Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
66 Cards in this Set
- Front
- Back
What are the dates of the baroque era?
|
1600-1750
|
|
names of 2 baroque eras?
|
early baroque: period of innovation
late baroque: period of refinement |
|
what was the name of the baroque ideology that each movement of a piece must adhere to only one mood?
|
doctrine of affections
|
|
What genre did the Florentino Camerata help to develop?
|
opera
|
|
What was Purcell known as?
|
the greatest of all English composers (not Handel, because Handel was german. Bach was also german)
|
|
What is figured bass?
|
musical shorthand. placed numbers that indicated the harmony required relative to the base note
|
|
What is ostinato base, or ground bass?
|
a bass line that continously repeats over and over again throughout the entire piece (like cannon)
|
|
What is basso continuo?
|
plays an accompanimental, or foundational bass line underneath a soloist, or group of soloists (at least two ibstruments, typically played by the harpsichord or cello). heard almost exclusively in baroque music
|
|
For what type of work was Vivaldi remembered?
|
concertos. known as the "father of concertos" because he refined it
|
|
What are the parts of the fugue?
|
exposition, episode, restatement
|
|
define exposition
|
first part of the fugue. subject (or main theme), then countersubject
|
|
define episode
|
second part of the fugue. sequences. where the subject is not heard
|
|
define restatement
|
last part of fugue. restates the subject. Usually accompanied by the counter subject
|
|
What is the difference between an opera and an oratorio?
|
Oratorio, or cantatas, we're not staged
|
|
What is the difference between a concerto and a concerto grosso?
|
Concertos only have one soloist accompanied by orchestra, and concerto grosso have a group of soloists accompanied by an orchestra
|
|
What is the difference between an Italian overture and a French overture?
|
The form, Italian overtures are aba form (fast, slow, fast) and french overtures are ab form (slow, fast)
|
|
define ritornello form
|
popularized by Vivaldi, evolved out of rondo form. tutti, concerto, tutti, concerto etc
|
|
Define chamber Sonata
|
A baroque Sonata with dance movements
|
|
Define arioso
|
A blend between recitative and Aria
|
|
Who was the Florentine Camerata?
|
A group who sought to recapture the expressive power of music. They believed words were most powerful when sung not spoken
|
|
Define cadenza
|
A virtuosic section of the concerto with a soloist improvises
|
|
Define idiomatic writing
|
Writing to the strengths and weaknesses of voice or instruments. Vivaldi coined term when writing music for the girls in his school
|
|
What was the major tonality of the Baroque?
|
Major and minor
|
|
Who was montraverdi?
|
He was the last great madrigalist, first great opera composer (the transition)
|
|
define monody
|
expressive solo singing to simple accompaniment
|
|
define terraced dynamics
|
shifting volume of sound suddenly from one level to another
|
|
define opera
|
a stage play expressed through music
|
|
define libretto
|
Text of operas
|
|
define overature
|
the opening instrumental piece
|
|
define recitative
|
musically heightened speach, through which the opera is communicated to the audience.
no meter or beat |
|
What type of bass accompanies recitative in the baroque opera?
|
basso continuo
|
|
define aria
|
more passionate, tuneful than recitative. has clear meter and regular rhythm. If recitative tells what is happening on stage, an aria conveys what the character feels about these events.
|
|
What typically accompanies operatic arias?
|
Not only basso continuo, but also all or part of the orchestra
|
|
What are the two main styles of singing in baroque opera?
|
The recitative and Aria
|
|
Name all three styles of opera
|
Recitative, Aria, arioso
|
|
define toccata
|
An instrumental showpiece
|
|
Instead of the typical overture, what did momteverdi use to open his opera Orfeo?
|
a toccata, with trumpet, strings and a full orchestra
|
|
Define Cornetto
|
Woodwind instrument of the Renaissance and Baroque that sounded something like a cross between a trumpet and a clarinet
|
|
Define chamber cantata
|
Something sung for solo voice and a few accompanying instruments, intended to be performed at home or a private chamber thus it is a type of chamber music
|
|
Who was the greatest of all English composers?
|
Henry Purcell
|
|
What was among the first operas written in the English language?
|
Purcell's Dido and Aeneas
|
|
Define Orchestra
|
An ensemble of musicians organized around a core of strings with added woodwinds in brasses playing under a leader
|
|
Define Sonata
|
a type of instrumental chamber music, music for the home with just one player per part
|
|
Define solo Sonata
|
Written for a solo keyboard instrument such as a harpsichord, or for solo melody instrument, such as a violin
|
|
Define trio sonata
|
3 musical lines, 2 melody instruments plus base
|
|
Can a trio sonata have 4 musical instruments?
|
Yes for when a harpsichord joins with the bass to form the basso continuo, 4 players actually perform
|
|
What is the most common musical form for baroque dances?
|
Binary form, ab
|
|
Define walking bass
|
A bass that moves at a moderate, steady pace, mostly in equal note values and often stepwise up or down the scale
|
|
Define concerto
|
Musical composition marked by a friendly contest or competition between a soloist and an orchestra
|
|
Define the groups of the tutti
|
2 groups. One large group forming the basic orchestra (concerto grosso) and a small group of one, 3 or 4 soloists, called the concertino
|
|
Define melodic sequence
|
Repetition of a musical motive that at a successively higher or lower degrees of the scale.
|
|
Define dance suite
|
The collection of instrumental dances, each with its own distinctive rhythm and character
|
|
What is the name of the theme in a fugue?
|
subject
|
|
Define a fugue
|
A composition for 2, 3, 4, or five parts, played or sung by voices are instruments, which begins with a presentation of a subject in imitation each part, exposition, continues with modulating of free counterpoint (episodes) and further appearances of the subject, and ends with a strong affirmation of the tonic key
|
|
define pedal point
|
a note, usually in the bass that is sustained for a time while harmonies change around it
|
|
define cantata (or church contata)
|
"something sung". consists of several movements, including arias, ariosos, and recitatives; can be on secular subjects and intended for private performance or on religious subjects
|
|
define chorale
|
a spiritual melody or religious folk song of the Lutheran Church
|
|
define da capo form
|
ternary form for an aria, bc the performers when reaching for b, "take it from the head" and repeat a
|
|
define prelude
|
a short preparatory piece that sets a mood and serves as a technical warmup for the player before the fugue
|
|
What was the art of the fugue?
|
Bach's last project. an encyclopedic treatment of all known contrapuntal procedures set forth in 19 cannons and fugues
|
|
define dance suite
|
a collection of dances, usually 2 to 7 in number all in one key and for one group of instruments, be it full orchestra, trio or solo
|
|
define opera seria
|
a type of Italian opera produced by handel. long, 3 act works that chronicled the triumphs and tragedies of kinds and queens, gods and goddesses.
|
|
define oratorio
|
sacred music sung in a special hall or chapel, intended to inspire the faithful to greater devotion.
|
|
what are the charaxteristics of pastoral aria
|
1.melody glides along mainly in stepwise motion
2. harmony changes slowly over a drone, in imitation of Shepard bagpipes |
|
What country did baroque music first appear?
|
Italy early 17th century
|
|
What for was bach's wachet auf?
|
aab form
|