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71 Cards in this Set
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Artist: Fra Angelico Title: Annunciation and Scenes from the life of the Virgin Date: c. 1432-34 Location: Church of San Domenico |
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Artist: Fra Angelico Title: Annunciation Date: 1438-45 Location: Hallway, Monastery of S. Marco, Florence Patron: Cosimo de' Medici - fourth condition (humility) - arms crossing is foreshadowing of jesus being on the cross humility is the highest of virtues humility of mary is incredibly important closed garden (virginity )barred window on door so sin cant get in ionic and corinthian columns, classic arches |
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Artist: Fra Angelico Title: Annunciation Date: 1438-45 Location: Monk's cell,Monastery of S. Marco, Florence Patron: Cosimo de' Medici - paintings are plain because dominican monks live life of contemplation. |
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Artist: Fra Angelico Title: Descent from the cross Date: 1434 Location: Santa Trinita Patron: Palla Strozzi -sacristy of santa trinita deposition, descent from the cross includes members of the strozzi family body of jesus is peaceful realistic faces entire city in background still tempera |
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Artist: Fra Angelico Title: Madonna and saints (San Marco Altarpiece) Date: c. 1438-43 Location: S. Marco, Florence Patron: Cosimo de' Medici -Medici saints present -pyramid shape -orthogonals in floor (turkish carpet) - 2 saints are medici saints, cosmas and damian -dominican monks on the right - |
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Artist: Fra Filippo Lippi Title: Annunciation Date: c. 1440 Location: San Lorenzo, Florence Patron: Martelli family -pictorial tradition with the lily branch -has linear perspective with the diagonals -closed garden is symbolic of Mary’s virginity -round arches -influence from Flanders -vase symbolizes the sacrament of baptism -transparency of the glass Lippi is influenced by Masaccio - transparent vase influenced by flemish art--disquiet (conturbatio) is the expression show by mary |
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Artist: Fra Filippo Lippi Title: Madonna and child with the birth of the Virgin and the Meeting of Joachim and Anna. Date:1452 Location: Pitti Gallery, Florence Patron: Lionardo Bartolini Tondos went in peoples homes; this is the time in which people begin to pay for art. -In the background you see the birth of the virgin mary. -she is cropped at the knees -Mary is more accessible -sitting in a chair instead of a throne -Lippi has temporized the Virgin Mary if Madonnas are cropped you can almost bet they were in a private home. Lucrezia Buti is said to be the face of the Madonnas. |
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East Doors Artist: Lorenzo Ghiberti Title: Gates of Paradise Date: 1425-52 Patron: Opera of the Baptistery and the Arte di Calimala -space between cathedral and baptistery is called the paradiso (Paradise) -the most important doors -Abraham sacrificing his only son is a typology of God sacrificing Jesus -Ghiberti wins over Brunelleschi -Ghiberti was better with metal -these are bronze and gilded -old testament - rilieveo schiatto - fall of jericho foreshadows last judgemen |
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Artist: Ghiberti Title: Jacob and Esau Date: c.1435 Location: Baptistery Doors, Florence Patron: Opera of the Baptistery and the Arte di Calimala - issac blessing jacob - classic architecture - figures in highest relief cast shadows - scale, people are in scale with the buildings - orthogonal in the floor - almost all of these are symmetrical |
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Artist: Lorenzo Ghiberti Title: Self-portrait Date: c.1448-52 Location: Baptistery Doors, Florence Patron: Opera of the Baptistery and the Arte di Calimala - very realistic, even shows him balding |
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Artist: Leonbattista Alberti Title: Malatesta Temple Date: 1450 Location: Rimini, Italy -Patron is Sigismondo Malatesta -broken pediment -broken entabletment -niches down the sides for sarcophagi to be placed there. -modeled by roman triumphal arch - pediment at the top is broken along with the entablature, - |
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Artist: Leonbattista Alberti Title: Santa Maria Novella Date: c. 1461-70 Location: Florence Patron: giovanni Rucellai -the church is very Gothic with lots of pointed arches -classicism with the facade like the temple top, horizontal division, and Romanesque -only real facade in Florence from the 15th century -prototype is san minato |
