another |
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Homophobic |
When we hear one main melody accompanied by chords |
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Repetition |
Creates a sense of unity |
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Three part form |
Aba can be represented as statement (A) contrast or departure (B) return(A) |
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Style |
Refers to a characteristic way of using Melody Rhythm tone color Dynamics Harmony texture and form |
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