Leading Tone 7Th

Front 1

In minor it is a___________________

Back 1

dd7 of fully diminished 7th

Front 2

in minor you raise the_____________

Back 2

7th scale degree or the root of the chord

Front 3

in major it is a ___________________ OR a _________________ if modally borrowed

Back 3

half diminiished (dm7)
OR
fully diminished (dd7)

Front 4

for a modally borrowed fully dimished 7th chord in minor you must ___________________

Back 4

lower the 7th of the chord (the 6th scale degree)

Front 5

the leading tone 7th chord has a _____________________function

Back 5

dominant function
not usually a half cadence though

Front 6

resolving a fully diminished 7th
you double the __________when it is resolved.
Parallel 5ths are actually____________in fully dimini shed

Back 6

strict resolution meaning that root, 5th, and 7th follow tendency tones (7th and 5th resolve down) and the third can resolve freely (either up or down)

YOU DOUBLE THE THIRD
UNEQUAL 5ths

Front 7

resolving a half diminished 7th
don't put the _______ above the __________ in the 7th chord.

Back 7

don't put the 7th above the third because it will result in parallel 5ths when you resolve

The third must be either placed above the 7th or if not the third must resolve up a step

Front 8

a fully diminished chord is so strong because it contains__________

Back 8

two tritones (1-5, 3-7)