• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/43

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

43 Cards in this Set

  • Front
  • Back
the collection of guidelines for a particular melodic improvisation
Raga
precomposed raga songs or themes in North India
Bandish
precomposed raga songs or themes in South India
Gitam
cycles of beat groups that form the basis for meter in Indian music
Tala
a particular school of vocal or instrumental performance
Gharana
a transverse bamboo flute
Bansri
plucked lute-zither, drone instrument with 4 open strings
Tambura
pair of drums, one with a metal body, the other wooden, played with the fingers and palms
Tabla
plucked lute with large frets running over 13 sympathetic strings, 5 melody strings & 2 drone strings
Sitar
bowed fiddle with 3 gut melody strings, 35 sympathetic strings
Sarangi
an ancient plucked stick-zither
Bin
name of the Western portable organ that sometimes accompanies singers during Indian music performance
Harmonium
a single drum with 2 heads
Mrdangam
the specialized reed organ that can substitute for a tambura
Sruti Box
means sympathetic strings
Taraf
a construction used by musicians that demonstrates the ascending version of a scale
Arohana
a construction used by musicians that demonstrates the descending version of a scale
Avarohana
In South India a theorist named Venkatamakhi enumerated all of the possible 7-note scales into this system
Melakarta
The secondary principle tone of a particular raga that is often used as a cadence pitch
Samvadi
the characteristic ornamentation that helps distinguish one raga from another
Gamak
The principle tone which performers tend to dwell on during a performance of a raga
Vadi
The detailed representation of a ragas characteristic rising and falling melody
Chalan
melodic motives associated with a particular raga
Pakar
A system for Hindustani music of 32 seven-note scales
That
the name for pitch in Indian music
Svara
specific feelings that art can express; 9 forms
Rasa
paintings that depict certain scenes that illustrate the mood of a raga
Ragamala
the grouping of beats in North India
Vibhag
the groupings of beats, also called the tala cycle,is known as this in South India
Avarta
the 1st beat of a cycle and is often stressed to signify the completion of a rhythmic cycle
Sam
In South India this pattern of bols are memorized by the drummer to provide a basis for improvised accompaniment
Sokattu
the empty beat within a rhythmic cycle
Khali
The name for the syllables used as mnemonic devices to memorize drum patterns
Bols
devotional islamic songs sung by Qawal
Qawwali
popular South Indian gnere, often forms the centerpiece for a concert, uses a verse/refrian form
Kriti
light classical North Indian genre, texts concren love, often short ending pieces for concerts
Thumri
majestic North Indian genre, begins with an alap using neutral syllables, progresses to a metered section featuring light ornaments of a precomposed text
Dhrupad
virtuosic South Indian form, has very little text, is almost entirely free improvisation
Ragam-tanam-pallavi
most prominent North Indian genre, highly ornamented, light romantic texts, features fast scalar runs and scat sections
Khyal
fast scat sections that add excitement at the end of certain vocal performances
Tarana
popular devotional songs that close South Indian concerts
Bhajan
religious musicians that combine Hindu mysticism and Islam with notions of living simply
Bauls
caste of Muslim folk musicians
Langa