Humanities Final Set 4

Front 1

Greek and Roman art was combined with a desire to understand and imitate nature.

Back 1

Early Renaissance 1400-1490

Front 2

Florentine sculptor, traveled to Rome to study antique sculpture.

Back 2

Donato Bardi [Donatello]

Front 3

------was the first free standing, life sized nude sculpture since antiquity created by who?

Back 3

David, Donato Bardi [Donatello]

Front 4

How tall is the statue of david?

Back 4

5 feet 2

Front 5

True or False. David is not an imitation of classical nudes, but is indebted to them for its balanced stance

Back 5

True

Front 6

•Florentine painter during the early Renaissance.
•Commissioned and supported by the Medici family

Back 6

Sandro Botticelli

Front 7

An idealized portrait of womankind based upon an antique model

Back 7

The Birth of Venus

Front 8

Who created the Birth of Venus?

Back 8

Sandro Botticelli

Front 9

won a competition for the design of the dome of the Florence cathedral.

Back 9

Filippo Brunelleschi

Front 10

Filippo Brunelleschi's dome design was the largest since the -----

Back 10

Pantheon in Rome

Front 11

Renaissance Portraiture was an expression of 2 impulses:

Back 11

To immortalize oneself via physical appearance
•To publicize one’s greatness in the manner of Greco-Roman antiquity.

Front 12

Flemish artist who conceived the first western painting to portray a domestic secular couple

Back 12

Jan van Eyck

Front 13

created Marriage of Giovanni Arnolfini and His Bride

Back 13

Jan van Eyck

Front 14

The revolutionary breakthrough in Renaissance painting was the invention of ---------- first formulated by ----------.

Back 14

Linear perspective ,Brunelleschi.

Front 15

First artist to master linear perspective.

Back 15

Tommaso Guidi [Massacio]

Front 16

painted Trinity with the Virgin, St. John the Evangelist, and Donors

Back 16

Tommaso Guidi [Massacio]

Front 17

painted Church of Santa Maria del Carmine when he was 18 years old

Back 17

Tommaso Guidi [Massacio]

Front 18

Called “Sistine Chapel of the Early Renaissance”.

Back 18

Church of Santa Maria del Carmine

Front 19

painted The Tribute Money

Back 19

Tommaso Guidi [Massacio]

Front 20

•Studied the phenomenon of the natural world which aided his precision as an artist.
•His portraits stand as a testament to a keen sense of observation, and his notebooks attest to his scientific desires.
• maintained that proportional principles govern both nature and art. Thus he sought a basic union between human proportions and geometric shapes.

Back 20

Leonardo Da Vinci

Front 21

By the end of the 1400’s, the techniques of perspective came to be applied in more heroic and monumental ways.

Back 21

The High Renaissance

Front 22

–Far less devoted to scientific speculation; first and foremost a painter.
–His paintings were quite notable for their accuracy and precision.

Back 22

Raffaello Sanzio [Raphael]

Front 23

The painting is to represent the 4 domains of human learning: theology, philosophy, law, the arts. The result is

Back 23

the school of Athens

Front 24

Who painted the school of Athens

Back 24

Raffaello Sanzio [Raphael]

Front 25

painted Alba Madonna

Back 25

Raffaello Sanzio [Raphael]

Front 26

–His work represents the heroic age of Renaissance art.
•A poet, painter, architect and engineer, he foremost considered himself a sculptor.
•At age 21, in 1497, he was commissioned for a marble pieta, which would serve as a tomb monument in St. Peter’s Cathedral in Rome.

Back 26

Michelangelo Buonarroti

Front 27

sculpted pieta

Back 27

Michelangelo Buonarroti

Front 28

Sculpted the big David

Back 28

Michelangelo Buonarroti

Front 29

painted the Sistine Chapel Ceiling

Back 29

Michelangelo Buonarroti

Front 30

received a papal commission to complete the dome and east end of the new St. Peter’s Cathedral in Rome.

Back 30

Michelangelo Buonarroti

Front 31

Uncovered in 1506, ------- had a great impact on Michelangelo’s aesthetic renderings.

Back 31

Lacoon and his Sons