Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
42 Cards in this Set
- Front
- Back
A character, action, or situation that is a prototype, or pattern, of human life generally; a situation that occurs over and over again in literature, such as a quest, an initiation, or an attempt to overcome evil.
|
Archetype
|
|
A common archetypal setting is the desert, which is associated with spiritual sterility and barrenness because it is devoid of many amenities and personal comforts.
|
Archetypal Setting
|
|
Those that embody a certain kind of universal human experience
|
Archetypal Characters
|
|
People or animals who take part in the action of a literary work
Readers learn about characters from What they say What they do What they think What others say about them and Through the author’s direct statements |
Characters
|
|
The central character in a drama, novel, short story, or narrative poem.
To be believable, a character must reflect universal human characteristics. |
Protaganist
|
|
The adversary of the protagonist.
|
Antagonist
|
|
A character in which an author chooses to emphasize a single important trait.
|
Flat Character
|
|
A character presented with a complex, fully-rounded personality (a three-dimensional character).
|
Round Character
|
|
A character that changes little over the course of a narrative. Things happen to these characters, but little happens in them.
|
Static Character
|
|
A character that changes in response to the actions through which he or she passes.
|
Dynamic Character
|
|
A writer uses this method when showing a character’s personality through his or her actions, thoughts, feelings, words, and appearance, or through another character’s observations and reactions.
|
Indirect Characterization
|
|
The author directly states a character’s traits. For example, “The twins didn’t have any problems. They weren’t great students, but they weren’t bad ones either.”
|
Direct Characterization
|
|
An event in which the central nature of something – a person, a situation, an object – is suddenly perceived; it is an intuitive grasp of reality in a quick flash of recognition in which something usually simple and commonplace is seen in a new light.
|
Epiphany
|
|
A character, usually minor, designed to highlight qualities of a major character.
|
Foil
|
|
A reason that explains a character’s thoughts, feelings, actions, or behavior.
|
Motivation
|
|
A flat character in a standard role with standard traits.
|
Stock
|
|
The facts, revealed by the author or speaker, that support the attitude or tone of a piece of poetry or prose.
|
Details
|
|
Word choice intended to convey a certain effect.
|
Diction
|
|
The dictionary definition of a word.
|
Denotation
|
|
The feelings and attitudes associated with a word.
|
Connotation
|
|
The speech of a particular region or group as it differs from those of a real or imaginary standard speech.
|
Dialect
|
|
The use of a word or phrase that is less expressive or direct but considered less distasteful or offensive than another.
For example, if a character is said to be “put to sleep,” when in fact they are murdered. “Put to sleep” is a euphemism for murder. |
Euphanism
|
|
An accepted phrase or expression that has a meaning different than the literal meaning. For example, “Don’t pull my leg.”
|
Idiom
|
|
consists of the words or phrases a writer uses to represent persons, objects, actions, feelings, and ideas descriptively by appealing to the senses (sight, smell, sound, touch, taste)
|
Imagery
|
|
The atmosphere or predominant emotion in a literary work
|
Mood
|
|
The sequence of events or actions in a short story, novel, play, or narrative poem.
Freytag’s Pyramid has the following elements of plot: Exposition Complication Rising action Climax Falling action Resolution |
Plot
|
|
A person in opposition to another person (man vs. man)
A person opposing fate (man vs. fate) An internal battle involving contradictory within a character (man vs. himself) A person fighting against forces of nature (man vs. nature) A person in opposition to some aspect of his or her society (man vs. society) |
Conflict
|
|
A scene that interrupts the action of a work to show a previous event.
|
Flashback
|
|
The use of hints or clues in a narrative to suggest future action.
|
Foreshadowing
|
|
The quality of a short story, novel, play, or narrative poem that makes the reader or audience uncertain or tense about the outcome of events.
|
Suspense
|
|
The time and place in which events in a short story, novel, play, or narrative take place.
|
Setting
|
|
The writer’s characteristic manner of employing language.
|
Style
|
|
The central message of a literary work. It is not the same as a subject, which can be expressed in a word or two: courage, survival, war, pride, etc. The theme is the idea the author wishes to convey about that subject.
|
Theme
|
|
The writer’s or speaker’s attitude toward a subject, character, or audience, and it is conveyed primarily through the author’s choice of diction, imagery, figurative language, details, and syntax.
|
Tone
|
|
A reference to a mythological, literary, or historical person, place or thing.
|
Allusion
|
|
A form of personification in which the absent, or dead, are spoken to as if present, and the inanimate, as if animate.
|
Apostrophe
|
|
A form of metaphor. The name of one thing is applied to another thing with which it is loosely associated: e.g., “I love Shakespeare.”
|
Metonymy
|
|
A form of paradox that combines a pair of opposite terms into a single unusual expression: e.g., “sweet sorrow” or “cold fire.”
|
Oxymoron
|
|
occurs when the elements of a statement contradict each other. Although the statement may appear illogical, impossible, or absurd, it turns out to have a coherent truth: e.g., “Much madness is divinest sense” (Emily Dickinson).
|
Paradox
|
|
A recurring image, object, or ideal in a novel. A motif acts as a unifying device in literature and is often related to a novel’s theme.
|
Motif
|
|
The use of any object, person, place, or action that has a meaning in itself while standing for something larger than itself, such as a quality, attitude, belief, or value.
|
Symbolism
|
|
Man vs. man
Man vs. his environment Man vs. himself |
Conflict
|