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Artist: Leonbattista Alberti Title: Palazzo Rucellai Date: c.1452-58 Location: Florence Patron: Giovanni Rucellai -Tuscan plasters -round arches -combination of column and round arch. - prototype is medici palace - 3 stories but no rustication - Corinthian on top, different on bottom two levels -prototype is medici palace so it has 3 stories -no rustication - prototype is Colosseum |
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Artist: Leonbattista Alberti Title: Sant' Andrea Date: 1470 Location: Mantua Patron: Ludovico Gonzaga -Corinthian pilasters - has a dome -round arches -barrel vault is coffered -Triumphal arches of Constantine is the prototype for the Facade - coffered ceiling on the inside - side chapels not side isles - san andrea becomes prototype, everyone starts building churches with one big nave |
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Artists: Donatello Title: David Date: C. 1446-60 Location: Original location Palazzo Medici Patron: Cosimo de' Medici -david from old testament, pitted versus Goliath - was at the medici palace courtyard - first life size male bronze since antiquity - relief on the head of Goliath - chariot with putti is from greek art - contra postto stance -prototype is Polykleitos, Spear Bearer |
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Artist: Donatello Title: Equestrian Monument of Gattamelata Date: c. 1445-53 Location: Piazza del Santo ,Padua Patron: Venetian Senate -prototype marcus aurelius -man was a solider for republic of venice (first example of a real man not a god) - made of bronze -condotteri? |
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Artist: Donatello Title: The Penitent Magdalen Date: 1430s-50s Location: Museo dell' Opera del Duomo, Florence -contrapposto pose -broke away from pictorial tradition -made of wood , brown painting used to represent the tan produced by years of exposure to the sun |
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Artist: Piero Della Francesca Title: Baptism of Christ Date: 1440-50 Location: ??? -lots of repetition (color, horizontal lines, vertical lines) - verticle lines are stances and trees - horizontal lines are clouds and dove - repetition of white color |
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Artist: Piero Della Francesca Title: Resurrection Date: c.1458 Location: Originally in Town Hall, Sansepolcro Patron: Chief magistrates of Sansepolcro -paintings before Piero showed Jesus ascending into heaven - this scene is not in gospels - much more realistic, since jesus stayed on earth for 40 days - guy in brown is piero della francesca -jesus is holding brown of triumph -sleeping soldiers -triumphing over death |
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Artist: Piero Della Francesca Title: Madonna and child with saints Date: 1470s Location: Urbino Patron: Federico da Montefeltro -Federico has been made a duke -Federico has his patron St. John -St. Bernardino on one side and St. Francis on the other-painting is not symmetrical -Battista is not present because she was dead by this time -Ostrich egg symbolizes the absence of Battista -coffering, round arches, -Sacramental conversation-the baby sleeping; sleep is a euphemism for death - coffered ceiling, entablature, shell all classical - jesus is sleeping signifies death but that he will also wake up |
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Artist: Piero Della Francesca Title: Battista Sforza and Federico da Montefeltro Date: c.1474 Location: Urbino -painting is double sided, tempera with some oil. pearls are more luminous with use of oil -another example of immortalizing -face of his wife was taken from her death mask -realistic portraits-atmospheric perspective. realism extends to messed up nose and eye that federigo suffered in battle - profile view comes from roman coins, women are usually in portrait |
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Artist: Piero Della Francesca Title: Triumph of Federico da Montefeltro and Triumph of Battista Sforza (Back) Date: c.1474 Location: Urbino -Virtues of Chastity and Modesty -Charity and Faith -cardinal virtues are justice, temperance,prudence, and fortitude - realistic background |
