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491 Cards in this Set
- Front
- Back
Where was Rach. born?
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Oneg
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Where did Rach. die?
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Beverly Hills, CA
|
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What was Rach's family like?
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Wealthy, but his dad lost money to debt. Mother pianist, st. peterburg conservatory.
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Rach's school?
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St. Petersburg Conservatory, general ed and piano
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Why did Rach's parents separate?
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Lost more money.
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Rach's second school>
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Moscow Conservatory
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Rach studied with... at moscow conservatory?
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Taneyev, Rubenstein, Tchaikovsky
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Rach Won the...for composition
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Great Gold Medal, only awarded twice before
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Rach's First successful piece?
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C-sharp mminor prelude for piano, written after graduation
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Rach's premier of Symphony No. 1? conductor? success?
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Glazunov, disaster.
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Rach's Failure of Symphony no. 1 caused?
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No significant comp for three years.
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Rach's new pursuit?
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conducting, became an opera conductor
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Rach worked with opera bass?
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Chaliapin
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Rach knew hypnotist
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dr, nikolay dahl
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rach knew writer
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lev tolstoy
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rach married?
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cousin natalya satina
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rach wroked as... for 6 years.
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opera conductor and composer at bolshoy opera
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rach wrote how many orchestral works? what are they/
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symphony no. 2, the isle of the dead, piano concerto no. 3
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rach in 1909
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first american tour
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rach met--- in america
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kousevitsky
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rach during revolution in 1917
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left stockholm, never returned again.
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rach moved permanently to... and made a career as...
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new york, pianist, no time to compose until 1925
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Rach split time between...
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europe and america
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THe war in europe caused rach to..
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settle permanently in the states in 1939
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rach 1945
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diagnosed with cancer, and died
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Rach buried..
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kensico cemetery outside new york near valhalla, simple russian cross on a quiet hillside
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Symphonic Dances
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Rachmaninoff
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Symphonic Dances premier
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1941, Philly, Eugene Ormandy
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Who was Symphonic Dances dedicated to?
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Ormandy and Philly
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Symphonic Dances originally written for...
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2 pianos
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solo instrument in symphonic dances
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alto sax
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symphonic dances originally called..
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fantastic dances
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characteristics of rachmaninoff's style
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energetic rhythmic sections and sparse scoring
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energetic rhythmic sections and sparse scoring is typical of....
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rachmaninoff
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rach influenced by
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stravinsky and prokofiev
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rach's last composition
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symphonic dances
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symphonic dances represents rach's lifelong love for...
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ecclesiastical chants.
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quotes in symphonic dances
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symphony no. 1 principal theme (coming to term with failure) from russian church music, dies irae, and all-night vigil
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return to dance form in symphonic dances due to influence from
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stravinksy and prokofiev
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movement names in symphonic dances
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not in score, but referred to by rach as a quasi program
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RVW born?
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Down Ampney, Gloucester
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RVW died
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London
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RVW's father?
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reverend
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rvw related to?
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darwin and wedgewood
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rvw from a family of
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lawyers
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rvw first lessons from
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aunt in piano and harmony
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rvw's school?
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violin, organ, and piano at royal college of music and trinity college, cambridge
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rvw's degree from cambridge?
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history, and MusB
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rvw studied comp with... at royal college
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parry, wood, and stanford
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rvw studied in berlin with
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bruch
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rvw studied in paris with
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ravel
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rvw very interested in
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english folksong, elizabethan/jacobean music
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rvw had a philosophy of...
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musical citizenship. wanted to develop a relationship with the audience
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rvw friends with...
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holst at royal college
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rvw and holst had field days...
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go collect music together
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rvw worked as
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church organist, writer, lecturer, music editor, folksong collector
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rvw collected how many songs?
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over 800
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rvw developed...
