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204 Cards in this Set
- Front
- Back
- 3rd side (hint)
Akushu Kote Maki Tori |
Hand grip wrist winding lock |
Shake lock, tureen up lock, outside wrist lock |
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Akushu Ude Tori |
Handgrip arm lock |
From handshake grip your left pushes/turns their reach over their arm to grab your own Gi for arm bar - thumb lock and takedown |
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Akushu Kote Tori |
Handgrip wrist lock |
From handshake bend their fingers down for side wrist lock. Turn their palm up and bend |
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Ryoeri Tori |
Both hand lock |
Right hands inside rake right hand gran their right hand twist their arm inside your left bend the elbow to lock |
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Tekubi Tori (A) |
Hand encircle luck (a) |
Dane side grab swing grabbed hand outside circle and other hand grabs their thumb from underneath. Once freed switch hands eye rake and add pressure with forearm |
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Tekubi Tori (B) |
Hand encircle lock |
Grabbed hand inside circle and eye rake. Free hand grabs for outside wrist lock |
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Imon Tori |
Clan emblem lock |
Their right hand on your chest trap their right hand on your chest lean forward to pressure them to their knee and you left kneel their face hits your right knee outside wrist lock takedown |
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Ryote Tori |
Both hand lock (double wrist lock) |
They reach with 2 hand grab double grab both their wrist pull in and down. Double outside wrist locks pushing in and take them to their knees. Then outside wrist lock takedown armbar against knee |
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Katate Tori |
One hand lock (wrist twist) |
They reach/punch. Outside wrist lock takedown. Variation from punch, turn away and you trap their arm under yours for temp armbar. Turn back into them for o/s wrist lock |
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Moro Yubi Tori |
All finger lock |
From same side shoulder push left hand trap w/ fingers pointing down and right hit up under elbow left hand grabs all fingers as turning right switch to only hold 2 fingers then thing lock and down |
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Ryoeri Hazushi |
Both lapel escape (breaking a front choke) |
Right for step in, left hand ridgehand up and back to their right arm. Right hand forward knifehand to their left shoulder. Right hand hook Beijing head left palmheel and left knee same time. (Can be followed up with Maki Komi) |
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Momoji Hazushi |
Red maple leaf escape (break cross lapel strangle) |
Break down their lower arm-up with the upper arm your lower am is inside circle woke upper arm is outside circle. The lower am is used to armbar the upper arm for the lock/throw. |
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Yubi Tori Hazushi |
Fiber lock escape (Breen from finger hold) |
They grab your fingers, you downward palmheel to their thumb |
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Mi |
Body |
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Tonbo |
Dragonfly |
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Obi |
Belt, sash |
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Se |
Back |
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Shihan |
Master teacher |
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Seiza |
Kneeling position |
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Dan |
Grade, rank, black belt holder |
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Roku |
Six |
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Kyoshi |
Instructor |
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Shodan |
Holder of the first grade black belt |
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Ju |
Ten (kanji character is a cross) |
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Jime (shime) |
To tighten, squeeze (constriction) |
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Sensei |
Teacher |
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Uke |
The receiver of a throw or strike |
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Momiji |
Red maple leaf |
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Randori |
Free exercise, free movement |
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Ippon |
One point (in a match) |
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Hazushi |
Escape |
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Eri |
Collar or lapel |
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Akushu |
Handshake |
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Karami |
Entwine |
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Koden |
Oral transmission |
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Chikara |
Strength, power |
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Seoi |
Back, upper back in shoulder region |
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Hagai Shime |
Wing construction (break from full Nelson) |
Establish base- hands up to support forehead - left step back stance - arms down to trap - left elbow - turn right to armlock |
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Nage |
Throw |
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Bushido |
Warriors code "The way of the warrior" |
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Harai |
Sweep |
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Domo arigato gozaimashita |
I'd the very formal Japanese phrase for thank you very much. It is said at the end of a class by the students while bowing to the instructor to thank him for teaching them. |
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Go |
Five |
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Tenada |
Hand blade |
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Tori |
Person executing a technique or seize, hold |
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Nami |
Normal |
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De |
Advanced, forward |
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Ho |
Direction |
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Nin |
Person |
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O |
Major, big |
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Nori |
Ride |
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Senaka |
Back, lower region |
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Ashi - yubi |
Toe |
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Soto |
Outside, outer |
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Oku |
Deep |
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Chu |
Middle |
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Mae |
Front |
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Kan |
School or building |
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Ji |
Shape, character |
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Daki |
Embrace or hug |
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Ko |
Ancient, also small |
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Hidari |
Left |
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Hon |
Basic, main |
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Hadaka |
Naked, bare |
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Iri |
Enter |
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Utsuri |
Switch, move, shift |
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Okuri |
Send |
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Tomoe |
A whirl or eddy (circle) |
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Kote |
Wrist |
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Tatsu |
Dragon |
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Morote hazushi |
Foot |
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Guaku |
Reverse, opposite |
