Italian Ren Final

Front 1

Using oil painting for aesthetic purposes is of _____ in origin.

Back 1

1.Flemish

Front 2

This leading botanist and geologist rejected lines because they didn't appear in nature.

Back 2

1.Leonardo Da Vinci

Front 3

Under the influence of Brunelleschi and Leonardo this artist invents the Central form plan of the Renaissance church

Back 3

1.BRAMANTE

Front 4

Not only was he a founder of the High Renaissance, but he was also the fav architect of Julius II.

Back 4

1.Bramante

Front 5

1.The Tempieto is the most original and most influential building in...

Back 5

1.Rome

Front 6

1.He is the most typical of the High Renaissance and it's in his art the high renaissance idea of harmony in art is seen best

Back 6

1.Raphael

Front 7

1.His technique was like that of the Ancient Egyptians with his drawing contours on stone and then chipping away at the figure.

Back 7

1.Michelangelo

Front 8

1.Where is the first time the medieval principle of double scale is completely abandoned

Back 8

1.Raphael's “School of Athens”

Front 9

1.Where does humanism reaches its supreme embodiment?

Back 9

1.Michelangelo's “The Creation of Adam”

Front 10

Unlike Donatello, who helped sculpture break from architecture, he helped to harmonize architecture and sculpture

Back 10

1.Michelangelo

Front 11

1.What was the earliest role of the print?

Back 11

1.Reproductive uses

Front 12

Who is responsible for introducing Italian Mannerism to France?

Back 12

Fiorentino

Front 13

1.Who was the first Italian artist of note to travel North?

Back 13

1.Jacopo de'Barbari

Front 14

1.This artist became the first Italian practitioner of etching and became the first to use shadows to a great extent.

Back 14

1.Parmigiano

Front 15

1.He was the first to combine etching AND woodblock.

Back 15

1.Parmigianino

Front 16

1.He was a pioneer in this mannerist style whose work shows decorative impulse and smoothness of technique.

Back 16

1.Parmigiano

Front 17

1.It's characteristics are stylistic trickery and a liking for bizarre effects.

Back 17

1.Mannerism

Front 18

1.He began etching on flat iron plates and argued that he was the founder/developer of the etching technique. Regardless, the earliest known etchings today are actually by this artist.

Back 18

1.Hopfer

Front 19

1.She was the first Italian woman to get recognition, first Italian woman who was not daughter of a painter, and was also the leading portrait painter in Genoa.

Back 19

1.Sofonisba Anguissola

Front 20

1.She enjoys the distinction of being the first and only woman we know to have a long and prosperous career and was also the first woman painter for altarpieces to be entrusted to.

Back 20

1.Lavina Fontana

Front 21

1.This Flemish born Italian sculptor was the greatest sculptor in the art of Mannerism and during the century second only to Michelangelo and first sculptor with no principal view point

Back 21

1.Giovanni Bologna

Front 22

1.Who is the only 16th century architect who can actually rank with Bramonte and Michelangelo?

Back 22

1.Andrea Palladio

Front 23

1.Who was the towering master of Venetian painting of the last 40 years of the 15th century?

Back 23

1.Giovanni Bellini

Front 24

1.What school resurrects the Venus figure from antiquity?

Back 24

1.Venetian

Front 25

1.Where do we see the first landscape in the history of western painting?

Back 25

Giorgione's “Tempest”

Front 26

1.This outstanding Venetian representation of Mannerism was the most dramatic painter of the 16th century.

Back 26

1.Tintoretto

Front 27

1.His color harmonies were obtained by the innate sensitivity he had for color relationships rather than the over glazes Titian uses.

Back 27

1.Paolo Veronese

Front 28

1.No matter what he creates, he always wants and implements harmony and balance in his paintings.

Back 28

1.Raphael

Front 29

1.____ is the first great figure composition of the high Renaissance.

Back 29

1.Da Vinci's “Last Supper”

Front 30

1.Humanist views of man's centrality are often found in his drawings, but not his painting.

Back 30

1.Da Vinci's

Front 31

1.He was the only renaissance artist who could transfer his rich color schemes from his color panels to his frescos.

Back 31

Andrea del Sarto

Front 32

1.His contribution was the development of illusionistic dome ceiling, which puts him as one of the most important and original painters in Northern Italy

Back 32

1.Antonio Allegri da Correggio

Front 33

1.This Mantuan artist's engravings were “the most influential” in 15th century Italy.

Back 33

1.Andrea Mantegna

Front 34

1.The first Italian to adopt Contour Shading (a northern characteristic) was also the greatest exponent of the print for reproductive use.

