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20 Cards in this Set
- Front
- Back
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Neue Sachlichkeit (New Obejectivity) |
-Term used to characterize the attitude of public life in Wiemar Germany. The art, literature, etc. -Critique of economic disparity caused by post-war conditions. |
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"The Last Laugh" |
-F.W. Murnau -Only one title card in entire film.
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"The Joyless Street" |
-GW Pabst.
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Narkompros |
-A regulatory body assigned to oversee cinema
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Anatoli Lunacharsky |
-Commissar"Head" of Narkompros.
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Agitki, Agit Vehicles. |
-Trains, Trucks, and steamboats that visited the countryside carrying propaganda leaflets, printing presses, and small film setups. -Attempted to get films out to the countryside. |
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State Film School |
-Establishes in 1919 when Lenin Nationalizes Film Industry. |
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Lenin Proportion, Lenin and Film As Propaganda |
-Films should balance entertainment and education -"Of all the arts, for us the cinema is the most important" -Battleship Potemkin |
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Kuleshov Effect |
-Showed effectiveness of editing - Expressed that viewers brought their own emotional reactions. -Short film with several clips and a man with the same expression on his face. |
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"Mother" |
-Vsevolod Pudovkin -Epic Principle " Using shots like building blocks" |
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Dialectic Montage |
-Sergei Eisenstein -Putting two juxtaposition images and creating a conflict you wouldn't see in one image. -Intellectual montage |
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Suprematism |
-Kasimir Malevich -Was an apolitical modernist art movement committed to fragmentation, abstract expression through geometric shapes. |
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Constructivism |
-Alexander Rodchenko -Vsevolod Meyerhold/film -Took abstract aesthetics of Suprematism and moved them into politics. |
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Elliptical Editing |
-Allows event duration on screen to be shorter than what would actually take place. |
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Overlapping Editing |
-Cuts that repeat an action to give a longer time and effect to the viewer. |
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Jump Cuts |
-When two sequential shots that are only slightly different are put together to make it seem like your jumping forward in time. |
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"October" |
-Sergei Eisenstein -Intellectual montage |
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"Battleship Potemkin" |
-Sergei Eisenstein -Odessa Steps scene. -Rhythmic montage |
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"Kino-Eye" and "Man with a Movie Camera" |
-Vertov -Film camera was superior to the human eye. -most radically modern film. |
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City Symphony |
-Lyrical documentaries about cities. |
