Mhl 210 Ch 7-9

Front 1

T/F
musica enchiriadis and scholica enchiriadis contains the earliest preserved examples of parallel organum, modified parallel organum, and florid organum

Back 1

false

Front 2

T/F
organum is used exclusively to elaborate sections of chants that are sung by the choir

Back 2

false

Front 3

T/F
organum in contrary motion avoids parallel and oblique motion entirely

Back 3

false

Front 4

T/F
florid organum developed after 1100 in southwest france

Back 4

true

Front 5

T/F
in note-against-note organum the top voice moves faster than the lower voice

Back 5

false

Front 6

eleventh century polyphonic music in which the upper part has many notes for each not int he borrowed chant melody

Back 6

florid organum

Front 7

ninth or 10th c. polyphonic music based on chant in wchich the two voices remain in a constant relationship of fourth or fifth

Back 7

parallel organum

Front 8

eleventh century note-against-note polyphonic music in which two voices move in opposite directions

Back 8

organum in contrary motion

Front 9

broad category of early polyphonic music based on a cantus firmus in which the text of the cantus firmus is sung in all voices at the same time

Back 9

organum

Front 10

name for the voice in two voice organum that does not contain cantus firmus

Back 10

organal voice

Front 11

Notre dame is characterized by:

Back 11

-2-4 vocal parts
-always singing syllabic text setting

Front 12

younger of the two Notre Dame composers of organum

Back 12

Perotin

Front 13

specific chant commonly elaborated as organum for important holidays

Back 13

Gradual or Alleluia

Front 14

City in which Notre Dame organum was centered

Back 14

Paris

Front 15

period during which notre dame organum was actively composed

Back 15

1150-1250

Front 16

style of architecture used for the Notre Dame Cathedral

Back 16

Gothic

Front 17

notational symbols that indicate rhythm in Notre Dame music when written in patterns

Back 17

ligatures

Front 18

name for system of patterned rhythms of in Notre Dame music

Back 18

modes

Front 19

name for a section of Notre Dame organum in which all the voices use definite rhythms indicated by the notation

Back 19

discant clausula

Front 20

name for a section of Notre Dame organum in which the tenor voice in which the tenor voice consists of long drone notes

Back 20

organum purum

Front 21

type of Notre Dame organum used to elaborate melismas in the cantus firmus

Back 21

discant

Front 22

Notre Dame rhyhtmic pattern eight quarter

Back 22

II

Front 23

Notre Dame rhythmic pattern eight-quarter-dotted quarter

Back 23

IV

Front 24

style of Notre Dame organum in which all voices are melismatic

Back 24

discant

Front 25

term for breaking notes of the Notre Dame rhythmic patterns into smaller values

Back 25

fractio modi

Front 26

style of Notre Dame organum that presents the tenow most quickly/economically

Back 26

discant

Front 27

composer of the mid thirteenth century motets in which the practice of fractio modi is institutionalized throught he notation of semibreves

Back 27

Franco de Cologne

Front 28

composer of late 13th c. motets in which the three voices show distincly different levels of rhythmic activity; the triplum moves faster than the duplum which moves faster than the tenor

Back 28

Petrus de Cruce

Front 29

Quarter century in which Franco of Cologne was active

Back 29

1250-75

Front 30

type of 13th c. music in which all voices sing the same Latin text syllabically at the same time using the rhythmic modes

Back 30

conductus

Front 31

type of 13th c. music that may combine latin and french texts

Back 31

motet

Front 32

11th century parisian cleric-scholar castrated by his pupil-mistress' uncle

Back 32

Peter Abeland

Front 33

Mideieval celebration on New Years Day

Back 33

Feast of Fools

Front 34

head of the University of Paris 1215-1235 who wrote poetry for conducti and motets

Back 34

Philip the Chancellor

Front 35

Type of piece to which text was added to create the earliest motets

Back 35

discant

Front 36

city in which the first motets were composed

Back 36

Paris

Front 37

all voices sing the same lating text at the same time

Back 37

organum and conductus

Front 38

rhymed, metrical, stanzaic poetry

Back 38

conductus

Front 39

all voices use the same rhythmic mode

Back 39

conductus

Front 40

no cantus firmus

Back 40

conductus

Front 41

chant cantus firmus in lowest voice

Back 41

organum and early motet

Front 42

lowest voice always uses mode V

Back 42

early motet

Front 43

composed in paris

Back 43

organum, early motet and conductus

Front 44

upper voice(s) may have french text

Back 44

early motet

Front 45

music in the style of discant

Back 45

organum and early motet

Front 46

three voices possible

Back 46

organum early motet and conductus

Front 47

notre dame rhythmic pattern quarter-eighth-quarter

Back 47

I

Front 48

Notre Dame rhythmic pattern dotted quarter-eighth-quarter

Back 48

III

Front 49

Notre Dame rhythmic pattern dotted quarter-dotted quarter-dotted quarter

Back 49

V

Front 50

Notre Dame rhythmic pattern eighth-eighth-eighth-eighth

Back 50

VI