Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
98 Cards in this Set
- Front
- Back
Kinescope
|
archives shows....is a recording of a television program made by filming the picture from a video monitor.
|
|
Electronicam
|
also archives shows.....television recording system that shot an image on film and television at the same time through a common lens
|
|
ALL-IN
|
composer is given a lump sum and must account for all monies himself. he can win or loose big depending on experience
|
|
Commercial tie-in
|
for example: fast food chain selling star wars action figures
|
|
Completion bond
|
garuntee is a written contract that guarantees a motion picture will be finished and delivered on schedule and within budget.
|
|
In context
|
music used in a specific scene
|
|
Out of context
|
music used everywhere, commercials, trailers, etc
|
|
End credits
|
name in end credits
|
|
single card
|
solo name credit on screen
|
|
double card
|
two names on screen
|
|
compensation to composer
|
usually paid in 3rds of 25%
|
|
certificate of authorship
|
rendering works belonging exclusively to the producer
|
|
Services
|
spells out exactly what composer has to do and gives them a deadline. Required to spot, compose, produce, arrange, orchestrate and conduct
|
|
Taft hartley
|
monitors activities of labor unions
|
|
termination rights
|
The Copyright Act also gives families of deceased authors another opportunity to extract value from copyrighted works.
|
|
house sync
|
An internal timing reference used to synchronize all transports within a facility.
|
|
residuals
|
A residual is a payment made to the creator of performance art (or the performer in the work) for subsequent showings or screenings of the (usually filmed) work. A typical use is in the payment of residuals for television reruns. The word is often used in the plural form.
|
|
run-away production
|
motion picture productions and television shows that are "intended for initial release/exhibition or television broadcast in the U.S., but are actually filmed in another country.
|
|
What does the distribution company do?
|
shows the movie (screening) to prospective buyers representing the theaters.
|
|
what are prints
|
prints are copies of the film which are are sent to the theaters a few days before the opening day.
|
|
lease agreement
|
the amount of time the theater rents the print from the production company
|
|
distribution path
|
producer--->distributer----->theater---->customer
|
|
film distribution
|
lab develops prints then dist. company packages them and sends to theaters, time frame for proper release, number of cannisters (expensive) shipping for sound formats
|
|
when was the first live broadcast
|
1951, president truman address
|
|
what did video recording allow for?
|
high quality delay rebroadcast for networks
|
|
sattelite uplink allows for?
|
high quality, delay, live broadcast and high speed delivery of content
|
|
central controlled broadcast
|
contains content and advertising
|
|
film income
|
received before and after the film is released.
|
|
priced to sell
|
video or dvd produced by parent film company
|
|
products regulated by fcc
|
tobacco, hard alcohol, not regulated by tv films on cable
|
|
New songs deal
|
different from composer deal, the performer gets paid, songwriter paid, producer gets points
|
|
existing songs deal
|
need master license and sync license. re-use for musicians
|
|
is priced to rent more or less money?
|
more money
|
|
completion bond
|
insurance policy to finish the film on time
|
|
green lightq
|
decide whether or not to go into production
|
|
negative pickup
|
purchase film for cost. for example the film runs out of funds to finish so companies like lionsgate pick up the remainder of the film and buyout
|
|
in tv the writer is usally the producer, t or f?
|
true
|
|
first priority
|
the movie which was signed first
|
|
exclusivity
|
cant work on other films unless the date has been pushed back
|
|
temp dubs
|
taking music from other films to show the producer what the film would sound like with music. cant be licensed music must be changed
|
|
what does it mean to throw out the score?
|
firing a composer
|
|
do you pay the vocalist or lyricist for the new song?
|
no they make royalties
|
|
is music editor a film expense or production expense?
|
film expense
|
|
sidelinging
|
musicians who are hired to play on film but are not actually playing just acting
|
|
doubles (instrument)
|
when a musician plays more than one instrument
|
|
how long is the studio rented for?
|
9 hours
|
|
how long is a session?
|
3 hours
|
|
how often do musicians break?