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leith hill musical festival
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rvw worked as principal conductor from 1905-1953
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leith hill musical festival
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rvw ww1
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worked as a wagon orderly and artillery officer, royal army medical corps in france
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rvw music in ww1
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director of music, first army of the british expeditionary force organizing amateur music-making among the troops
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rvw joined faculty of
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royal college
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rvw conducted
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bach choir
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rvw associated with society
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english folk dance society
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rvw taught
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gordon jacob
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rvws music in 1930s
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banned by nazis because he was active for the germans in england
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rvw's opera he worked on for 40 years
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the pilgrim's progress
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rvw died and buried
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in westminster abbey near purcell and stanford
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rvw's 3rd premier
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london, sir adrian boult
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rvws 3: inspired by?
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images from ww1, not violent
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rvw images in 3d?
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bugler practicing and playing 7th, a girl singing across the fields
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rvw 3: written for>
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elegy of the dead of ww1
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rvw 3: tpt cadenza
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played on natural overtones. a bit later on the cadenza reappears in the horn
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DS born?
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st. petersburg
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DS died?
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moscow
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ds first lessons
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with mom
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ds performed at 11
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entired wtc
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ds studied at
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petrograd conservatory
|
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ds graduation piece
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symphony no 1
|
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ds worked as
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semiofficial role as rep of soviet music
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ds works
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topical character
|
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ds against
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revolutionary socialism
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ds operas
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under attack
|
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stalin said ds's operas were
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a mess instead of music
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ds 7?
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war-victory program, besieged leningrad
|
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ds chastised in 1948 for
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formalistic excesses
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ds got freedom when
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stalin died
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ds was a
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foremost soviet composer
|
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testimony
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about ds
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ds 1 finished in 1925 as a
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piano score
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ds 1 premiere
|
leningrad, leningrad phil, nikolai malko
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orch of ds 1
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typical, a tp
|
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ds wrote 1 at age
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19
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ds dedicated 1 to
|
friend mikhail kvadri who died in stalinist repressions
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ds 1 premiere first
|
leningrad radio premiere
|
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ds 1 caused
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international fame
|
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conductors of ds 1
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bruno walter, toscanini, klemperer, stokowski
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congratulatory letters to ds for 1
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milhaud, berg
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ds 1 first for soviet?
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win a place in general rep
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ds 1 characterizes
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irony, may be influenced by silent films he accompanied
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ds 2
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To October, 1927, in memory of revolution fo 1917
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ds 3
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the first of may celebrates international works day
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ds 7
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leningrad, courage of the russians during the siege of leningrad in ww2
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ds 11
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the year 1905, in memory of an earlier unsuccessful revolution in russia
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ds 12
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the year 1917, comemorates the russian rev
|
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ds 13
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babi yar, site where more than 100.000 soviet civilians (jews) were excuted by nazis in ww2
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interwar years tried for
|
peace at any price
|
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important changes in society between wars?
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brave new world ( modern life as far as politics, war that could eliminate species after war. before old world, end of old order of aristocrats gone forever., middle class
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style change between wars
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no more romanticism, neoclassism
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1914
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WW1 begins
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1917
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russian revolution
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1918
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ww1 ends
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1933
|
hitler takes power
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1939
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ww2 starts
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1945
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ww2 ends
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1949
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chinese revolution ends
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rach isle of dead based on
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painting by same name
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rach went to tolstoy
|
for help after bad premier
|
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rvw melodies in 3
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modal- derived from english folk music
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rvw's parallelism influenced by
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debussy, holst, ravel
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rvw 3's 2nd mvmt:
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bugler
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rvw 3's 4th mvmt:
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woman's voice and timpani
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soviet realism
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an attempt by soviet state to control artistic output to support the revolution
|
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stalin didnt like which opera of ds?
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lady macbeth
|
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ds 5 and stalin
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good favor
|
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ds marches:
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themes are self-parodies
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ds 1 movements
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lots of tempos in each movement
|
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ds early patrons
|
died in stalinist purges
|
|
strav. born?
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oranienbaum, russia
|
|
strav died?
|
new york
|
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strav dad?
|
leading bass of St. petersburg opera
|
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strav studied when 9
|
piano, improvisation and reading through opera scores
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strav parents?