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Ashi - waza |
Foot technique |
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Hane |
Spring up |
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Shi |
Four |
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Kabi |
Neck |
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Sutemi |
Sacrifice the body (to save it) |
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Waza |
Techniques, technique or art |
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Dho, Do |
Trunk of the body, torso |
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Yoko |
Side, to the side |
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Maki |
Wind, roll up, scroll |
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Shiho |
Four directions |
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Gaeshi |
To reverse |
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Migi |
Right |
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Uchi |
Inner, inside or to hit, strike |
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Kaku |
Corner |
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Gama (kama) |
Sickle |
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Tanju |
Pistol |
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Kami (gami) |
Hair of the head |
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Hagai |
Wing pinion |
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Ashi - kubi |
Ankle |
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Tai |
Body |
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Mizu |
Water |
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Ryu |
School, system, tradition |
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Shomen |
Front, front place (sho - front, men - face |
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Uki |
To float |
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Ha |
Wing or tooth, teeth, edge |
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Rei |
Salutation, bow |
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Ude |
Arm |
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Tanto |
Knife |
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Sempai |
Assistant teacher |
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Yubi |
Finger (toe) |
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Te |
Hand |
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Moro |
All |
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Sankaku |
Triangle |
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Hajime |
Begin (command) |
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Tatami |
Mat, throwing mats |
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San |
Three |
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Dojo |
Practice hall |
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Kiai |
A shout for practical and psychological effect |
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Kyu |
Student rank below black belt |
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Ichi |
One |
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Juji |
Cross shape (literally 10-shape, like we use the expression figure 4 or figure 8. The Japanese character for 10 is like a plus sign) |
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Shika |
Deer |
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Den |
Transmission |
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Kani |
Crab |
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Kappo |
Resuscitation |
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Ku |
Nine |
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Ni |
Two |
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Momo |
Thigh |
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Seifuku |
Restoration |
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Shidari Fuji |
Hanging Wysteria |
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Hai |
Yes, also Hai!!! A kiai or yell |
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Do |
Way, path |
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Yawara |
Soft, pliant, yeilding |
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Mate |
Wait |
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Sasae |
Stop, check, prop, hold back |
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Arashi |
Storm |
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Sumi |
Corner |
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Koshi (goshi) |
Hips, waist, pelvis |
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Osae |
Press, push, seize |
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Sei |
Arrange, tune |
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Ki |
Spirit, breath |
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Imon |
The point where the kimono crosses in front of the chest |
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Tsuri |
Raise, lift |
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Shoden |
Beginning transmission |
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Komi |
Pull |
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Gatame (katame) |
Grappling, hold |
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Otoshi |
Drop |
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Ura |
To reverse back |
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Kata |
Form (practice of prearranged exercise) or single, one of a pair |
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Kodenkan |
Ancient traditional school, okazaki's dojo |
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Kuguri |
Submerge, hide |
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Oshi |
Push |
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Danzan Ryu |
Sandlewood mountain (hawaiian) system |
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Sabaki |
Movement |
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Ushiro |
Rear, back, behind |
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Tsuki |
Thrust |
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Hachi |
Eight |
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Seifukujutsu |
Restoration art |
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Ryo |
Double, both |
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Yama |
Mountain |
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Shichi |
Seven |
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Sute |
Sacrifice, throw away |
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Uchi Gama |
Inside sickle (lower leg push to back fall) |
Pull them down as your right foot hooks behind their right and your shin across the front. Press with your shin to drive them back and down to back fall. |
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Soto Gama |
(From) outside sickle (hook behind foot and throw) |
Similar to Deashi Harai, left leg inside sweep hooking and pulling foot sweep. |
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Okuri Harai |
Double skidding foot sweep (side step double foot sweep and throw) |
Dance step throw/sweep. Start in lapel/elbow grab position, pull down in right side and up on left as Turk right and step back. Same thing for second step third time left inside sweep while they are in air with feet together. |
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Sasae Ashi |
Leg stop (stop leg motion and throw) |
Lift their arms to float them move to your right off their center line with inside edge of your left foot to their right shin. (With stepping: step 1 - step 2 - double step and throw) |
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Deashi Harai |
Advanced foot sweep (foot sweep on floor and throw) |
Very their right foot in front. You left foot single leg inside sweep |
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Tatsumaki Shime |
Winding dragon choke (throw, choke with kneeling leg, armbar) |
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Shidari Fuji |
Stabbing toe choke (toe in throat, side of foot on neck) |
