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47 Cards in this Set
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- 3rd side (hint)
Allegory |
A story in which people, things and events have another meaning. |
Orweli's animal farm |
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Allusion |
A reference in a work of literature to something outside to work, especially to a well-known historical or literally event, person, or work. |
In Hamlet, when Horatio says, "ere the mightiest Julius fell," the allusion is to the death of Julius Caesar. |
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Attitude |
A speakers, authors, or characters disposition toward or opinion of the subject. |
Hamlets attitude toward Gertrude is a mixture of affection and revulsion, changing from one to the other within a single scene. |
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Autobiography |
An author's account of his or her own life |
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Biography |
And accurate history of a single person |
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Climax |
Normally the point of highest interest in a novel, short story, or play. As a technical term of genetic composition, the climax is the place where the action reaches a turning point, where the rising action ends, and the following action begins. |
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Connotation |
The implications of a word or phrase, as opposed to his exact meaning. |
Both China and Cathay denote a region in Asia, but to a modern reader, Association of the two words is different. |
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Convention |
A device of style or subject matter so often used that it becomes a recognized means of expression |
A lover observing the literary love conventions cannot eat or sleep and grows pale and lean |
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Denotation |
The dictionary meaning of a word, as opposed to connotation |
THE ACTUAL WORD IN THE DICTIONARY |
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Diction |
Word choice. Essay questions on the passage of prose or a poem could ask you to talk about diction or about "techniques" that include diction. Any word that is important to the meaning in the effect of a passage can be used in your essay |
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Euphemism |
A figure of speech using indirection to avoid offensive bluntness. |
such as a deceased for dead or remains for corpse |
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Figurative language |
Writing that uses figures of speech, such as metaphors, similes, and irony. |
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Genre |
A literary form, such as an essay, novel, or poem. |
Love poem, nature poem, or sonnet. |
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Hyperbole |
Deliberate exaggeration, overstatement. As a rule, hyperbole is self conscious, without the intention of being excepted literally. |
"The strongest man in the world" and "a diamond as big as the Ritz" are hyperbolic. |
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Imagery |
The images of a literary work; The sensory details of work; The figurative language of work. In imagery has several definitions, but the two that are paramount are the visual, auditory, or tactile images evoked by the words of the Literary work and the images that figurative language evokes |
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Irony |
A figure of speech in which intent an actual meaning differ, characteristically praise for blame or blame for praise; a pattern of words that turns away from direct statement of its own obvious meaning. The term irony implies a discrepancy. In verbal irony (saying the opposite of what one means), the discrepancy is between statement and meaning. Sometimes, irony may simply understate, as in "men have died from time to time" |
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Paradox |
A statement that seems to be self contradicting but, in fact, it's true. |
The figure in a Donne sonnet that concludes "I never shall be chaste except you ravish me" is a good example of the device |
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Parody |
A composition that imitates the style of another composition, normally for comic effect. |
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Personification |
A figurative use of language that endows no humans (ideas, inanimate objects, animals, abstractions) with human characteristics |
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Plot |
The interrelated actions of a play or novel that move to a climax and a final resolution |
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Point of view |
Any of several possible vantage points from which a story is told. The point of view may be omniscient, limited to that of a single character, or limited to that of several characters, as well as other possibilities. The teller may use the first person and/or the third person |
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Jargon |
The special language of a profession or group. The term jargon usually has the Pejorative Association, with the Implication that jargon is evasive, tedious, and unintelligible to outsiders |
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Literal |
Not figurative; accurate to the letter; matter of fact or concrete |
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Lyrical |
Song like; characterized by emotion, subjectivity, and imagination |
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Metaphor |
A figurative use language in which a comparison is expressed without the use of comparative term like as, like, or than. A simile was say, "night is like a black bat"; a metaphor would say, "the black bat night." When Romeo says, "it is the east, and Juliet is the sun," his metaphors compare her window to the east and Julie to the sun |
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Narrative techniques |
The methods involved in telling a story; the procedures used by a writer of stories or accounts. Narrative techniques is a general term that asks you to discuss the procedures used in the telling of a story |