Back 34

Marcantonio Raimondi

Front 35

T/F From the early 16th century on, Italian artists cease to make engravings, because they are content with sending drawings to engravers.

Back 35

1.True

Front 36

1.“Portrait of Pope Paul III and His Grandson” was the last religious works of Titian which reached an expressive point that only _____ could rival.

Back 36

1.Rembrandt

Front 37

1.As soon as Leonardo Da Vinci develops the linear structure of his paintings he keeps it throughout his career.

Back 37

1.False

Front 38

1.It is the perfect prototype of classical dome architecture of the Renaissance.

Back 38

1.Bramante's “Tempieto”

Front 39

1.In Raphael's _____________ it is here he reaches his maturity and utmost complexity and it is more complete.

Back 39

1.Madonna and the Chair

Front 40

1.Michelangelo's art really did begin in the manner of the 15th century as a Renaissance artist and then evolves into the High Renaissance style. However, towards his end he suggests the Baroque style but really finishes as a ___.

Back 40

1.Mannerist

Front 41

1.Corregio's “Assumption of the Virgin” is found here.

Back 41

1.dome of the Parma Cathedral

Front 42

He changes the course of Venetian painting by combining elements of Piero della francesca style and Flemish techniques (including glazes),

Back 42

Messina

Front 43

he creates qualities that have coloristic richness and an unrivaled brilliance not seen in Italian painting

Back 43

Messina

Front 44

In his work Lippi and Boticelli's linear style is gone, and he employs a painterly approach and an aerial perspective and chiaroscuro

Back 44

Leonardo Da Vinci

Front 45

Who was one of the first artists to use the red chalk medium for drawing?

Back 45

Leonardo Da Vinci

Front 46

He abandons painting to become the greatest architect of his age.

Back 46

Bramante

Front 47

This is one of the most important and influential palazzo designs of the entire 16th century.

Back 47

Bramante's "Palazzo Caprini"

Front 48

T/F no artist has ever rivaled Raphael in the definitive rendering of the Madonna's theme

Back 48

True

Front 49

Despite Raphael's prolific time in Florence, his greatest achievements come from his time in ...

Back 49

Rome

Front 50

Who's art begins mannerism?

Back 50

Michelangelo

Front 51

Who is the first true colossus of the High Renaissance?

Back 51

Michelangelo

Front 52

What is the most ambitious pictorial undertaking in the entire Renaissance?

Back 52

Michelangelo's Sistine Ceiling

Front 53

This painting set the pattern for imitations, but none were as devastating because only Michelangelo could mold the human body with such authority and communicate the inner tragedy of the human soul

Back 53

The Last Judgment

Front 54

He was one of the most important and original painters in northern Italy and was referred to as a Proto Baroque artist.

Back 54

Corregio

Front 55

T/F Printmaking in italy never had the importance that it had in the north.

Back 55

True

Front 56

In the last half of the 15th century where was the major center for the production of prints?

Back 56

Florence

Front 57

What engraving manner is characterized as a light handed fluid print style?

Back 57

Fine Manner

Front 58

Finiguerra is the leading engraver in Florence during the mid 16th century, however it is ____ that uses the broad manner more completely than any of his contemporaries.

Back 58

Pollaiuolo

Front 59

While he is the acknowledged master of the broad manner, he employs both the fine manner and broad manner style.

Back 59

Pollaiuolo

Front 60

T/F engravings were the most influential prints printed in 15th century Italy

Back 60

True

Front 61

Maybe the most skilled engraver in Italy and with him, Italian prints become more pictorial and painterly.

Back 61

Mantegna

Front 62

T or F: from this time on Italians cease to make engravings because they are content with sending drawings to engravers

Back 62

True

Front 63

Not only the first etcher to use shadows, but he was also the first to combine copper plate etching for the design and for the tone he added a woodblock print

Back 63

Parmigiano

Front 64

What group sought to create a beautiful elegant style with rules that allowed them to create with their individual expressions?

Back 64

mannerists

Front 65

Palladio's book becomes the bible for neo Renaissance artists and its popularity spreads to England and America.

Back 65

Four Books on Architecture (1570)

Front 66

He was one of the greatest masters when it comes to the handling of light and color.

Back 66

Giorgione

Front 67

Who was the monarch of the venetian school in the 15th century?

Back 67

Titian

Front 68

While the massing of monumental figures as both individuals and as groups is characteristic of the high renaissance, his diagonals are not characteristic of the high renaissance

Back 68

Titian

Front 69

Who was Tintoretto’s chief competitor in the late 16th century?

Back 69

Paolo Veronese