Mid Term Dig Photo

Front 1

Balance

Back 1

principle of design referring to the way the elements are arranged to create a feeling of stability in a work

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Color

Back 2

the hue of all that is visible

Front 3

Complementary Colors

Back 3

opposite on the color wheel

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contrast

Back 4

a large difference between two things

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cool colors

Back 5

blues, greens, purples

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elements and principles of art/design

Back 6

the collective st of art vocabulary building blocks

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emphasis

Back 7

area in a work of art that catches the viewer's attention

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from

Back 8

any three dimensional object that can be measured by height, width and depth

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green

Back 9

made from mixing yellow and bluw

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hue

Back 10

pure color

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line

Back 11

a mark with length and direction, created by a point that moves across a surface

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movement

Back 12

how your eye moves or tracks through a piece of art and the way of combining visual elements to produce a sense of actions

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orange

Back 13

made from mixing red and yellow

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pattern

Back 14

the use of repeated elements

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primary color

Back 15

a color that cant be made by mixing others together. reb blue yellow

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purple

Back 16

made by mixing reb and blue

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rythm

Back 17

a visual tempo or beat

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saturation

Back 18

an attribute of perceived color, or the percentage of hue in a color, or the percentage of hue in a color

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Secondary color

Back 19

made from mixing two primary colors

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shade

Back 20

the mixture of a color with black, which reduces lightness

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shape

Back 21

the area enclosed by an outline and is two dimensional

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space

Back 22

an element that organizes shallow depth and actual depth; can use the control of size color and overlapping

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texture

Back 23

the element of art that refers to the surface quality or feel of an object-both physically and implied

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tint

Back 24

the mixture of a color with white, which increases lightness

Front 25

unity

Back 25

a feeling that all the parts are working together as a team-the quality of wholeness and harmony

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value

Back 26

an element of art that refers to the lightness or darkness of a color

Front 27

warm colors

Back 27

reds, oranges, yellows

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aperature

Back 28

Lens opening. The hole or opening formed by the metal leaf diaphragm inside the lens or the opening in a camera lens through which light passes to expose the film

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background

Back 29

The part of the scene that appears behind the principal subject of the picture.

Front 30

backlighting

Back 30

Light coming from behind the subject, toward the camera lens, so that the subject stands out vividly against the background

Front 31

burning

Back 31

In- a darkroom process that gives additional exposure to part of the image to make that area of darker

Front 32

camera angles

Back 32

Various positions of the camera (high, medium, or low; and left, right, or straight on) with respect to the subject, each giving a different viewpoint, perspective or visual effect

Front 33

camera shake

Back 33

Movement of camera caused by unsteady hold or support, vibration, etc., leading, particularly at slower shutter speeds, to a blurred image on the film. It is a major cause of un-sharp pictures, especially with long focus lenses

Front 34

close up

Back 34

A picture taken with the subject close to the camera-usually less than two or three feet away, but it can be as close as a few inches.

Front 35

color balance

Back 35

Color films are made to be exposed by light of a certain color quality such as daylight or tungsten

Front 36

composition

Back 36

The pleasing arrangement of the elements within a scene-the main subject, the foreground and background, and supporting subjects.

Front 37

cropping

Back 37

Printing only part of the image. May also refer to the framing of the scene in the viewfinder

Front 38

depth of field

Back 38

The zone of acceptable sharpness in front of and behind the subject on which the lens is focused

Front 39

dodging

Back 39

make that area of the print lighter

Front 40

film speed

Back 40

Indicated by a number such as ISO 100 or ISO 400 etc. The sensitivity of a given film to light

Front 41

flash

Back 41

The artificial light source in the dark

Front 42

graininess

Back 42

The sand-like or granular appearance of a negative, print, or slide. Graininess becomes more pronounced with faster film and the degree of enlargement.

Front 43

highlights

Back 43

Small, very bright part of image or object

Front 44

ISO speed

Back 44

The international standard for representing film sensitivity

Front 45

lens

Back 45

One or more pieces of optical glass or similar material designed to collect and focus rays of light to form a sharp image on the film, paper, or projection screen.

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macro lens

Back 46

A lens that provides continuous focusing from infinity to extreme close-ups

Front 47

macro photography

Back 47

The process of taking photographs of small objects.

Front 48

manual mode

Back 48

User selects both shutter speed and aperture, following or ignoring the meter's recommendations to achieve the desired exposure

Front 49

overexposure

Back 49

A condition in which too much light reaches the film and produces an overly bright image

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panorama

Back 50

A broad view, usually scenic

Front 51

self timer

Back 51

Mechanism delaying the opening of the shutter for some seconds after the release has been operated

Front 52

sharpness

Back 52

clarity of the photographic image in terms of focus and contrast.

Front 53

shutter

Back 53

Blades, a curtain, plate, or some other movable cover in a camera that controls the time during which light reaches the film.

Front 54

tripod

Back 54

three legged stand for camera

Front 55

gradient tool

Back 55

Creates a blend of your foreground and background color when you click and drag

Front 56

dodge tool

Back 56

lightens an area

Front 57

burn tool

Back 57

darkens an area