Techniques: point of view, manipulation of time, dialogue, or interior monologue |
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Novel |
A fictional narrative in prose of considerable length. Shorter words are called novellas, and even shorter ones are called short stories |
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Omniscient point of view |
The vantage point of a story in which the narrator can know, see, and report whatever he or she chooses. The narrator is free to describe the thoughts of any of the characters , to Skip about in time or place to speak directly to the reader. |
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Oxymoron |
A combination of opposite; the union of contradictory terms. |
Romeos line "feather of lead, right smoke, cold fire, sick health" |
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Parable |
A story designed to suggest a principle, illustrate a moral, or answer a question. Parables are allegorical stories |
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Rhetorical question |
A question asked for effect, not in expectation of a reply. No reply is expected because the question presupposes only one possible answer |
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Rhetorical techniques |
The devices used in effective or persuasive language. |
Common examples: contrast, repetitions, paradox, understatement, sarcasm, and rhetorical question |
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Rhetorical techniques |
The devices used in effective or persuasive language. |
Common examples: contrast, repetitions, paradox, understatement, sarcasm, and rhetorical question |
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Satire |
Writing that seeks to arouse a reader's disapproval of an object by ridcule. Satire is usually comedy that exposes errors with an eye to correcting vice and folly |
Satire can be found in the novels of Charles dickens, mark twain, and Joseph heller |
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Setting |
The background to a story; the physical location of a play, story,or novel. The setting of a narrative will normally involve both time and place |
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Simile |
Directly express comparison; a figure of speech comparing two objects usually with like, as, or Than. |
Easier to recognize a simile and a metaphor because that comparison is explicit. For example: "My love is like a fever" "My love is deeper than a well" "My love is as dead as a door nail" |
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Solilquy |
A speech in which a character who is alone speaks his or her thoughts aloud. A monologue also has a single speaker, but the monologuist speaks to others who do not interrupt. |
Hamlet's "To be, or not to be" And "O, what a rogue and a peasants slave am I" |
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Strategy (or rhetorical strategy) |
The management of language for a specific effect. The strategy a rhetorical strategy of a poem is the planned placing of elements to achieve an effect. The rhetorical strategy of most love poems, for example, is deployed to convince the loved one to return the speakers love. |
By appealing to the love one sympathy: "If you don't return my love, my heart will break" Or by flattery: "how could I not love someone as beautiful as you?" Or by threat: "when you're old, you'll be sorry you refused me"
The Lover attempts to persuade the loved one to love in return |
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Structure |
There arrangement of materials within a work; the relationship of the parts of a work to the whole; the logical divisions of a work. The most common principles of structures are series ( A,B,C,D,E) Contrast ( A versus B, C versus D, E versus A) Repetition (AA, BB, AB) |
The most common units of structure: Play: scene and act Novel: chapter Poem: Line, stanza |
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Stule |
The mode of expression and language; the characteristic manner of expression of an author. Many elements contribute to style, and and if a question calls for discussion of style or of " stylistic techniques," You can discuss diction, syntax, figurative language, imagery, selection of detail, sound effects, and tone using that are appropriate |
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Syllogism |
A form of reasoning in which two statements I made and a conclusion is drawn from them.
A syllogism begins with the major premise ("all tragedies and unhappily ") followed by a minor premise ("Hamlet is a tragedy") and a conclusion ("therefore, hamlet ends unhappily) |
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Symbol |
Something that is simultaneously itself and a sign of something else. |
For example; Winter, darkness, and code are real things, but in literature they are also likely to be used as symbols of death
Yorick's goal is a symbol of human mortality, and Melville's White whale is certainly a symbol, but exactly what it symbolizes has yet to be agreed upon |
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Theme |
The main thought expressed by work |
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Thesis |
The theme, meaning, a position the writer undertakes to prove or support |
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Thesis |
The theme, meaning, a position the writer undertakes to prove or support |
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Tone |
The manner in which an author expresses his or her attitude; the intonation of the voice that expresses meaning. Tone is described by adjectives, and the possibilities are nearly endless. Often a single adjective will not be enough, and tone may change from chapter to chapter or even line to line. |
Tone may be the result of allusion, diction, figurative language, imagery, Arnie, symbol, syntax, or style. |
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Tragedy |
now defined as a play with the serious content and unhappy ending. |
Examples: Shakespeare's Hamlet Or Miller's Death of a Salesman |