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Artist: Sandro Botticelli Title: Adoration of the magi Date: c. 1476 Location: Original location Sta. Maria Novella, Florence Patron: Guasparre dal Lama -head of the oldest Madoff Cosimo Medici -Pico della Mirandola a leading humanists and writer -head of the oldest Madoff Cosimo Medici -Pico della Mirandola a leading humanists and writer -Lorenzo the magnificent -this painting is honoring the Medici -the shed is in ruins but there is plants growing out of the cracks -the structure on the left is in ruins -symbolism is that with the coming of Christ the paganism will be gone. -pyramid shape -Giuliano is also present - pyramid shape |
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Artist: Sandro Botticelli Title: Primavera Date: c. 1482 Location: Original location Medici palace Patron: Lorenzo Medici -wedding for the Pier Francesco -heavy wood panel -both have Venus in the Middle -mythology comes into the picture -spring time -cupid is present -the three woman are the three graces -Mercury is on the far left, The God of Commerce -they are in Venus’s Garden -there are oranges in the painting -wind God Zephyr -Botticelli is all about grace and elegance -Lippi was the teacher of Botticelli -you can see this with the transparent drapery |
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Artist: Sandro Botticelli Title: Birth of Venus Date: c. 1448-86 Location: Medici palace??? -on canvas -Venus in the middle -born from the sea-you can see the shell -mythology is here for the first time -zephyr is present here -Drapery blowing in the breeze, flowers blowing in the breeze -Praxiteles Aphrodite pose is seen here |
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Artists: Sandro Botticelli Title: Portrait of a Man with a Medal of Cosimo de' Medici Date: c. 1475 Location: ??? |
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Artist: Sandro Botticelli Title: Madonna of the Magnificat Date: c. 1480 Location: Uffizi Gallery, Florence - tondo - influenced by lippi, transperancy, grace, elegance - no patron |
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Artist: Sandro Botticelli Title: Annunciation Date: 1489-90 Location: Sta. Maria Maddalena dei Pazzi, Florence Patron: Benedetto di Ser Francesco -orthogonal receding and horizontals -atmospheric perspective -conturbatio is seen here Mary is worried. |
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Artist: Leondardo Da vinci Title: Annunciation Date: 1472-75 Location: Florence - importance of darkness and shadows - atmospheric perspective - shadows in drapery are very dark - classicism in shell motif, very rare - realistic flowers and plants - ideal background, combination of real and the ideal |
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Artist: Leonardo Da Vinci Title: Adoration of the Magi Date: 1481 Location: ??? - unfinished because he left for milan - pyramid shape of high Renaissance -pointed finger (style of leonardo) - emphasis of shadow -detailed architecture, different expressions on every face (dramatic) |
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Artist: Leonardo Da Vinci Title: Madonna of the Rocks Date: 1483 Location: Original location S. Francesco Grande, Milan -pyramid pose -glance, gesture, and line is present -pointing finger-lots of movement -sfumato is present in the modeling - no halos - John is being shielded by mary, Jesus needs no protection since he is god - movement through line, glance, and gesture |
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Artist: Leonardo Da Vinci Title: The Last Supper Date: 1495-97 Location: Refactory of Sta. Maria delle Grazie, Milan Patron: Ludovico Sforza -most famous last supper -broke pictorial tradition -orthogonal in the ceiling -everything is symmetrical -three windows -linear perspective and atmospheric perspective - integration of the parts number symbolism - drama of high Renaissance compare earlier last suppers! |
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Artist: Leonardo Da Vinci Title: Madonna and child with St. Anne Date: c. 1508-13 Location: Louvre, Paris -santissima annunziata -sfumato in the modeling -ideal background -pyramid shape -integrated parts, all intertwined |
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Artist: Leonardo Da Vinci Title: Mona Lisa Date:1503 Location: The Louvre, Paris -Sfumato present -Modeling in the hands-modeling in the face -no lines in the face -soft shadows in the whole painting - pyramid shape - portrait of female facing viewer, breaking tradition - realism and ideal background -breaks from tradition by turning women towards viewer -pyramid shape |
