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32 Cards in this Set

  • Front
  • Back
Shots
beginning of edit to end of edit
Scene
a segment in a narrative film that takes place in one time and space. A change in location denotes a new scene.
Sequence
a series of scenes or shots unified by a shared action or motif.
Pacing
varying the length of shots, thus, guiding the viewers in their emotional response to the scene
3 reasons to cutaway
1. adjust pacing/compress time
2. hide mistakes
3. show emphasis
Mise en scene
recording of an entire scene without cutting
Montage
a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information.
Transitions
a technique used in the post-production process of film editing and video editing by which scenes or shots are combined.
Simple cuts
one shot instantly replacing another
Fade in
The beginning of a shot that starts in darkness and gradually lightens to full brightness.
Fade out
The beginning of the shot starts in full brightness and gradually darkens to black.
Dip to color denotes:
A long passage of time
Cross dissolves denote:
Short passage of time
3 Gimmicky transitions
1. Iris
2. 3D spins
3. Page turns
Wipes
when on shot pushes the other off frame
B-roll
supplemental footage intercut with the main shot in film making
Cutaways
interruption of a continuously filmed action by inserting a view of something else
POV Shots
shot showing a view from the subjects perspective. Usually has 2 components:
1. Point glance 2. POV shot
Temporal Continuity
matching the relation of time from shot to shot to maintain continuous narrative action
Spatial Continuity
matching the relation of space from shot to shot to maintain continuous narrative action
Screen time
a period of time represented by events within a film (e.g. a day, a week) - Montage
Real time
a method of narratology wherein events are portrayed at the same rate that the audience experiences them - Mise en scene
Interscene editing
scene to scene editing
Intrascene editing
Editing within a scene
Missing Action
Editing out frames of action
180 Degree Rule
States that two characters in the same scene should always have the same left/right relationship to each other.
Matching action
refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action
Parallel Action
Going back and forth between two different scenes - cross-cutting
Accelerated action
Means whereby movement in a shot is represented as taking place at greater speed than it did in reality - compresses time
Overlapping action
If the action from the end of one shot is partly repeated at the beginning of the next.
Kuleshov Effect
When the audience thinks the expression changes but in actuality the expression stays the same

Soviet film theorist and director Lev Kuleshov
30 degree rule
A cinematography and editing rule that specifies that a shot should only be followed by another shot taken from a position greater than 30 degrees from that first