Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
79 Cards in this Set
- Front
- Back
Music
|
system of non-lexical (non-language)
patterned sounds that function as signs |
|
Methodology
|
a system of methods used in a
particular area of study. How do we gather our information? |
|
Participant Observation
|
observing what’s going
on while being a part of what’s going on. |
|
Etic
|
describes terms used to offer an “outsider’s”
explanation of culture - a general set of terms and concepts that can be used to interpret other cultures as well |
|
Emic
|
describes an “insider’s” perspective, perceptions,
and explanations of what’s going on |
|
Beat
|
• constant
• in the background - you can’t always hear it! |
|
Rhythm
|
• arrangement of durations
• may be different lengths - not necessarily constant - on or off the beat |
|
Tempo
|
speed of the beat
|
|
Meter
|
organization of the beat by patterns of accents
|
|
Duple
|
Accents on 1 and 2 or 1 and 4
|
|
Triple
|
Accents on 1 and 3
|
|
Unmetered
|
Music without a steady beat or regular accents
|
|
Pitch
|
frequency of sound
|
|
Interval
|
distance between pitches
|
|
Scale
|
a collection of pitches
|
|
Timbre
|
aural “colors,” either instrumental or vocal
|
|
Aerophones
|
flutes, reeds, brass
|
|
Chordophones
|
string instruments (plucked,
hammered, bowed, strummed...) |
|
Membranophones
|
most drums
|
|
Idiophones
|
self-vibrating (rattles, spoons,
wooden sticks) |
|
Texture
|
the interaction of musical “lines”
|
|
Monophony
|
One line
|
|
Polyphony
|
If there is one important voice, refer to homophony. If there is more than one important voice, it is polyphony.
|
|
Homophony
|
homorhythmic and melody plus accompaniment
|
|
Heterophony
|
One line but players all play it differently
|
|
Art Music
|
patronized by powerful political,
aristocratic or religious groups, accorded higher prestige or value than other music. |
|
Popular Music
|
accorded less prestige or value
than art music, often closely connected to mass media and processes of commodification. |
|
Commodification
|
process by which a thing
becomes a commodity, something that has monetary value and can be bought and sold |
|
Bourgeoisie
|
e (landlords,
capitalists) control a factor in production |
|
Petite-bourgeoisie
|
control
a smaller factor (shop owners, tradesmen) |
|
Proletariat
|
have nothing to
sell but their labor |
|
Ostinato
|
short, repeating
musical pattern that occurs throughout a piece or section of a piece |
|
Chanter
|
the pipe of the bagpipe that has the double reed
|
|
Drones
|
single reed pipes of the bagpipe
|
|
The Enlightenment
|
• belief in reason
• belief in the progress of human society • belief in more egalitarian forms of government |
|
Treaty of Union
|
Scotland merges with England to create the United Kingdom of Great Britain.
|
|
Nation
|
a group of people who share a common
language and common customs |
|
Nationalism
|
the belief that the nation should
correspond to an independent political entity: the nation-state |
|
Cultural Nationalism
|
belief in the importance of
identifying, preserving, and displaying cultural forms that are [thought to be] unique to a particular nation |
|
Globalization
|
Process of interaction and integration
among people, companies, and governments of different nations. |
|
Proletariat
|
have nothing to
sell but their labor |
|
Ostinato
|
short, repeating
musical pattern that occurs throughout a piece or section of a piece |
|
Chanter
|
the pipe of the bagpipe that has the double reed
|
|
Drones
|
single reed pipes of the bagpipe
|
|
The Enlightenment
|
• belief in reason
• belief in the progress of human society • belief in more egalitarian forms of government |
|
Treaty of Union
|
Scotland merges with England to create the United Kingdom of Great Britain.
|
|
Nation
|
a group of people who share a common
language and common customs |
|
Nationalism
|
the belief that the nation should
correspond to an independent political entity: the nation-state |
|
Cultural Nationalism
|
belief in the importance of
identifying, preserving, and displaying cultural forms that are [thought to be] unique to a particular nation |
|
Globalization
|
Process of interaction and integration
among people, companies, and governments of different nations. |
|
Lumpen Proletariat
|
urban “underworlds”
|
|
Cosmopolitan Culture
|
ideas/
objects/perspectives/tastes that are found in scattered places among particular groups who are linked by different forms of media, contact, interchanges |
|
Diaspora
|
1. Dispersal of community and collective suffering.
2. Troubled relationship between diasporic communities and their host sociteties. 3. Strong sense of community that transcends national frontiers. 4. Promotion of a return movement and (re)constitution of a national homeland. |
|
Punjab
|
straddles the border between
India and Pakistan |
|
Dhol
|
(double-headed drum)
with thick stick and thin wand |
|
Dholak
|
(double-headed drum)
hit with hands instead of sticks |
|
Dancehall
|
form of reggae created in the the
late 1970s and 1980s, characterized by slow speeds and sparse textures |
|
“bhangramuffin”
|
bhangra + raggamuffin
|
|
Raggamuffin
|
or ragga - form of dancehall
beginning in mid-1980s in which the music is primarily electronic, often featuring sampling |
|
“patwa"
|
mix of
Punjabi, English, and Jamaicanaccented English |
|
Composition
|
music that is relatively fixed, relatively
predetermined, possessing a specific and recognizable identity |
|
Improvisation
|
music that is relatively un-fixed, not
predetermined, created during the moment of performance to a greater degree than a composition |
|
Elites
|
hereditary rulers and their families
|
|
Guru
|
teacher
|
|
Raga
|
melodic mode
|
|
Tala
|
rhythmic modes
|
|
Alap
|
unmetered “exploration” of
the raga |
|
Jor
|
begins to get more rhythmic (
|
|
Jhala
|
rhythmic
alternation between melody and drone strings on the sarod |
|
Tinhai
|
melodic “hook” repeated three
times that signals the tabla |
|
Gat
|
metered, pre-composed
melody skeleton used as a basis for melodic improvisation |
|
Tala
|
counterpart of raga(rhythmic
mode/cycle) |
|
Bols
|
drum syllables
|
|
Gharan
|
(“house, family”) - a particular
style or tradition, usually named after its place of origin |
|
Global Imagination
|
imagining “the Other” means new
ways of imaging yourself |
|
Gamelan
|
denotes “ensemble”
|
|
Syncretic
|
mixing beliefs
|
|
Dangdut
|
pop music genre, emerged
in the 1970s |
|
Krakatau(group)
|
synthesis of
jazz fusion (jazz and rock elements) with Sundanese (West Javanese) gamelan - founded in 1980s |