Musc 166 Test 2 Review

Front 1

An Arpeggiated (ARP) 6/4 chord involves which chords?

Back 1

I 6/4
IV 6/4
V 6/4

Front 2

Which chords apply to a Passing (PASS) 6/4?

Back 2

I 6/4
V 6/4

Front 3

Which chords are involved in a Pedal (PED) 6/4?

Back 3

I 6/4
IV 6/4

Front 4

Which chord is used in a Cadential (CAD) 6/4?

Back 4

I 6/4

Front 5

Which controlled second inversion chord has leaps on either side and is coupled with other members of the same chord?

Back 5

ARP 6/4

Front 6

Which controlled secon inversion chord involves the ascending or descending motion of the bass in stepwise motion?

Back 6

PASS 6/4

Front 7

Which controlled second inversion chords fills a gap between a I + I6 or a IV6 to a IV or ii6?

Back 7

PASS 6/4

Front 8

Which controlled second inversion chord involves a stationary bass as it travels back and forth from I or IV in the root?

Back 8

PED 6/4

Front 9

Which controlled second inversion chord is actually a prolonged V chord?

Back 9

CAD 6/4

Front 10

Which controlled second inversion chord is approached by step and remains on the same note or drops the octave?

Back 10

CAD 6/4

Front 11

What is always doubled when writing a 6/4 chord?

Back 11

Bass

Front 12

What is a three-phrase period with two weaker phrases is followed by a stong cadence and involves an extention of the strongest cadence?

Back 12

Asymmetrical Period

Front 13

What is anything that is not a period or anything else?

Back 13

Phrase Group

Front 14

What is four phrases (1 large that is double in size) that has a weaker cadence on the second cadence and a stronger one on the fourth while the first and third do not matter?

Back 14

Double Period

Front 15

What kind of double period would start each double phrase with the same phrase letter (a a^1)?

Back 15

Parallel Double Period

Front 16

What is a double period that has each phrase starting with a different phrase letter?

Back 16

Contrasting double period

Front 17

A V7 chord will always resolve to a _____.

Back 17

Root position I Chord

Front 18

To get both a completed V7 chord and I chord in first inversion, you have to ________.

Back 18

Frustrate the leading tone.

Front 19

In general, the LT always much reslolve ____ while the 7th always resolves ____.

Back 19

Up,
Down

Front 20

V7 chords never resolve to which chord?

Back 20

I 6/4

Front 21

A V 6/5 chord will always resolve to a ____chord.

Back 21

Root position I

Front 22

A V 4/3 chord will always resolve to which chord(s)?

Back 22

Root-position I

or

I 6

Front 23

A V 4/2 chord will always resolve to a ___ chord.

Back 23

First-inversion I chord

I 6

Front 24

A V 4/3 chord will always resolve to which chord(s)?

Back 24

Root-position I

or

I 6

Front 25

When a V7 chord goes to a VI in MINOR, you must _____.

Back 25

Double the THIRD

Front 26

A V 4/2 chord will always resolve to a ___ chord.

Back 26

First-inversion I chord

I 6

Front 27

When a V7 chord goes to a vi in MAJOR, you must _______.

Back 27

Complete the chord

Front 28

When a V7 chord goes to a VI in MINOR, you must _____.

Back 28

Double the THIRD

Front 29

When a V7 chord goes to a vi in MAJOR, you must _______.

Back 29

Complete the chord