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didn't want him to be a professional musician
|
|
strav school?
|
u of st. petes, law, eventually gave it up after getting degree for music
|
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strav studied with
|
rimski-korsakov
|
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strav influenced by
|
franck, debussy
|
|
strav married
|
cousin katherine
|
|
strav first period years?
|
1905-1919
|
|
strav wrote during first period
|
fireworks
|
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strav met diaghilev and wrote
|
firebird, petrushka, and rite of spring
|
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strav wrote orchestral pieces during 1st period
|
l'hisoire du soldat, renard, les noces
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strav in 1919
|
left russia permanently, lived in paris for the next 15 years
|
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strav second period
|
1919-1951 neo-classical period
|
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ballets from second period of strav
|
apollo, orpheus, jeu de cartes
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strav 2nd period orchestral music
|
symphony in c, symphony in 3 movements
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vocal pieces from strav's 2nd period
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oedipus rex, symphony of psalms
|
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strav 1939
|
moved to us and ca
|
|
ended 2nd period of strav with
|
rakes progress
|
|
strav's second wife
|
vera soudeikine
|
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strav's music after schoenbergs death
|
serial comp, sacred subjects
|
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music from 3rd period of strav
|
the flood, canticum sacrum, requiem canticles
|
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strav worked with
|
robert craft
|
|
strav profoundly influenced by the
|
russian revolution
|
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strav studied orchestration with
|
rk
|
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strav influenced by
|
folklorist trend
|
|
strav sym. dedicated to
|
new york phil symphony society
|
|
strav sym premiere
|
1946, new york phil, strav
|
|
strav sym originally written for
|
concerto for orchestra with harp, piano assuming soloist roles in the first two movements and the last being a fugue
|
|
strav sym response to
|
specific cinematographic impressions of the war
|
|
strav encountered in the early 30s
|
brown shirts, effected him greatly, root of indignation against the nazis
|
|
strav's title of piece
|
wanted it to be three symphonic movements, thought it would be more exact because it's not programmatic.
|
|
"it is not programmatic. Composers combine notes. That is all. How and in what form the things of the world are impressed upon their music is not for them to say."
|
strav
|
|
first movement of strav sym inspired by
|
a war film of scorched earth tactics in china
|
|
first movment of strav sketched as a
|
piano concerto
|
|
strav sym second movement intended to
|
accompany a scene in the film song of bernadette
|
|
final movement of strav brings together
|
the harp and piano in a fugal section.
|
|
"The beginning is a reaction to newsreels of goose-stepping soldiers. the square march beat,. brass band instrumentation, and grotesque tuba cresc. are all related to those abhorrent pictures.
|
strav about 4th movemtn
|
|
the piano and harp fugue and the end of the symphony are associated with the rise of the allies and the final rather too commercial d flat sxith chord tokens my extra exuberance in the allied triump.
|
strav about 4th movement
|
|
strav symphony displays
|
cyclic techniques in its smaller forms though the larger outlines follow sonata forms
|
|
divertimento
|
strav
|
|
dumbarton oaks
|
strav
|
|
symphony in c
|
strav
|
|
strav sym originally written for
|
concerto for orchestra with harp, piano assuming soloist roles in the first two movements and the last being a fugue
|
|
strav sym response to
|
specific cinematographic impressions of the war
|
|
strav encountered in the early 30s
|
brown shirts, effected him greatly, root of indignation against the nazis
|
|
strav's title of piece
|
wanted it to be three symphonic movements, thought it would be more exact because it's not programmatic.
|
|
"it is not programmatic. Composers combine notes. That is all. How and in what form the things of the world are impressed upon their music is not for them to say."
|
strav
|
|
first movement of strav sym inspired by
|
a war film of scorched earth tactics in china
|
|
first movment of strav sketched as a
|
piano concerto
|
|
strav sym second movement intended to
|
accompany a scene in the film song of bernadette
|
|
final movement of strav brings together
|
the harp and piano in a fugal section.
