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46 Cards in this Set

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Characteristics of Realism
treatment of forms, colors, space, etc. in such a manner as to emphasize their correspondence to actuality or to ordinary visual experience, first half of 19th century
Rodin, Riis, Daumier
Daumier
Realist - "The third-class carriage" - modern setting depicting class difference
Riis
How the other half lives, shows poverty (realist)
Rodin
faces in his sculptures are NOT idealized, "Balzac" - his most famous sculpture; looking at it from different angles divides the sculpture into plains
Characteristics of Art Nouveau
flourished between 1890 and WW1 - relied upon twinning flowering forms to counter the unaesthetic look of machine made-products
Beardsly
Art Nouveau: "salome" contrasting black and white patterns in flowering organic motifs
Tiffany
"grape vine" stained glass reflecting nature & color (art nouveau)
Industrial Architecture
new materials and engineering methods demanded a new style as practical as the age of realism itself
Paxton
The Crystal Palce: was the first iron and glass structure built on such a large scale that showed materials were both functional & beautiful
Eiffel Tower
A triumph of modern engineering (1889) flaunted its iron core and steel skeleton
Arts and Crafts Movement
some of the protagonists of this movement turned entirely away from the use of machines and towards handcraft (1880-1910)
William Morris
Arts & Crafts Movement; chief contribution was as a designer of repeating patterns for wallpapers and textiles, many based on a close observation of nature
Impressionism
1862-86; rejected Renaissance perspective - instead represented immediate visual sensations through color & light (short choppy brushstrokes)
Manet, Monet, Degas
Manet
"Le dejeuner sur l'herbe" simplified forms with minimal modeling; flat color patches outlined in black (impressionism)
Monet
"Rouen Cathedral" same subject under different lighting conditions (impressionism)
Degas
"Ballet Rehearsal" human figures in stop-action pose, offbeat angles w/ figures cropped off at edges (impressionism)
Post-Impressionism
they continued using vivid colours, thick application of paint, distinctive brushstrokes and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.
Munch, Van Gogh, Cezanne, Seurat
Seurat
"Sunday afternoon on the island of La Grande Jatte" - bright colors in tiny dots
(post-impressionism)
Cezanne
"Mont Saint-Victoire" - interested in the simplification of naturally occurring forms to their geometric essentials
(post-impressionism)
Van Gogh
"starry-night" - aggitated swirling brushstrokes (post-impressionism)
Munch
"The Scream" known for his emotionally charged images of fear, isolation, and anxiety that greatly influenced German expressionists - proto-expressionism
Symbolism
thrived in the last decade of the 19th century; mythology and dream imagery for a visual language of the soul, seeking evocative paintings that brought to mind a static world of silence
Moreau
"Jupiter & Semele" (symbolism)
Odilon Redon
"the cyclops" represent an exploration of his internal feelings and psych (symbolism)
Modern Art with Formalist concerns
Fauvism, analytic cubism, synthetic cubism, futurism, the armory show
(the most important aspect of a work of art is its form, that is, the way it is made and its purely visual aspects, rather than its narrative content or its relationship to the visible world)
CAFF
Derain, Matisse, Picasso
Fauvism
"the wild beasts" visible brush strokes, open composition, emphasis on painterly qualities and strong colour over the representational or realistic values retained by impressionism
Derain
Fauvist; reduced brush strokes to Morse Code - bold colors and compositions
"charing cross bridge" (fauvism)
Matisse
"The red room" The paintings of this period are characterized by flat shapes and controlled lines, with expression dominant over detail (fauvism)
Picasso
The king of modern art, invented cubism "les desmoiselles d'avignon" shattered every precept of artistic convention by shattering bodies into bits and assembling them as faceted planes
Abstract vs. Non-representational
non-rep = art about art, Art without reference to anything outside itself - without representation, without recognizable objects.
abstract: Not realistic, though the intention is often based on an actual subject, place, or feeling.
Modern art with Psychological and Conceptual Concern
Dada, surrealism, abstract figuration, German expressionism
DESA
Dada
protested the madness of wars, main strategy was to denounce and shock - hoped to awaken the imagination
Duchamp
"bicycle wheel" - ready-mades, found objects which Duchamp exhibited as art, Modern Art + Conceptual
Arp
"according to laws of chance"
Modern Art - Psychological
Dali
"the persistence of memory" art fueled by irrational fears, represented his hallucinations with realism
(Modern - Psychological)
Kandinsky
credited with painting the first abstract art, "improvisation 28" (Modern Conceptual)
Early 20th Century art with social dimensions
Bahaus, International Style, Ashcan school, social realism
BIAR
Ashcan School of art
first uniquely american art - realistic & sketchlike, sordid low-life subjects
Social Realism
Early 20th century - art with social dimensions
Stieglitz, "the steerage" & Hopper "nighthawks"
International (Bauhaus)
marked by the absence of ornamentation and by harmony between the function of an object or a building and its design.- Le Corbusier "villa savoye"
Post Modern/Contemporary Art
pop art, minimalism, perfomance art, abstract expressionism
PAMP
Abstract Expressionism
late 1940's - 50's aim to express inner life through art, image is not the result of pre-concieved idea but of a creative process
Pollock "Lavender Mist" drip painting - threw it on canvas
Figural Expressionism
art must express a truth beyond surface appearance
Bacon: Head surrounded by slides of Beef - post modern
Color Field
focus shifts to where vast expanses of fields of color become the focus
Rothka: Blue Orange Red - painted bars of color that dissolved into each other
Pop Art
subjects come directly from pop culture; return to pictorial subject matter - makes art impersonal
Lichenstein: Whaam! (comic book techniques)
Warhol: 100 cans of Campbells soup
ORDER OF ART MOVEMENTS!
Realism
Art Nouveau
Industrial Architecture
Arts & Crafts
Impressionism
Expressionism
Symbolism
Modern - Formalist/psychological
20th Century, Art with Social Concern
Post Modern/Contemporary
Rick and Isaac are in every scary movie - So, Cool!