• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/17

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

17 Cards in this Set

  • Front
  • Back

Nude Woman Paleolithic


28,000-25,000 BCE. Willendorf Austria


Made of Limestone


Idealized Image of Woman


Fertility


Portable-Nomadic Tribe


Ball like Shapes, due to natural shape of stone

16,000-14,00 BCE Paleolithic


Bird Headed Man with Bison, Cascaux Caves, France


Narrative art


Male figure


displays both human and animals


Hunting Scene

Human Figures from Ain Ghazel, Jordan


c. 6750-6250 BCE Neolithic


dozen of large white plaster statuettes


mark beginning of monumental sculptures in Mesopotamia

White Temple Ziggurat, Uruk


3200-3000 BCE


oriented to the cardinal points of the compass


dedicated to the sky god, Anu


Only select few priests or important community leaders are allowed in


several rooms


central room/cella was the divinity's room

Victory Stele of Naram-Sin


2254-2218 BCE Mesopotamia


Shows Naram-Sin


leading army up mountain


Appears as God


scaling the ladder to heavens


Suggests discipline and organization, enemies are opposite


rejects standard Mesopotamian format


Places figures on tiers


Landscape


Stele with laws of Hammurabi


1780 BCE, Mesopotamia


Set of nearly 300 laws


combined fronal and side views of figures


explored foreshortening


-beard is in series of diagonal lines


-God's throne at an angle

Pallet of King Narmer


3000-2920 BCE Predynastic/Early Dynastic Period


Heirarchy of Scale


Shown in composite of frontal and profile views


Earliest surviving labeled works of historical art


feline necks=unification


Narmer wears red crown of lower Egypt


Divided into registers

Great Pyramids at Giza, Fourth Dynasaty


2551-2494 BCE Old Empire


Course of 75 years


symbol of the sun


represent the culmination of an architectural revolution


Began with the Mastaba


oriented to the cardinal points of the compose

Khafre enthroned, from Gizeh, Fourth Dynasty


2520-2494 Old Kingdom Egypt


Divine Ruler with a perfect body


Rigid pose=eternal stiffness


Symbolic of United Egypt


Wears royal Headdress


God-like Kings proclaim divine nature of Egyptian Kingship


Ti watching Hippo Hunt, Mastaba of Ti, Fifth Dynasty Egypt, 2450-2350 Old Kingdom


Metephor Triumph over Evil


Men busy while King watches


Combined frontal and side views


On tomb wall

Menkaure and Khamerernebty, from Gizeh, Egypt


2490-2472 BCE Old Kingdom


Double portrait


Displays the conventional postures used for statues designed as substitute homes for the ka.


frozen gestures signify the couple are married


High-Relief


Leg forward with no distribution of weight

Hatshepsut with offering jars, from the upper court of her mortuary temple


ca. 1473-1458 BCE New Kingdom


Wears royal male nemes headress and pharaoh's ceremonial beard


Anatomically male


Akhenaton ca. 1353-1335 BCE


New Kingdom


Akhenaton initiated both religious and artistic revolutions


an attempt to portray the pharaoh as Aton, sexless sun disk

Akhenaton, Nefertiti, and three daughters, from Amarna, Egypt New Kingom


ca. 1353-1335 BCE


founded new religon honoring 1 god (sundisk)


domestic setting


informal


Palace of Knossos, Greece, ca. 1700-1370 BCE


Minonan Art


Knossos palace, largest on Crete was the legendary home of King Minos. It's layout features a large central court surrounded by scores of residential and administrative units.

Bull leaping, from palace, Knossos (Crete) Greece, ca. 1400-1370 BCE Minoan Art


women-fair skin


long bull-form full of energy


profile pose with full view


eyes like egypt/mesopotamia


long hair and proud


living motion

Harvesters Vase, Hagia Triada (Crete) Greece, ca. 1500-1450 BCE Mycenaean Art


Relief Sculpto of singing harvestors


Represent underlying muscular and skeletal structure of the human body


combined frontal and profile views


recorded tension and relation of facial muscles