|
|
"The beginning is a reaction to newsreels of goose-stepping soldiers. the square march beat,. brass band instrumentation, and grotesque tuba cresc. are all related to those abhorrent pictures.
|
strav about 4th movemtn
|
|
the piano and harp fugue and the end of the symphony are associated with the rise of the allies and the final rather too commercial d flat sxith chord tokens my extra exuberance in the allied triump.
|
strav about 4th movement
|
|
strav symphony displays
|
cyclic techniques in its smaller forms though the larger outlines follow sonata forms
|
|
divertimento
|
strav
|
|
dumbarton oaks
|
strav
|
|
symphony in c
|
strav
|
|
circus polka
|
strav
|
|
4 norwegian moods
|
strav
|
|
ode
|
strav
|
|
scherzo a la russe
|
strav
|
|
concerto in d
|
strav
|
|
greeting prelude
|
strav
|
|
monumentum pro gesualdo
|
strab
|
|
variations aldous huxley in memoriam
|
strav
|
|
canon
|
strav
|
|
nazis and strav
|
pointed out some of his characteristics and said he was a jew
|
|
scorched earth techniques
|
burn your city if your enemy is coming
|
|
musical cycles
|
unfolds in cycles, figures that repeat with small change within a repetition if the rhythmic configuration changes, not just ostinato
|
|
bb born?
|
hungary
|
|
bb died/
|
new york
|
|
who from transylvania
|
bb
|
|
transylvania had what characteristis
|
hungarian, romanian, slavic
|
|
bb's dad
|
director of school of agriculture and amateur musician
|
|
bb's mom
|
paula, first piano teacher
|
|
bb's first compositions at age
|
9
|
|
bb 10 years old
|
first piano recital
|
|
more experience for bb?
|
paula took him to pressburg
|
|
bb studied piano with
|
laszlo erkel
|
|
bb attended
|
liszt academy in budapest
|
|
bb wrote symphony
|
kossuth
|
|
bb made his money
|
playing piano, teaching, making musical arrangements
|
|
bb professor
|
at liszt academy, piano
|
|
bb's interests
|
8 years of collecting hungarian, rumanian, and slovakia music with kodaly
|
|
bb collected
|
more than 6000 songs and dances on paper or phonograph later published
|
|
bb in 1939
|
nazis swet hungary, bb escaped to us
|
|
bb';s last years
|
not appreciated, illness and poverty
|
|
bb's last works
|
3rd concerto for piano, viola concerto
|
|
bb devised
|
shorthand notation of composition to save strength
|
|
story of kossuth
|
wanted to free hungary from austrian rule, nationalist in characcter
|
|
bb never talked about
|
his composition techniques
|
|
bb cfo influenced by
|
beethoven's op 132 string quartet
|
|
form of beethoven's op 132 string 4tet
|
1. allegro, 2. scherzo, 3. h.d., 4. recit, 5. allegro
|
|
bb cfo premiere
|
boston, symphony hall, koussevitsky
|
|
bb's finale
|
arch form
|
|
bb's orchestra
|
not chamber, large
|
|
bb's cfo commissioned
|
by kousevitsky music foundation
|
|
bb;s cfo has symmetrical structure
|
similar to bb's other 5 movement compos
|
|
progressing from the sternness of the first movement and the lugubrious death song of the third, to the life assertion of the last one.
|
bb about cfo
|
|
bb';s game of pairs
|
interrupts the movements flow, and imitates the 2 part parallel style of dalmatian folk song
|
|
bb's third movement
|
night music
|
|
bb;s 4th movment
|
contains a parody of tune from shostakovich's 7th, and nostaligic quotation of a popular song, szep vagy, gyonyoru vagy magyarorszag (you are lovely you are beautiful hungary)
|
|
vincze
|
writer of pop song bb used
|
|
bb;s 5th movement
|
roll call of some of bb;s favorite folk styles
|
|
bb's 5th movement is considered
|
life asserting
|
|
bb eventually composed
|
a second less abrupt ending to the finale
|
|
people said bb
|
betrayed his musical direction
|
|
bb;s cfo the first
|
many pieces listed as concerto for orchestra
|
|
bb called it a cfo because
|
of the way the instruments were treated soloistically
|
|
kossuth
|
bb
|
|
roumanian folk dances
|
bb
|
|
dance suite
|
bb
|
|
hungarian sketches
|
bb
|
|
music for strings, percussion and celesta
|
bb
|
|
om born
|
avignon, france
|
|
om died
|
paris
|
|
om piano teacher originally?
