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17 Cards in this Set

  • Front
  • Back
The Minakshi-Sundareshvara Temple History
built under Tirumalai (Nayak patron of arts)

dedicated to Shiva + goddess Minaski
The Minakshi-Sundareshvara appearence
network of enclosed walls

33 million sculptures

attention on gopuras not vimanas
The Minakshi-Sundareshvara gopura
provide landmarks for pilgrims

divided into levels of diminishing size

painted stucco

impossible to tell how complex they are
Hindu texts written in the vernacular
past done in Sanskrit

when written in vernacular, more could read, even illiterate could listen

romantic encounters of gods and humans

conveyed idea of bonding the human soul to the gods through love
Radha and Krishna in the Grove
lovers lie on plantain leaves in grove

as they touch nature blossoms around them

incorporates Persian and Western influences
Foundations of British rule
Chand's kingdom under attack by mountaineers from Nepal-appealed to British for help

British East India Trading Company- gaining power since 18th c.
Mughal Rule vs. British Rule
Mughal: european art= exotic curiosity, enjoyed w/o being fully understood or incorporated

British: art became part of program to westernize and Anglicize India
Late 19th c. influential British artists and patrons
portraiture/ historical paintings

commissioned events from the past that carried moralizing/ ethical message

architecture expressed greco-roman authority/ european thought
Late 19th c. Native artists
english speaking/western thinking/embraced euro art

art schools taught western techniques to spread British traditions of learning
Ravi Varma
European-style artist-entrepreneur

professional society portrait painter

work in demand all over country

built bridge between Indian/European traditions

created new popular image of modern indian art

paintings based on Sanskrit classics
The Triumph of Indrait
uses euro figures gestures and composition

helped restore dignity of his peoples past
Hindu Deity Mineatures
popularized growing pan-Indian nationalism

contributed to development of 20th c. Hindu identity
Indian independence movement
swadeshi ("own country")

battling against Eurocentric thinking of british holding Indian culture in low regard

opposed varma+those who embraced western art
Abanindranath Tagore
son of high caste family

raised among literati of Bengal Renaissance

inherited love of traditional Indian forms (book illustration)

developed own style of painting based on Mughal and Hindu miniatures / Japanese paintings
Bharat Mata
"mother india" as Bengali lady

icon of swadeshi movement
Krishna Defeats the Whirlwind Demon
big eye/ all profile

everything is archetypal because of rebirth

essence of life is not the particulates

profile=baseline image
Maqbool Fida Husain
studied calligraphy/ worked as filmmaker/ illustrator/sculptor of children's toys