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20 Cards in this Set
- Front
- Back
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Raised 4th scale degree |
5/5 harmonization |
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Sol - sol - do in bass voice at cadence |
1 6/4 - 5(7) - 1 |
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1 6/4 - 5 (7) - 1 |
Scale degrees 3-2-1 or 1-7-1 in melody at the cadence |
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Double the 5th ( bass note ) in |
6/4 chords |
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Raise the 7th scale degree to.... |
Leading tone in minor |
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7th of a 7th chord must... |
Resolve down by step in the next chord or hold until it can reslove down by step |
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Chordal 7th of a 7th chord cannot be approached by... |
A descending skip |
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Avoid doubling a.... |
Leading tone or chordal 7th |
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Spacing must be an 8ve or less between... |
Adjacent upper parts (S - A - T) |
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Leading tone in Soprano or Bass voice MUST.... |
Resolve up to tonic |
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Accidentals are notated on... |
The left side of the notehead |
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P5 - P5 / P8 - P8 / d5 - P5 |
Not allowed ; not allowed ; not so good |
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P5 - d5 ; 3rds and 6ths in parallel |
IS allowed ; are okay |
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Avoid overlapping ... |
Between adjacent chords |
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Avoid cross-voicing... |
Within a chord |
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A2, tritone, or more than a 5th in any voice |
Are uncharacteristic skips |
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Spell chords |
Correctly! |
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Suspensions must have 3 parts - |
Preparation, suspended note, resolution (All in the same voice) |
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3rd scale degree in bass voice = |
First inversion 1(i) chord |
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Use....whenever possible! |
Common tones |