|
taught himself
|
|
om composing by age
|
8
|
|
om loves
|
bird songs, literature, theology
|
|
om school from 1919-1930
|
paris conservatory
|
|
om teachers included
|
dupre, dukas
|
|
om music changed after finding
|
deci-talas and rite of spring
|
|
om worked there until his death
|
organist at la sainte trinite
|
|
om taught at
|
ecole normale de musique
|
|
om taught
|
schola cantorum, organ, improvisation
|
|
om co-founded
|
la jeune france
|
|
om 1939
|
french armed service
|
|
om 1940
|
captured, prisoner in Stalag VIII, Gorlitz winter
|
|
om wrote while capture
|
quatour pour la fin du temps
|
|
1942-on, om taught at
|
paris conservatoire
|
|
1943-1947 om taught
|
private seminars on analysis and composition
|
|
om's students
|
boulez, stockhausen, xenakis, murail, benjamin
|
|
om's 2nd marriage
|
pianist yvonne loriod
|
|
om taught at (3)
|
budapest, tanglewood, darmstadt
|
|
om 1966 professor of comp where?
|
paris conservatory
|
|
1967 om elected into
|
institute
|
|
om had lifelon fascination with
|
birdsong and catholic faith
|
|
om usually expressed in his music...
|
catholicism and bird song
|
|
om ts premiere
|
boston 1949, boston symphony, bernstein conducting
|
|
om ts movements?
|
10 linked by common themes and musical ideas
|
|
om ts 1.
|
introduction
|
|
om ts 2.
|
chant d'amour 1
|
|
om ts 3.
|
turangalila
|
|
om ts 4.
|
chant d'amour 2
|
|
om ts 5
|
joie du sang des etoiles
|
|
om ts 6.
|
jardin du sommeil d'amour
|
|
om ts 7.
|
turangalila 2
|
|
om ts 8.
|
Developpement d'amour
|
|
om ts 9
|
turangalila 3
|
|
om ts 10
|
final
|
|
om ts orchestration
|
standard with d tpt, cornet, 10 percussion, ondes martenot
|
|
om ts comissioned by
|
kousevitsky for boston
|
|
who was supposed to conduct om ts?
|
koussevitsky but he was ill so bernstein did it
|
|
Yvonne Loriod?
|
messiaen's 2nd wife, played piano at premiere
|
|
ginette martenot
|
played the ondes martenot part for first performance
|
|
ondes martenot
|
martenot waves... early electronic instrument with a keyboard and slide, invented by maurice martenot based on the theremin
|
|
turangalila is part of
|
a trilogy of works by om from 1945-1948
|
|
three parts of om's trilogy
|
harawi (poeme d'amour et de mort) for piano and soprano, turangalila, and 5 recants for unaccompanied choir
|
|
om's trilogy based on
|
tristan und isolde myth
|
|
om's trilogy based on themes of
|
love and death
|
|
turangalila title
|
from two sanskrit words, turanga and lila. carry meanings of joy, time, movement, rhythm, life and death
|
|
om ts centered on what key?
|
F# major- joy and exultation
|
|
turangalila constructed of...