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Artist: Michelangelo Title: David Date: 1501-4 Location: Accademia, Florence (Palazzo Vecchio) -there is a copy outside the Palazzo -originally suppose to be in the cathedral -suspense in his eyes -then went to the Piazza -broke pictorial tradition, pictured David before the battle -polykleitos prototype, and donatello's david -triumph of good over evil, god over Satan, etc. -symbol of Florence being Victorious - ideal body and face -perspective, it is meant to be looked up at |
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Artist: Michelangelo Title: Madonna of the stairs Date: 1489-92 Location: Casa Buonarroti, Florence -did this at age 14 - Mary seen as the Intercessor between god and heaven -Nursing madonna comes from SIena during the famine |
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Artist: Michelangelo Title: Pieta Date: 1498/99-1500 Location: St. Peter's Vatican, Rome -pyramid shape -carrara white marble - mary is pure, beautiful face (idealized face because she is so young) -jesus has muscular body, accurate tendons and anatomy -prototype were german pietas -signed by him in florentine |
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Artist: Michelangelo Title: Sistine Ceiling Date: 1508-12 Location: Vatican, Rome Patron: Pope Julius II -total days he actually painted was 582 days -there was theological advisers - 9 scenes of genesis down the middle - style goes from smaller to larger figures - integration of the parts - |
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Artist: Michelangelo Title: Deluge Date: 1509 Location: Sistine Ceiling - only male models, so women look like males with breasts - nude men all over symbolize god's creation |
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Artist: Michelangelo Title: Prophet Isaiah Date: 1509-10 Location: Sistine Ceiling -mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Fall of Adam and Eve and Expulsion Date: 1510-11 Location: Sistine Ceiling --mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Cumaean Sibyl Date: 1510 Location: Sistine Ceiling --mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Creation of Eve Date: 1510-11 Location: Sistine Ceiling |
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Artist: Michelangelo Title: Creation of Adam Date: 1511-12 Location: Sistine Ceiling apollonius belvedere torso is prototype - can see different days works, this took 2-3 days -mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Libyan Sibyl Date: 1511-12 Location: Sistine Ceiling |
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Artist: Michelangelo Title: Moses Date: c. 1511,1513-15,1542-1545 Location: S. Pietro in Vincoli, Rome |
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Artist: Michelangelo Title: Tomb of Giuliano de' Medici Date: 1479-1516 Location: Medici Chapel, San Lorenzo, Florence -each tomb had the duke at the top - the woman is night and the man is day - the neck of the duke is long -the faces are not portraits of the men -torso is long too -Giuliano is looking at the madonna and child -the figure of the woman (night) has a an owl and a mask. -Michelangelo uses male models even for the women -exaggeration on the twisting and turning -the face is not finished (day, onthe right) |
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Artist: Michelangelo Title: Tomb of Lorenzo de' Medici Date: 1492-1519 Location: Medici Chapel, S. Lorenzo, Florence -dawn and dusk-the female is dawn -the male is dusk -Lorenzo is also looking at the Madonna -Lorenzo is in a thinking pose -dusk is resting after a long day of work |
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Artist: Raphael Title: Madonna of the Meadows Date: 1505-1506 Location: Kunsthistorisches Museum, Vienna -pyramid shape-rounded hills, shape, and shoulders ( a little bit of repetition) -the idea of the madonna in the landscape with john comes from Da Vinci |
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Artist: Raphael Title: Angelo Doni Date: c. 1506 Location: Pitti Gallery, Florence -curvilinear lines that unite the whole peace. harmony -repetition of wispy shapes and wispy hair |
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Artist: Raphael Title: Maddalena Strozzi Doni Date: c. 1506 Location: Pitti Gallery, Florence -great at portraits -hands, the stare, and landscape means that this is post mona lisa -atmospheric perspective -harmony is present with the curves -hair flying in the breeze -repetition of wispy shapes and wispy hair |
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Artist: Raphael Title: School of athens Date: 1510-11 Location: Stanza della Segnatura, Vatican, Rome Patron: Pope Julius II -atmospheric perspective-modeling -first point perspective -proper scale of figures and architecture -orthogonal in the ceiling -Michelangelo is present in thinking pose in sculptors clothes -Burmonte is present -Raphael is also present |
