Reading...
Play button
Play button
Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
22 Cards in this Set
- Front
- Back
|
Summertime - Miles Davis
|
Columbia, Porgy and Bess
Miles Davis - Trumpet Gil Evans - Guitar Paul Chambers - Bass Philly Joe Jones, drums Cannonball Adderly - alto sax complexe substitute chords. cross section voicings. cry of blues. |
|
|
So What - Miles Davis
|
Columbia, King of BlueMiles
Davis - Trumpet Paul Chambers - Bass Jimmy Cobb - drums Cannonball Adderly - alto sax Bill Evans- Piano John Conltrane - tenor sax A Sections - D Dorian B Section - Eb Dorian Cluster chords by bill evans. |
|
|
Orbits - Miles Davis
|
Columbia - Miles Smiles
Miles Davis - Trumpet Wayne Shorter - tenor sax Herbie Hancock - Piano Ron Carter - bass Tony Williams - drums polyrhythmic drumming from tony williams. lots of cymbal playing. |
|
|
Giant Steps - John Coltrane
|
Giant Steps - Atlantic records
John Coltrane - Tenor Sax Tommy Flanagan - Piano Paul Chambers - Bass Art Taylor - drums difficult key changes. goodbye to hard bop. very complex |
|
|
The Promise - John Coltrane
|
John Coltrane - soprano sax
McCoy Tyner - Piano Jimmy Garrison - bass Elvin Jones - drums live at birdland jazz club. modal jazz. climbing scale like runs. sheets of sound |
|
|
Hora Decubitus - Charles Mingus
|
Smithsonian collections
CHarles Mingus- bass, composer Brooker Ervin - tenor sax Eric Dolphy - alto sax Richard Williams - trumpet polutonal (two keys at once). rhythm and blues, free jazz, and hard bop. walking bass provides energy |
|
|
Free Jazz - Ornette Coleman
|
Ornette Coleman - alto sax
long free improvisation. composed melodic line. one drummer and bassist provide walking bass line and swinging drum patterns. two quartets |
|
|
Jitney #2 - Cecil Taylor
|
Solo piano.
spontaneous free jazz improvisation. turbulent, violent, imaginative performance. |
|
|
Delfeayo's Dilemma
|
Wynton Marsalis - trumpet
Marcus Roberts - Piano Robert Hurst - bass Jeff Tain Watts - drums neoclassic elements bravura trumpet sound, virtuosic technique, acoustic playing. |
|
|
Trinkle Tinkle - Joshua Redman Trio
|
Joshua Redman - tenor sax
Christian Mcbride - bass Clarence Penn - Drums outlines form and harmony from thelonius monk |
|
|
Harmon Mute
|
Miles Davis, metalic buzzing sound
|
|
|
Melismatic paraphrasing
|
miles davis, making notes longer than they should be.
|
|
|
third stream jazz
|
classical. Miles Davis. Porgy and bess
|
|
|
Modal Jazz
|
Use musical modes rather than chord pogression. Miles Davis King og blue
|
|
|
Minimalism
|
using space and silence to create an effect.
|
|
|
pedal point
|
sustained tone
|
|
|
tone cluster
|
comprised of three tones in one scale.
|
|
|
the cry.
|
John Coltrane. Squeezing notes out of tenor sax
|
|
|
the sweep
|
wide range of notes around sustained bass or piano
|
|
|
Sheets of sound
|
John coltrane. Wall of sounds.
|
|
|
AACM
|
Association for advancement of creative musicians. Chicago. flagship of Art Ensemble of Chicago
|
|
|
MIDI
|
Musical Instrumental Digital Interface. Michael Brecker. loops, delays
|