|
large repeating static blocks of music such as the statue theme in the brass first heard in the introduction, reflecting his perennial faschination with palindromic hindu rhythms, symmetrical scales, and birdsong
|
|
statue theme in turangalila
|
brass theme heard in theh intro
|
|
om's fascination with
|
hindu rhythms, symmetrical scales, and birdsong
|
|
Le tombeau resplendissant
|
om
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l'ascension
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om
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reveil des oiseaux
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om
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oiseaux exotiques
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om
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chronochromie
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om
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sept haikai
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om
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et exspecto resureectionem mortuorum
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om
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des canyons aux etoiles
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om
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un vitrail et des oiseaux
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om
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la ville d'en-haut
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om
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un sourire
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om
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eclairs sur l'au-dela
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om
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concert a quatre
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om
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om very interested in... the religious
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the end times
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St. francis of assissi
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om opera, catholic mysticism, frank talks to birds
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similarities between om's music and bird song
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space between calls, sometimes knock off one note or add one, repeated motif with slight variations
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om learned organ from
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dupre
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deci-talas
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100 hindu rhythms om found in a hindu text
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palindromic/non-retrogradable rhythm
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backwards is a mirror image
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ww2 for om
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blitzkrieg, french thought they had fortified properly, om captured
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om 4tet for end of times funny fact
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cellist had three strings, written above a g
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om 4tet for end of time shows
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end of time, end of war, images of revelations, rhythm-sensation of eternity
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om one of the most famous
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teachers
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when om wrote the ts, it was one of the only times in his life
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when he was not interested in non-humanistic ideals (bird songs, mystics
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om had
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synaesthesia
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om not interested in
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organic composition
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0m ts love song made boulez
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sick to his stomach
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om refers to .... in ts 6
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tristan by wagner
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om string harmony in ts 6
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similar to pop songs of the 40s, added 6 and 9s
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similarity between wagners and om's pieces
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2nd act in garden, 6th mvmt garden
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AC born
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brooklyn
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ac died
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brooklyn
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ac parents
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lituanian immigrants from the late 1800s
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ac age 12
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piano with goldmark (also taught gershwin)
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ac studied comp in
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manhattan
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ac received the first...
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scholarship to fontainebleau to study with nadia boulanger
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ac studied with
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nadia boulanger
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ac met when in paris
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stravinsky, joyce, hemingway, and pound
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when ac returned to america, he wrote
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symphony for organ and orchestra
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ac wrote music for the theater because
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koussevitsky commissioned it
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ac for 10 years
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experimented with new styles of composition
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ac's period of 1930s and 1940s
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america period, el salon mexico
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ac's pieces during american period
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billy the kid, rodeo, app. spring, film scores, el salon mex.)
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ac won in 1945
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pulitzer prize
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ac taught at
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harvard
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ac's books:
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our new music, music and imagination, what to listen for in music
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ac also won (2)
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congressional medal, academy award
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ac's later style
|
serial, more astringent styles
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ac last decades of life
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didn't compose
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el salon mexico
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ac
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ac smex premiere?
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1937, mexico symphony orch, chavez conducting
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ac smex us premiere?
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1938
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ac smex idea?
|
visited mexico in 1932, wanted to write piece on mexican popular tunes
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ac smex name?
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from dance hall, salon mexico
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ac smex songs taken from
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collection by toor, cancionero mexicano
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frances toor
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writer of collection of cancionero mexicano
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El palo verde
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ac mex, the green stick
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el mosco
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the mosquito, tpt melody
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la jesusita
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playful term for a woman
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el malacate
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mining equipment and a town
|
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ritornello in ac smex?
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el palo verde
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ac smex was sketched in
|
us. in 1933 and completed 2 years later
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ac smex form/
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overture of mexican pop tunes
|
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ac smex subtitulo?
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a popular type dance hall in mexico city
|
|
ac smex arranged in 1947 for
|
movie fiesta
|
|
ac smex arranged by
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bernstein for 4 hands piano 2 pianos, and 1 piano
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|
ac smex was which piece of vernacular pieces
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first
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ac's vernacular period music
|
smex, billy the kid, fanfare for the common man, a lincoln portrait, app spring, rodeo
|
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music for the theater
|
ac
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symphonic ode
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ac
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dance symphonu
|
ac
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short symphony (symp. 2)
|
ac
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el salon mexico
|
ac
|
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music for rado: saga of the prairie
|
ac
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an outdoor adventure
|
ac
|
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signature
|
ac
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john henry for chamber orchestra
|
ac
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fanfare for common man
|
ac
|
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music for movies
|
ac
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symphony no 3
|
ac
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danzon cubano
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ac
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preamble for a solemn occasion
|
ac
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preamble for a solemn occasion orch/
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speaker, orch
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fanfare for common man orch?
