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17 Cards in this Set
- Front
- Back
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Christ Driving the Money changers from the Temple
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Painting. El Greco, 1550. Mannerist style including twisting bodies and different vanishing points.
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The Denial of Peter
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Painting. Gerrit van Honthorst, 1600. Tenebrism and naturalism.
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Immaculate Conception with Saints Francis of Assisi and Anthony of Padua
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Painting. Giovanni Castiglione, 1650. Desoto en su and different emotional reactions.
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David
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Sculpture. Gianlorenzo Bernini, 1600. Intrudes forcefully on the viewer's space, very energetic.
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St. Teresa of Avila in Ecstasy
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Sculpture. Gianlorenzo Berini,1650. Cornaro Chapel. Emotional, theatrical style. "Spiritual Exercises"
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Calling of St. Matthew
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Painting. Caravaggio, 1600. Chiaroscuro and tenebrism and naturalism.
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Entombment
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Painting. Caravaggio, 1600. Baroque naturalism combined with foreshortening.
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Raising the Cross
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Painting. Peter Paul Rubens, 1600. Merging of intense emotion with virtuoso. Dramatic lighting and realism.
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Ceiling of gallery (Palazzo Farnese)
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Painting. Annibale Carracci, 1600. Classic Baroque, creating illusion of sculpture and bronze.
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The Triumph of the Name of Jesus and the Fall of the Damned
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Painting. Giovanni Battista Gaulli, 1700. Illusionist Baroque ceiling. Jesuit painting that played with emotion.
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Last Supper
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Painting. Tintoretto, 1600. Everyday details merge supernatural and secular. Realistic. Mannerist and intense spirituality.
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Allegory of the Union of England and Scotland
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Painting. 1650. Baroque allegory. Desoto en su. Full of energy and feeling. Foreshortening. Very fleshy.
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Betrayal of Christ
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Painting. Anthony van Dyke, 1600. Baroque tenebrism and wild emotion.
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Death of Germanicus
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Painting. Nicolas Poussin, 1600. Classical Baroque. Idealized Classicism. Geometric.
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Kitchen Still Life
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Painting. Cornelis Jacobsz, 1600. Baroque, appeals to senses.
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Lucretia
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Painting. Rembrandt Harmensz van Rijn, 1650. Baroque. Unique moment of suspension as her eyes convey last moment of life.
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Last Supper, L.D.V.
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Painting. Leonardo da Vinci, 1500. One point perspective and human emotion. Geometric perfection.
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