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79 Cards in this Set
- Front
- Back
Is the largest county in south east asia |
India |
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Developed into a strong and diverse traditions over several Centuries |
Samagana |
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A sacred text |
Sama Veda |
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Charles of tradition music from India |
1. Carnatic Music 2. Hindustani Music |
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Directed to a Hindu God which is why its called |
Temple Music |
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It is influenced by persian |
Hindustani Music |
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Refers to music From South India |
Carnatic Music |
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Further developed in the 13th and 14th Centuries |
Hindustani Music |
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A word which means imagination The most common style of singing in North India |
Khyal |
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Devotional songs are called |
Krti |
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It is unified where schools are based on the same ragas |
Carnatic Music |
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Predominantly found in the Northern and Central Regions |
Hindustani Music |
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Music pieces are mainly set for the voice and with lyrics |
Carnatic Music |
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Nasal singing is observed in their vocal music |
Hindustani Music |
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Describe as a membranous percussive instrument this class of instruments typically comprise the drums |
Avanaddh |
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Referred to ad Vina During the old civilization instruments in this class are plucked (stringed Instruments) |
Tat |
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Describe as non members percussive instrument but with solid resonators It is one of the oldest classes of instrument in India. It may also be melodic on to keep tal |
Ghan |
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Describe as bowed stringed instruments this is one of the oldest classifications of instruments and yet did not occupy a place in classical Indian Music until the last few Centuries |
Vitat |
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Also known as Blow Air. It is characterized by the use of air to excite the various resonators |
Sushir |
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Ghatam |
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Karta |
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Manjira |
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Nout |
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Daf |
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Dhol |
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Tabla |
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Shankh |
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Bansuri |
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Surpeti |
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Shehnai |
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Sitar |
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Gatuvadyam |
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Ektar |
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Gopichand |
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Rabab |
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Banam |
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Esraj |
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Chikara |
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Sarangi |
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Combination of the musical element |
Form |
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Instruments and voices are used |
Secular |
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Played during life passage events |
Secular |
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Almost Entirely vocal |
Devotional |
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Context ties outside the religious domain |
Secular |
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Featured during sabbath and other holidays |
Devotional |
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The art of Hazan has always been evident in the culture |
Devotional |
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Very rhythmic and have popular and romantic text |
Secular |
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Is a special call to pray and repentance it is sounded on the high holiday's |
Shofar |
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A dance that often has strong off beats and aesthetic meters |
Hora |
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Significant instruments of Israel |
Jewish lyre Psalterion Shofar |
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Other significant institutions of Arab Countries |
Goblet Toft |
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Other significant instruments of middle eastern |
Oud Darbuk |
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It is part of south Asia it's western part is considered as an extension of central Asia |
Pakistan |
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Two vocal music of pakistan |
1. Ghazal 2. Qawwali |
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It's structural requirements are more strict than those of most poetic forms traditionally written in English |
Ghazal |
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Known for its unique vocals |
Pakistan |
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The devotional music of the christ order |
Qawwali |
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Traditional Expression of love,seperation and loneliness |
Ghazal |
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It tells about the pain of loss of lovers and the beautiful of love in spite of that pain |
Ghazal |
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A vibrant musical tradition that stretches back more than 700 years |
Qawwali |
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Can be sung by both men and women |
Ghazal |
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Is considered by many to be one of the principal poetic forms in the Persian civilization |
Ghazal |
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Originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstreamed popularity |
Qawwali |
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Strengthens the importance of musical instrument in Pakistan |
Punjabi Music |
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A region in south Asia which divided into west Punjab Pakistan East Punjab India Bhangra |
Punjabi |
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Most recognized form of ______________ Is based on the drum rhythm of dholl |
Punjab |
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Significant instruments of Pakistan |
Tabla Dholak Harmonium Rubab
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Significant instruments in Pakistan |
1. Tabla 2. Dholak 3. Harmonium 4. Rubab |
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West Asia |
Israel |
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Have a distinctive vocal style |
Israeli singers |
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They sing with Guttural anf throaty Enunciation |
Israeli singers |
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Two divisions of Jewish Music |
1. Devotional 2. Secular |
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In terms of it's sanctity and liturgical importance |
Rig Veda |
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The element of time |
Rhythm |
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Loudness or Quietness of sound |
Dynamics |
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Linear/Horizontal presentation of pitch (Highness or Lowness)of sound |
Melody |
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Verticalization of pitch ,combining pitches |
Harmony |
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Tone color |
Timbre |
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The number of individual musical lines |
Texture |