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brass, perc
|
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john henry orch
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chamber orch
|
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form of music for theater
|
suite
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orchestral variations
|
ac
|
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connotations
|
ac
|
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music for a great city
|
ac
|
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inscape
|
ac
|
|
happy anniversary
|
ac
|
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3 latin american sketches
|
ac
|
|
ac one of the first
|
american composer with national recognition
|
|
ac huge influence
|
on american musi
|
|
ac felt jazz
|
limited him rhythmically, harmonically, and formally
|
|
ac believe american music
|
would have to rise from roots like other traditions, folk roots
|
|
ac used many sources for
|
representing the melting pot
|
|
ac believed a music for the people
|
had to come from the people
|
|
ac was ... mentor
|
bersteins
|
|
brit born
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lowestoft, eng
|
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brit died
|
aldeburge, eng
|
|
brit at early age
|
showed musical talents
|
|
brit 16
|
10 piano sonatas, 6 string quartets, 3 piano suites, an oratorio
|
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brit studied comp with
|
frank bridge
|
|
frank bridge
|
brits comp teacher
|
|
brit went to
|
royal college of music
|
|
brits first job
|
london, wrote music for radio, theater, and GPO film unit
|
|
brit worked with at the GPO
|
Auden
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1939 brit
|
came to us with auden, and pears
|
|
brit moved to
|
brooklyn and long island
|
|
1945 brit wrote
|
sadlers wells opera, peter grimes
|
|
peter grimes brough brit
|
international fame
|
|
brit helped establish
|
english opera group, aldeburgh music festival, birtten/pears school, the maltings concert hall at snape
|
|
brit recordings
|
record of major compositions, perfomances live and recorded
|
|
brit's style changed
|
after a trip to india, southeast asia, and japan
|
|
life peer
|
britt
|
|
brits movmts named
|
from the roman catholic requiem mass, missa pro defunctis
|
|
lacrimosa and dies irae
|
both verses from dies irae poem (a sequence from the mass)
|
|
requiem aeternum
|
introit
|
|
brits names of movements mean
|
poltical and personal, not religious
|
|
brits piece represents
|
loss of his parents and commentary on the war
|
|
"combining my ideas on war and a memorial for mum and pop"
|
brits piece
|
|
dies iraie resembles
|
an earlier dance of death movement written to an anti-fascist poem of auden
|
|
"a slow marching lament"
|
britten about 1st mvmt
|
|
"a form of dance of death"
|
britten about 2nd mvmt
|
|
"the final resolution"
|
britten about 3rd mvmt
|
|
"tearful that day on which will rise from ashes guilty man for judgement. so have mercy, o god, on this man. compassionate lord jesus, grant them rest. amen."
|
text from britts first mvmt
|
|
day of wrath and terror looming! heaven and earth to ash consuming, david's word and sibyls truth foredooming@
|
text from brittens 2nd mvmt
|
|
eternal rest grant unto them o lord, and let perpetual light shine upon them
|
text from britten's 3rd mvmt
|
|
brittens orchestration
|
normal, alto sax, xylophone
|
|
brittens piece premiere
|
carnegie hall by ny phil, barbirolli
|
|
brittens piece commissioned
|
by japanese govt to celebrate the 2600th anniversary of the founding of the mikados dynasty.
