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23 Cards in this Set
- Front
- Back
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Larmonia delle sfere |
MALVEZZI Genre-Intermedio Form-Through Composed SC-Tributary source of opera, instrumental performing forces, Independent Phrasing |
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Cruda Amarilli |
MONTEVERDI Genre-Madrigal Form-Through Composed SC-Stile Antico, Diss. Embellishments, Verse Play |
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Vedro I mio sol |
CACCINI Genre-Monodic Madrigal Form-Through Composed SC- Lute Basso continuo, Verse Play, Secular Aria, Elongated embellishments on a single syllable |
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L'Euridice A.Nel pur ardor B. Per quel vago |
PERI Genre- Opera Form- A.Recitative B. Aria SC- Cadences distinguish different characters and moods, unprepared diss., Earliest surviving opera B. Occumpanied |
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L'Orfeo, Vi ricorda, Ahi caso acerbo, Tu se morta |
MONTEVERDI Genre-Opera A.Strophic Aria C+D.Recitative SC- Varued expressive devices, bucolic, certain instruments represent certain scenes, Strings=Fields, Brass= Underworld |
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Orantea Intorno all idol mio |
CESTI Genre-Opera Form-Aria SC-Occumpanied, TST, Riternellos |
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Lagrime Mie |
STROZZI Genre-Italian Cantata Form- Through Composed SC- Dissonant embellishments, unmeasured meter |
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In Ecclesiis |
GABRIELI Genre-Grand Concerto Form-Through Composed SC-Imitative Polyphony, Sectionalized by monody and choral sections |
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O quam tu pulchra es |
GRANDI Genre-Small Sacred Concerto Form-Through Composed SC-Sectionalized by rhythm and style, Chromaticism, old testament |
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Historia Di Jephte plorate colles, Plorate filli Israel |
CARISSIMI Genre-Oratorio Form-A. Recitative, B.Aria SC-Expressive Chromaticism, A.Descending Tetrachords, Unmeasured meter B.Poly-Choral, Imitative Polyphony |
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Saul, was verfolgst du mich |
SHUTZ Genre-Through composed Form-Through Composed SC-Poly choral, Kaleidoscopic textures, sectionalized by monody and poly choral sections |
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Toccata No.3 |
FRESCOBALDI Genre-Toccata Form-Through Composed SC-Harpsicord, Trills, Free Rhythm, Improv, Warm-up Piece, Virtuoso |
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Ricercar after the credo |
FRESCOBALDI Genre-Ricercar Form-Through composef SC-Imitation based on a single subject, weird tuning |
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Sonata 4 for violin |
MARINI Genre-Sonata Form-Through Composed SC-Mononic, Free Rhythm, Recitative, Sectionalized Based on rhythm and style |
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La Coquette Virtuose |
GAULTIER Genre-Dance Movement Form-Binary Form SC-Embellishments, Stile Brisé, Tablature |
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Suite in A minor |
JAQUET d.l GUERRE Genre-Keyboard Suite Form-Binary Form SC-Free Rhythm, Improv, Abstractified, agrémeut, unmeasured prelude, Style Brisé |
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Armide overture |
LULLY Genre-French overture Form-Binary form SC-Homophony, 5pt harmony, oboe, sectionalized |
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Armide |
LULLY Genre-Tragedoe lyrique Form-B) Divertissement C) Prelude, recitative, prelude, air Sc-Homophonic, metrical, smooth melody, arioso tendency |
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Te Deum |
LULLY Genre- Grand motet Form-Through composed Sc-Orchestral interlude, poly-choral |
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Dido and Aeneas |
PURCELL Genre-English Opera Form-A) Recitative B) Through composed Sc- lyrical and melodic, ground bass, descending tetrachords |
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Clori vezzosa, e bella |
SCARLATTI Genre-Italian Opera Form-aria Sc-Da capo, |
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La Griselda |
SCARLATTI Genre-Opera Form-Aria Sc-Da capo, Ritenellos |
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Markus Passion |
KEISER Genre-Oratorio Form- Sc-Lutheran oratorio |
