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Front 1

The artists and gardens, parks, and the exhibitions

Monet, The Parc Monceau, 1878 (this is a public park)

Back 1

Front 2

The artists and gardens, parks, and the exhibitions

Monet, The Tuileries, c. 1876

Back 2

Front 3

The artists and gardens, parks, and the exhibitions

Renoir, The Champs-Elysees during the Paris Fair of 1867, 1867

Back 3

Front 4

The artists and gardens, parks, and the exhibitions

Renoir, La Promenade, 1870s
again be able to compare to Rococo and the Fete Galante

Back 4

Front 5

The artists and gardens, parks, and the exhibitions

Renoir, The Swing
How does this work compare to the Rococo (Fragonard, The Swing 1740s)

Also be able to compare these parks and the Impressionist style to that of Corot (Barbizon school)

Back 5

Front 6

Genre paintings. The regular people. Tavern images. Dark colors. Mysterious, subtle palette.
Barbizon School influenced by Dutch Baroque landscape painters.

Back 6

Do the Impressionists borrow from the Dutch in any way?

Front 7

The artists and gardens, parks, and the exhibitions

Morisot, Hide and Seek, 1873

Back 7

Front 8

The artists and gardens, parks, and the exhibitions

Morisot, the Butterfly Chase, 1874

Back 8

Front 9

The artists and gardens, parks, and the exhibitions

Morisot, Eugene Manet and Daughter at Bougival, 1881

Back 9

Front 10

The artists and gardens, parks, and the exhibitions

Manet, The Bench, 1881

Back 10

Front 11

The artists and gardens, parks, and the exhibitions

Caillebotte, The Orange Trees, 1878

Back 11

Front 12

The artists and gardens, parks, and the exhibitions

Monet, The Luncheon, 1874

Back 12

Front 13

The artists and gardens, parks, and the exhibitions

Monet, Monet’s House at Argenteuil, 1873

Back 13

Front 14

The artists and gardens, parks, and the exhibitions

Monet’s Garden at Vetheuil, 1881

Back 14

Front 15

The artists and gardens, parks, and the exhibitions

Renoir, Girl with Watering Can, 1876

Back 15

Front 16

The artists and gardens, parks, and the exhibitions

Renoir, The Garden of the Rue Cartot, 1876

Back 16

Front 17

The Exhibitions of the Impressionists

Monet Impression Sunrise, 1873

Back 17

Front 18

The Exhibitions of the Impressionists

Morisot, The Cradle 1872

Back 18

Front 19

The Exhibitions of the Impressionists

Morisot, Lady at her Toilet, 1875

Back 19

Front 20

The Exhibitions of the Impressionists

Paul Cezanne, Modern Olympia, 1872

Back 20

Front 21

The Exhibitions of the Impressionists

Camille Pissarro, Hoar Frost, 1873

Back 21

Front 22

The Exhibitions of the Impressionists

Degas, The Dance class, 1874

Back 22

Front 23

The Exhibitions of the Impressionists

Caillebotte, The pont de l’Europe, 1876

Back 23

Front 24

The Exhibitions of the Impressionists

Renoir Nude in Sunlight, 1875

Back 24

Front 25

The Exhibitions of the Impressionists

Renoir the Ball at the Moulin de la Galette, 1876

Back 25

Front 26

The Exhibitions of the Impressionists

Monet Floating Ice, 1880

Back 26

Front 27

The Exhibitions of the Impressionists

Cassatt, woman in a Loge, 1878-9,

Back 27

Front 28

The Exhibitions of the Impressionists

Caillebotte, In a café, 1880

Back 28

Front 29

The Exhibitions of the Impressionists

Raffaelli, The Absinthe Drinkers

Back 29

Front 30

The Exhibitions of the Impressionists

Paul Gauguin, Near the Farm 1885

Back 30

Front 31

The Americans

Whistler, Nocturne in Black and Gold (the Falling Rocket), c. 1875 (Asceticism—and he is an expatriate)