|
|
britten's piece rejected
|
because of its christian frame of reference, considered an insult to the emperor
|
|
variations on a theme of frank bridge
|
brit
|
|
canadian carnival
|
brit
|
|
an american overture
|
brit
|
|
four sea interludes
|
brit
|
|
passacaglia from peter grimes
|
brit
|
|
the young person's guide to the orchestra
|
brit
|
|
occasional overture
|
brit
|
|
symphonic suite gloriana
|
brit
|
|
the building of the house
|
brit
|
|
suite on english folk tunes "a time there was"
|
brit
|
|
a thorough prodigy
|
britten
|
|
the rape of lucretia
|
britten
|
|
after reading a poem by crabbe, britten decided
|
to go to england, risked life, public service performing in places that had been destroyed by war
|
|
time cover
|
britten
|
|
hin born
|
hanau, germany
|
|
hind died
|
hanau, germany
|
|
hin age 11
|
ran away from home
|
|
hind when very young worked as
|
playing violin in cafes and theater orhcestras
|
|
hind school
|
frankfurt conservatory
|
|
hind won
|
mendelssohn prize for first string quartet
|
|
hind concertmaster of
|
frankfort opera orchestra
|
|
hind founded
|
amar quartet
|
|
amar quintet
|
devoted to contemporary music
|
|
hind violist with
|
amar
|
|
hind 1920s
|
music gained notoriety
|
|
cardillac opera
|
hind. huge success, made him the most important german composer to emerge after ww1
|
|
"most important german composer to emerge after ww1"
|
hindemith
|
|
gebrauchsmusik
|
composer has relationship with people around him (opposite of prive performances)
|
|
hind in 1920s and 30s
|
experimented with writing works for mass consumption, re-establish bond between audience and composer
|
|
hind wrote serious
|
works for opera and concert hall
|
|
hind's status
|
most famous composer in germany besides strauss
|
|
1927-1935 hind
|
post in composition at berlin state conservatory
|
|
hind and nazis
|
moved to us to escaple malice
|
|
hind problems
|
wife was jewish, wouldn't break with jewish musicians, music degenerate
|
|
hind worked in the us at
|
yale
|
|
hind made a living in the us working as
|
theorist, violist, composer, historian
|
|
hind returned to europe and worked at
|
zurich university
|
|
hind premiere
|
basel, paul sacher cond, 1952
|
|
musica instrumentalis
|
1st mvmt hind
|
|
musica humana
|
2nd mvmt hind
|
|
musica mundana
|
3rd mvmt hind
|
|
symphonic exposition of the ancient idea of the harmony of the spheres
|
hinds piece
|
|
mvmts represent in hinds piece
|
one of the three medieval categories of music
|
|
hinds piece originated from
|
an opera project based on keplers life and the dischord of his life and times
|
|
kepler
|
scientist, hind
|
|
hinds symphony written how long before the opera
|
6 years
|
|
mathis der maler
|
written before the opera
|
|
third mvmt form of hind
|
fugue (3 expositions) passacaglia with 23 variations
|
|
hinds conception of the music is based on
|
theory of the hierarchical ordering of tonal material
|
|
hind's theory
|
each tone had a certain weight and order, represents the natural order of the world and corresponding to the idea of a cosmic harmony of the spheres
|
|
"The spiritual and intellectual content of the work should center on the search for harmony in all things of life and the world, and on the loneliness of him who finds it. The nonharmony of the events of the time and of his fellow-men will serve to demonstrate the seminal quality of artistic and scientific thoughts and actions; despite comets, wars, ecclesiastical schisms, sickness and change of emperors, a great idea will blossom and gro taller than all other wild and noisy life."
|
hind about his piece
|
|
concerto for orchestra
|
hind
|
|
sinfonietta in e
|
hin
|
|
konzertmusik for brass and strings
|
hind
|
|
symphony mathis der maler
|
hind
|
|
pittsburgh symphony
|
hind
|
|
symphony in e flat
|
hind
|
|
symphonic metamorphosis
|
hind
|
|
symphonia serena
|
hind
|
|
hind ran away because
|
his parents didn't want him to be a musician
|
|
hind could...
|
play all orchestral instruments
|
|
hind very hard on
|
compositions students
|
|
series 1
|
hindemiths theory
|