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10 Cards in this Set
- Front
- Back
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Caravaggio
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Judith Slaying Holofernes
-1598 -Holofernes more muscular -has better idea of muscular body |
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Gentileschi
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Judith Slaying Holofernes
1618-20 -better composition -Draws you to the action -holofernes body not as muscular, either id not have the skill or did not want to show that she knew the male muscular body(social expectations of women at the time) |
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Caravaggio
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Conversion of St. Paul
1600-01 -Cerisi Chapel, Rome -"st paul just had a direct exp w\\god" -church can help you have that direct exp w\\god(catholic counter-reformation) -would not expect to see this in a church -dramatic use of light -close"being right there" feel like you are an actor rith there w\\characters |
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Artemesia Gentileschi
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Susanna and the Elders
1610 -theme from old testament -threatning men on back, sympatize to her, body not very revealing, not sexy. -her approach as a woman (compared to Ruben's more revealing) |
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Artemesia Gentileschi
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"La Pittura"
-self portrait 1630 |
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Gianlorenzo Bernini
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David
1623 -full of movement, turning and twisting -chooses different time of story -makes u look involved in the sculpture(you are the giant standing in from of him) -Getting u involved, in the space of the work |
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Gianlorenzo Bernini
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Ecstasy of Saint Theresa
1645 -on side chapel of Cornaro Chapel, S. Maria della Vittoria, Rome, Italy -has tow theather boxes on sides w\carving and texture to make depth look, perspective -Counter reformation(space created around people(thearical) happening:having orgacism, controversial -exp w\god -"god's light" -cannot tell body underneath.drappery blowing, only see hands, feet and face -you can see angel body -st teresa on clouds "ordinary person having a direct exp w\god. Based on memors of reg person who lived not that long ago" |
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Gianlorenzo Bernini
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St Peter's Collonade, Vatican
designed: 1657 -connect plaza to the church. the people to church, makes them feel part of church. -Counter Reformation |
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Gianlorenzo Bernini
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Baldacchino
1624 Canopy in middle, where altar is, marks altar 10 stories high, massive, gotty, arnate -commissioned by pope, wanted everyone to know so he put beads(family's crest) -glove & cross on top -direct emotional exp w\people -collumns ornate, spiring up, makes space around them, makes architecture part of space around them part of energy |
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theatricality
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Bernini, Caravaggio, David, Baldacchino(made u feel tha you were part of the story, 17th century, Italian
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