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54 Cards in this Set
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Relief |
3 dimensional image or design whose flat background surface is carved away to a certain depth |
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Low relief |
barely projects above the plane |
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High relief |
barely attached to the plane |
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Sunken relief |
the image is modeled below the original surface of the background which is not cut away |
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Sculpture in the round |
3 dimensional sculpture that is carved free of any attaching background or block |
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Carving |
reductive technique (removing of material) |
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Modeling |
additive technique (material attached) |
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Cire Perdu |
"Lost Wax Casting"; a casting technique in which the model is first made with wax, which is then enclosed in a clay and plaster mold. The wax is melted through a vent and molten material-usually bronze-is run in to replace it. To cast a hollow object, it is necessary to insert a core of burnt clay, so the wax occupies the thin surrounding space between the core and the mold |
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Frontality |
In sculpture, a figure in a symmetrical pose facing the front; a pose used for beings of eternity |
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contrapposto |
a way of representing the various parts of the body so that they are obliquely balanced around a center axis. Natural action pose of the human figure as it is walking, especially in sculpture. |
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Appropriation/assemblage |
artwork created by gathering and manipulating 2 or more 3D objects |
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Readymade |
everyday object selected and designated as art |
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Site-specific |
Sculpture which is designed for one specific location. The place is recreated by the sculpture which uses the environment as one of its features. |
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Earthworks |
is a form of art created in nature that uses natural materials such as stones, leaves, or soil. |
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Kinetic art |
art which incorporates an element of mechanical or random movement, or which gives the illusion of movement by the use of optical techniques |
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Mobile |
a kinetic sculpture constructed of moving parts, hanging or standing, which can be either wind-driven or mechanically powered. |
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Architecture |
term has been applied to the enclosure of spaces with at least some aesthetic intent. |
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Beams |
a long piece of wood or steel used in construction. |
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Blocks |
a 3D mass of stone or other solid material (such as brick), normally in rectangular form used in construction. |
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Post-and-lintel |
A system of construction (with beams) in which a minimum of two vertical beams (posts) support others which are horizontally laid across the top (lintel) |
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Hypostyle hall |
vast hall filled by numerous rows of tall, closely spaced columns |
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Column |
an architectural element used for support and/or decoration. Consists of a rounded or polygonal vertical shaft placed on a base topped by a larger, usually decorative, capital. |
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Doric |
rounded shaft, either fluted or smooth; NO base; Capital consists of a flat, squared slab (abacus), and a circular cushion like element below it (echinus) |
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Ionic |
Fluted shaft with base; the capital is decorated with volutes (a spiral scroll) |
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Corinthian |
Most ornate of the orders; fluted shaft with base; bell-shaped capital elaborately decorated with acanthus leaf carvings, rosettes, and occasionally volutes |
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Tuscan |
Variation of the Doric; smooth shaft with base |
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Composite |
Combination of the Ionic and Corinthian; capital combines the acanthus leaves with the volutes. |
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Arch |
a curved construction of brick or stone which spans an opening above a room or doorway, with wedge-shaped blocks held in place by their pressure against each other and by buttressing. |
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Arcade |
a series of arches |
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Vault |
arched masonry structure that spans an interior space |
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Barrel vault |
aka tunnel vault; elongated or continuous vault; shaped like a half cylinder. |
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Triumphal arch |
a freestanding, massive stone gateway with one central arch |
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Corbel vault |
early roofing/arching technique in which each course of stone projects slightly beyond the previous layer until the uppermost levels meet. |
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Dome |
a circular vault; a curved masonry vault theoretically consisting of an arch rotated on its axis. May be crowned by an open space (oculus) and/or an exterior lantern. May rest on a vertical wall (drum) |
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Flying buttress |
an arch used to span a space between an arch or vault which needs external support; used for area above side aisles and chapel |
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Cantilever |
a projecting beam or member supported at only one end |
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Truss |
in architecture, a wooden or metal triangle; a rigid form it can be combined into multiple triangles to make roofs or geodesic domes |
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Geodesic dome |
a dome made of trusses |
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Warp |
vertical threads in a weavers loom; makes up the fixed framework that provides the structure of the cloth |
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Weft |
horizontal threads, woven at right angles through the warp; makes up the bulk of the design |
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Backstrap loom |
made of 2 rods w/ warps stretched between them; one tied to wooden support, the other to the back; woman leans back, controlling the tension of the threads; no longer than an arm's length in width |
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Heddle loom |
stationary looms in which the warps are supported by large wooden rods; the device raises and lowers warps so that wefts can easily be inserted; width is determined by spatial confines |
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spindle whorl/drop spindle |
yo-yo like object that is comprised of a wooden rod and a weight (usually stone or ceramic); the heaviness of the weight causes the wool to spin into thin twister yarn as it falls with gravity; taught to female children as early as possible |
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Pyrotechnology |
any process, in the creation of art, that utilizes fire |
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Ceramic |
objects made of fired clay, including pottery, porcelain and terra cotta |
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Terra cotta |
Italian for "baked earth"; low fired clay |
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Slip |
a liquid mixture of clay and water used as a color coat or a paint on pottery |
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Glaze |
finish coat of glass on ceramics; glaze can serve to color, decorate, strengthen or waterproof an item |
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Kiln |
an oven used for drying and firing ceramics |
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Reduced |
the firing area is sealed, preventing oxygen from entering, suffocating the ceramics with carbon monoxide, the result is the slip turns black |
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Oxidized |
great amounts of oxygen are allowed to reach the ceramics, the result is the slip turns red |
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Repousse |
metal worked by hammering to make relief decorations |
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Bronze |
alloy of copper and tin |
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Patina |
is a tarnish that forms on the surface of copper, bronze and similar metals; produced by oxidation or other chemical processes. |