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Artist: Raphael Title: Donna Velata Date: c. 1513 Location: Pitti Gallery, Florence -hands like Mona Lisa -blank background |
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Artist: Raphael Title: Baldassare Catiglione Date: c. 1515 Location: The Louvre, Paris -blank background -subject is a writer |
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Artist: Raphael Title: Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi Date: c. 1517 Location: Uffizi Gallery, Florence -Leo the X is Lorenzo the Magnificent's son -Raphael started the tradition of the papal portraits in the red robes -excellent at capturing the faces -Manuscripts -Bell (Implied texture in the bell) |
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Artist: Pontormo Title: Descent from the cross Date: c. 1525-28 Location: Capponi Chape, Sta Felicita, Florence -the exact subject is presenting the body of the son to the father -frame is the original -no linear perspective, no atmospheric perspective -no diminution in scale -figures are in the face of the viewer -no recession back into space -lots of overlapping - no spacial representation |
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Fra Roberto laudable conditions |
1. Conturbatio = Disquiet 2. Cogitatio = Reflection 3. Interrogatio = Inquiry 4. Humiliatio = Submission 5. Meritatio = Merit |
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Artist:Titian Title:Assumption of the Virgin Date: 1518 Location:Santa Maria Gloriosa dei Frari Venice -simple color scheme so i can be seen from far away - different than jesus because she is mortal, so she has putti and clouds helping her up to heaven (assumption) - Franciscans were pro for her body going to heaven - feast day is august 15th - no jesus! - all about mary - lots of diagonals, gesturing, and movement - during the reformation |
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Artist: Titian Title: Pesaro Madonna Date: 1526 Location: Santa Maria Gloriosa dei frai, venice - side chapel by private family - st francis because francescan church - sacred conversation - madonna is not in the center |
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Artist: Titian Title: Venus of Urbino Date: 1538 Location: Florence? - Female nude has to be eve or Venus (allegorical) - commissioned by duke -courtyard with tapestries - dog represents fidelity - two chests were usually a wedding gift - repetition of red color, vertical lines - harmony of composition |
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Artist: TItian Title: Danae Date: 1553 Location: Prado, Madrid - Done for king of spain. Phillip the 2nd - greedy servant on right - loose brushwork, in coins and sheets |
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Artist: Titian Title: rape of europa date: 1562 Location: spain? - very painterly - ex composition can be seen - Patron is Phillip the 2nd - |
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Artist Titian title: portrait of bearded man date 1511 Location: in london now |
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Artist:Titian Title: man with a glove Date: 1521 Location: Louvre, paris (now) - blank gackgrounds - texture on leather gloves and lace |
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Titian Title: Pope Paul III Date: 1543 Location: Capodimonte, Naples |
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Titian Title: Christ Crowned with Thorns Date: 1570 Location (alte Pinakothek, Munich) now - jesus is being mocked - made for himself |
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Titian Title: Pieta Date: 1576 Location: Accademia, Venice - made for himself - made for maybe his own grave st jerome actually has his face, is touching jesus' hand |
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Artist: Palladio Title: Facade of S. Girogrio Maggiore Date: 1610 Location: Venice - Sculptures on roof is before greek time - hid the facade well by using two fronts - never copied |
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Artist: Palladio Title: Ciericati Date: 1550s Location: Vicenza Prototype is coliseum - very classical -porch |
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Artist: Palladio Title: Villa Rotonda Date 1550 Location Vicenza - has dome - porch on four sides, semi enclosed - most influential - ionic order - temple front - prototype is the pantheon - |
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michelangelo painting (tondo) |
tondo with frame |