|
15 min per hour, cant play for more than 90 min straight
|
|
what does orchestrator get paid?
|
1/2 that musicians get
|
|
who gets cartage?
|
cello, bass, bulky instruments.
|
|
individual investers for film
|
german tax shelters 78% return
|
|
acquisition
|
outright purchase of finished film
|
|
overall deal
|
in tv this is money from the studio
|
|
who pays for all the tv shows?
|
network
|
|
who pays for pilot?
|
production company
|
|
delivery date
|
Both sides need to know when project will be completed.
|
|
what is the payment schedule?
|
3rds or 4ths; Spotting, Start of Recording, (end of recording), Delivery.
|
|
how much do conductors make in royalties?
|
5-7%
|
|
royalties must be negotiated t or f?
|
true
|
|
does the composer need publishing?
|
yes Composer must keep publishing to make deal pay off
|
|
there are 5 deals for new songs, what are the deals
|
producer
record co (artist) record co (soundtrack) songwriter (publisher) producer |
|
theatrical performances are paid for in the u.s.? t or f
|
false
|
|
Sync license
|
allows the holder to sync music with a media outlet like a film
|
|
master license
|
the right to use music in a film
|
|
RMA
|
Return merchandise authorization, a transaction whereby the recipient of a product arranges to return goods to the supplier to have the product repaired or replaced or in order to receive a refund or credit for another product from the same retailer or corporation within the product's warranty period.
|
|
House Nut
|
the sum total of operating expenses for a given period of time.
|
|
gate
|
rectangular opening in the front of a motion picture camera where the film is exposed to light.
|
|
music production libraries
|
provides tracks for producers to use, bought for each use.
|
|
resolve
|
the tape gets synched to the time code when they're at different times..
|
|
leader
|
one sideman is usually leader to take care of work related issues
|
|
when is a contractor required
|
when there are more than 10 musicians in a session
|
|
who gets paid scale?
|
instrumentalists, arrangers, orchestrators, copyists, conductors and singers.
|
|
hold hour
|
musician cant schedule a session one hour after current session
|
|
how many minutes of music can be recorded in a 3 hour session?
|
15 minutes
|
|
the first double
|
second instrument pays 50%
|
|
The second double
|
pays 20%
|
|
double track
|
musician plays the same part over a recording, must be paid double because they are essentially eliminating the other musician
|
|
double scale
|
two times pay
|
|
how long can musicians work before meal?
|
no more than 6 hours
|
|
health and welfare
|
musicians paid 17.94 per day
|
|
pension
|
10% of wages
|
|
do low budget films pay the same
|
no it is scaled down
|
|
back end
|
reuse, new use and special payments
|
|
special payments
|
awarded to musicians from producers based on number of recording sessions per year
|
|
new use
|
when film moves out of theaters onto cable, pay tv, video/dvd rentals
|
|
reuse payments
|
if tv show becomes hit and goes into sindication and reruns
|
|
who owns the music publishing rights?.
|
the producer
|
|
how much does producer make in royalties?
|
3-4%
|
|
what is the floor?
|
guaranteed royalty of 1-2%
|
|
what is the conductors royalty?
|
6-9% SRLP
|
|
does a composer want to be in the end credits?
|
NEVER
|
|
what is services unique?
|
a term used in contract that can screw the composer, saying they are irreplaceable because of their unique services
|
|
indemnities
|
composer takes full responsibilities for any loses, costs, damage and lawyer fees associated with score
|
|
warranties
|
composer saying they are free to work on the project and not held back or obligated to anything else
|
|
assignment
|
holder of contract can sell, lease, barter the contract to another composer without additional comp. for example if the movie is in negative pickup and sold to another studio
|
|
contract exclusions
|
licensing music
recording outside music lyricist costs vocalist expense re-scoring music editor (sometimes associated with all in) pre-records transfer costs (film to video) union issues re-use fees sidelining excess musicians residuals |
|
are lyricist costs a film expense?
|
yes
|
|
how much do artists make on soundtrack album?
|
10-14% GENEREALLY LOWER
|