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Shikano Itsusoko |
Leg and hammer lock (from punch, forward takedown) |
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Momo Shime |
Thigh constriction (nerve pressure counter to do shime) |
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Ashi Yubi Shime |
Toe hold (knee lock with ankle twist) |
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Ashi Nada Shime |
Foot control takedown (A. Leg lock B. Back lock) |
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Ashi Karami Shime |
Enwining leg lock (strangle and leg stretch) |
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Do Shime |
Body lock (body scissors and head squeeze) |
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Tenada Shime |
Armbar choke counter (armbar counter top choke) |
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Kote Shime |
Wrist lock (cross body shoulder/wrist lock/right hand under) |
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Osae Gami Shime |
Neck break after throw, drop throw for sutemi, quick neck break |
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Daki Kubi Shime |
Head lock throw (roundhouse punch and spine stretch) |
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Hadaka Shime (C) |
Nate arm choke 3 (seoi nage counter, fig 4 choke and sweep) |
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Hadaka Shime (B) |
Bare arm choke 2 (Sedi Nage counter, forearm choke and sweep) |
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Hadaka Shime (A) |
Bare arm choke 1 (front headlock and throw) |
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Tsuki Komi Shime |
Thrusting choke ( strike pressure points and thumb choke) |
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Ichimonji Shime |
Long and short choke ( lapel strangle) |
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Gyaku Juji Shime |
Reverse cross choke (thumbs in) |
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Nami Juji Shime |
Normal cross choke (fingers in) |
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Ushiro Gatame |
Hold down from behind ( shoulder stretch from behind) |
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Sankaku Gatame |
Triangle hold down ( figure 4 leg strangle) |
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Shiho Gatame |
Four corner hold down ( body press, holding four quarters) |
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Juji Gatame |
Cross body hold down ( throw and apply arm bar left hand under) |
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Eri Gatame |
Lapel hold down ( draw and apply headlock and strangle, arm free) |
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Kata Gatame |
Formal hold down ( throw and apply strangle using opponents arm) |
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Kubi Nuki Shime |
Circle neck constriction ( break headlock) |
Step behind forearm strike to groin near side arm reach over to apply in orbital right hand shoot through take Tori down |
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Morote Hazushi |
All hand escape ( two hands on one wrist escape) |
Left grab their wrist right upward elbow |
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Ryote Hazushi |
Both hand escape ( double wrist hold escape) |
Double inside circle to release as you move away |
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Katate Hazushi (B) |
One hand escape (B) break from cross wrist hold |
Turn grabbed hand palm up move toward free hand Direction free hand slaps grabbing arm grabbed hand prize out and once free punches Tori |
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Katate Hazushi (A) |
One hand escape (A) break from outside wrist hold |
Same side wrist grab kiai and you bend your arm crying in out through their phone |
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Yama Arashi |
Mountain storm (combination art: pull down throw and apply arm bar / choke |
Grab cross collar for collar bone break and break their balance outside leg takedown driving your fist to the floor right arm press against side of the neck while they still on floor left applies armbar over knee |
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Tomoe Nage |
Circle throw ( backward drop pushing uki up and over and release) |
From referee position your right foot on their hip your left slide between his legs as you drop under and throwing them over and release |
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Uki Otoshi |
Floating drop (pull into sutemi) |
From referee position or left on elbow and right on head left me with right across the front of their legs pulled them over and they sutemi keep your posture high so they cannot pull you down with them |
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Maki Komi |
Winding pull ( tightening drop with arm bar) |
From referee position your right arm passed their head crossing in front while pulling their right arm into your armpit turning left and right meals and right hand to floor as you throw. ( can go to side control) |
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Kani Sute |
Flying leg scissors ( leg scissor into back fall) |
From referee position your left step to their left side your right leg swing across from their hips your left hand down for support your left leg across the back of legs turn right to throw the back fall from push |
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Hand Goshi |
Springing hip ( bent leg throw) |
Ogishi over bent leg balancing right leg after |
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Harai Goshi |
Sweeping hip ( throw with leg stomp) |
Ogoshi with the stamp variation once floated and loaded on hip stop back with your right leg to throw |
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Tsurikomi Goshi |
Lift pull hip throw ( double arm throw) |
Grabbing both elbows hip throw without letting go. Note: keep your right arm on the outside of their elbows so you do not elbow them in the head during the throw |
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Sedi Goshi |
Back hip carry through ( hip throw leveraging elbow under armpit) |
Shoulder throw without letting go of the lapel to make it easier you can grab the cross lapel |
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Ushiro Goshi |
Rear hip throw (counter to Sedi Nagi) |
When they turn in slide the power grip to choke left hand on their lower back to push their hip way to unbalance you are in right front stance you then turn left and step back with left and right front stance the right step back to harai goshi throw |
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Sedi Nage |
Over shoulder throw ( throw with shoulder grip) |
Do not smoke them pulled them down in your right arm under their right arm throw them over shoulder throw |
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Utsuri Goshi |
Changing hip throw (counter to Ogoshi) |
Day counter Ogoshi by getting around your hip during the throw you hug them and swing around and stand in front of them when they are trying to throw you ( the second time you catch them while they are in the air with Soto Momo Harai) |
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O'Goshi |
Major hip throw ( throw with lifting hip) |
Float opponent by pulling them onto their toes step in with X stance and turn away while wrapping your right arm around their back with your feet on floor during throw him all the way across throw over hip |
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Uchi Momo Harai |
Inside thigh sweep ( throw with inside thigh sweep) |
Similar to Ogoshi except your right leg goes through the inside of their right thigh between their legs finish with right leg balance |
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Soto Momo Harai |
Outside thigh sweep ( play with outside thigh sweep) |
Similar to Ogoshi except you are right leg goes through and lift the outside of their right thigh your hip is not all the way across you finish balancing with your leg in the air |