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43 Cards in this Set
- Front
- Back
the collection of guidelines for a particular melodic improvisation
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Raga
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precomposed raga songs or themes in North India
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Bandish
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precomposed raga songs or themes in South India
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Gitam
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cycles of beat groups that form the basis for meter in Indian music
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Tala
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a particular school of vocal or instrumental performance
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Gharana
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a transverse bamboo flute
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Bansri
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plucked lute-zither, drone instrument with 4 open strings
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Tambura
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pair of drums, one with a metal body, the other wooden, played with the fingers and palms
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Tabla
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plucked lute with large frets running over 13 sympathetic strings, 5 melody strings & 2 drone strings
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Sitar
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bowed fiddle with 3 gut melody strings, 35 sympathetic strings
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Sarangi
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an ancient plucked stick-zither
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Bin
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name of the Western portable organ that sometimes accompanies singers during Indian music performance
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Harmonium
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a single drum with 2 heads
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Mrdangam
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the specialized reed organ that can substitute for a tambura
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Sruti Box
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means sympathetic strings
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Taraf
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a construction used by musicians that demonstrates the ascending version of a scale
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Arohana
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a construction used by musicians that demonstrates the descending version of a scale
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Avarohana
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In South India a theorist named Venkatamakhi enumerated all of the possible 7-note scales into this system
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Melakarta
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The secondary principle tone of a particular raga that is often used as a cadence pitch
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Samvadi
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the characteristic ornamentation that helps distinguish one raga from another
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Gamak
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The principle tone which performers tend to dwell on during a performance of a raga
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Vadi
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The detailed representation of a ragas characteristic rising and falling melody
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Chalan
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melodic motives associated with a particular raga
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Pakar
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A system for Hindustani music of 32 seven-note scales
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That
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the name for pitch in Indian music
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Svara
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specific feelings that art can express; 9 forms
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Rasa
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paintings that depict certain scenes that illustrate the mood of a raga
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Ragamala
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the grouping of beats in North India
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Vibhag
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the groupings of beats, also called the tala cycle,is known as this in South India
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Avarta
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the 1st beat of a cycle and is often stressed to signify the completion of a rhythmic cycle
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Sam
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In South India this pattern of bols are memorized by the drummer to provide a basis for improvised accompaniment
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Sokattu
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the empty beat within a rhythmic cycle
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Khali
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The name for the syllables used as mnemonic devices to memorize drum patterns
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Bols
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devotional islamic songs sung by Qawal
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Qawwali
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popular South Indian gnere, often forms the centerpiece for a concert, uses a verse/refrian form
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Kriti
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light classical North Indian genre, texts concren love, often short ending pieces for concerts
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Thumri
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majestic North Indian genre, begins with an alap using neutral syllables, progresses to a metered section featuring light ornaments of a precomposed text
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Dhrupad
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virtuosic South Indian form, has very little text, is almost entirely free improvisation
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Ragam-tanam-pallavi
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most prominent North Indian genre, highly ornamented, light romantic texts, features fast scalar runs and scat sections
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Khyal
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fast scat sections that add excitement at the end of certain vocal performances
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Tarana
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popular devotional songs that close South Indian concerts
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Bhajan
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religious musicians that combine Hindu mysticism and Islam with notions of living simply
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Bauls
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caste of Muslim folk musicians
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Langa
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