Back 31

Front 32

The Americans

Whistler, Nocturne in Blue and Silver, 1877

Back 32

Front 33

The Americans

Whistler, Nocturne in Blue and Gold, Old Battersea Bridge, 1872-75

Back 33

Front 34

The Americans

Childe Hassam, The El, New York, 1894

Back 34

Front 35

The Americans

Childe Hassam, Columbus Avenue, 1890s

Back 35

Front 36

The Americans

Childe Hassam, Boston Common, at Twilight, 1885

Back 36

Front 37

The Americans

John Twachtman, October, c. 1901 versus Monet, Seine, c. 1880s (French)

Back 37

Front 38

The Americans

Hassam, Union Square in Spring, 1896 versus Monet, Boulevard des Capucines,

Back 38

Front 39

The Americans

Chase, City Park c. 1888

Back 39

Front 40

The Americans

Charles Curran, Women Picking Lotus Lilies, 1890s

Back 40

Front 41

The Americans

Robert Reid, A summers Day in the Garden, 1888

Back 41

Front 42

The Americans

Willard Metcalf, Poppy Garden, 1905

Back 42

Front 43

The Americans

Carl Krafft, The Mystic Spell, 1915 (Chicago)

Back 43

Front 44

The Americans

Frederick Frieseke The garden Parasol (Michigan), this work probably dates to 1909

Back 44

Front 45

The Americans

Guy Rose (Californian)

Back 45

Front 46

The Americans

Julian Onderdonk, Bluebonnet Field, 1912

Back 46

Front 47

The Americans

Gari Melchers, Young Woman Sewing, 1923

Back 47

Front 48

The Americans

Helen turner, Girl with Lantern, 1914

Back 48

Front 49

Northeastern - Pretty Women, some escape
Midwestern - Landscapes
Californian - Landscapes
Southern - Least likely to develop on own; usually expatriates from other regions

Back 49

Be sure you can tell the difference between Northeastern Impressionism, Midwestern, Souther, and West Coast Impressionism.

Also know how each area accepted this approach.

Front 50

Manet, Woman Reading in a Café, 1879

Back 50

Front 51

Manet, Chez le Pere Lathuille, 1879

Back 51

Front 52

Manet, At the Café, 1878

Back 52

Front 53

Renoir, The Little Café, c. 1877

Back 53

Front 54

Ernest Ange Duez, Paris, Au Restaurant le Doyen, 1878

Back 54

Front 55

Jean-Francois Raffaelli, The Absinthe Drinkers, 1881

Back 55

Front 56

Manet,The Plum, 1878

Back 56

Front 57

Degas, Absinthe, 1876

Back 57

Front 58

Jean Beraud, Absinthe

Back 58

Front 59

Manet, Corner in a Café-Concert, 1878-9

Back 59

Front 60

Manet, Café-concert, 1878

Back 60

Front 61

Manet, A Bar at the Folies-Bergere, 1881-2
(also know the poster that advertises the Folies)

Back 61

Front 62

Degas, Miss La La at the Cirque Fernando, 1879

Back 62

Front 63

Toulouse Lautrec, Au Cirque Fernando, 1888

Back 63

Front 64

Toulouse Lautrec, Chau-U-Kao, The Chinese Clown, 1895

Back 64

Front 65

Toulouse Lautrec, The Seated Clowness, 1896

Back 65

Front 66

Toulouse Lautrec, Posters for Moulin Rouge

Back 66

Front 67

Degas, La Chanson Du Chien, c. 1875-78

Back 67

Front 68

Lautrec, The Dance , 1889

Back 68

Front 69

Lautrec, At The Moulin Rouge, 1889

Back 69

Front 70

Lautrec, Jane Avril posters, 1893

Back 70

Front 71

Degas. Aux Ambassadeurs, 1877

Back 71

Front 72

Degas, Café-Concert, 1877

Back 72

Front 73

Degas, The Glove, c. 1878

Back 73

Front 74

Lautrec, Ambassadeurs, Aristide Bruant, 1892

Back 74

Front 75

Renoir, La Moulin de la Galette,

Back 75

Front 76

Neo Impressionism (Pointillism)

Georges Seurat, The Circus, 1890

Back 76

Front 77

Neo Impressionism (Pointillism)

Seurat, Chahut, 1889-90

Back 77