History Of Philippine Arts

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Is a product of culture that originated from performed rituals

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Theatre

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Is an artform that needs to be consumed. Thus, it needs an audience. A third party.

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Theatre

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A religious rite or solemn ceremony consisting a series of actions performed according to a prescribed order

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Ritual

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A ritual found in the cordillera autonomous region, officiated by a shaman or mumbaki

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Canao/Kanyaw

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Involves animal sacrifice where the entrails are read through process of divination

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Ritual

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Rituals are performed for

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-Healing

-Birth of a child

-A coming of age

-Weddings

-Burial

-Wakes

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Presides over the ritual sacrifice of the animal

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Mumbaki

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Can be acquired through training while others are by fate and by blood

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Shamanhood/Shamanism

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Ensures abundance during rice planting and harvesting, this ritual is still observed and performed

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Kashawing

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This ritual involves re-enactment of the pact made by the ancestors of the community and the unseen spirits that inhabits the lake (Lake Lanao in Mindanao)

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Kashawing

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Palaw'an people of Southern Palawan asks for guidance from ancient spirits and ancestors, performed with a voodoo doll, a kudyapi player, a shaman, and the one who seeks advice

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Kuro Duwa

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The Tagbanua tribe of Palawan holds a ritual every last month of the year on a full moon. They believe that every 13th moon, 3 godesses descend from heaven to bless the planting of rice

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Pagdidiwata

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Is an operetta (a short opera) which features singing and dancing

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Zarzuela

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A spanish traditional form of musical comedy

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Zarzuela

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Introduced by Spanish artists around 1878 and written by native playwrights since 1890

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Zarzuela

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Father of Tagalog plays and Tagalog Zarzuelas

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Hermogenes Ilagan

(Severino Reyes ??)

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Most Famous Zarzuela

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Walang Sugat

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1987 NA for theater and music, most celebrated leading actress

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Honorata "Atang" de la Rama

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A singer and Bodabil performer who became the first filipina film actress

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Honorata "Atang" de la Rama

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A play in verse, which dramatizes events involving kings and queens, prince and princesses, sultans and caliphs in kingdom of Europe, Africa, and Middle East

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Comedia

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2 types of comedia

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-komedya de santo or religious celebrations

-secular comedy/sekyular comedia

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Comedia: it centers on the life of christ or any saint

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Komedya de Santo or Religious Celebrations

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Comedia: non-religious comedies/usually bad vs. evil

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Sekyular Comedia/Secular Comedy

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Comedia: It is usually seen during church celebrations

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Komedya de Santo

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Comedia: They have extravagant costumes and elaborately choreographed war scenes

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Komedya de Santo

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Most popular Secular Comedia

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Moro-Moro

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Derived from the Spanish word for moor or the north africanarabs who ruled parts of spain from 8th to 15th century

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Moro-Moro

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Usually involve a love story between a Christian hero and Islamic heroine or vice versa

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Moro-Moro

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Clashes between muslims and christians

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Moro-Moro

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A passion play

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Senakulo

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A narrative culled entirely from the biblical account of christ's passions and death on the cross

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Senakulo

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Wrote senakulo (1704)

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Gaspar Aquino de Belen

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Where you can witness a real-life reenactment of the senakulo

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Brgy. San Pedro Cutud, Pampanga

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Prohibited any Filipino from advocating Ph independence or its separation from the US

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Sedition Law

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Who and when was sedition law enacted

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William Howard Taft; November 4, 1901

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Resulted to censorship and banning the writing, printing and publication, and circulation of any materials that encourages the Filipinos to fight against American colonial rule

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Sedition Law

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Short act plays that represents a deep and profound yearning for freedom

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Drama Simbolico

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A drama in 3 acts written by Juan Abad in 1902

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Tanikalang Ginto (Golden Chain)

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A full-length play drama simboliko written by Juan Matapang Cruz in 1903

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Hindi Aco Patay (I Am Not Dead)

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First staged at the Teatro Libertidad in Singalong, Manila then at the Teatro Nueva Luna in Malabon

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Hindi Aco Patay (I Am Not Dead)

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A 3-act anti-imperialist play by Aurelio Tolentino

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Napun, Ngeni, at Bukas (Kahapon, Ngayon, at Bukas)

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It was first presented on Teatro Libertidad in Manila on May 14, 1903

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Napun, Ngeni, at Bukas (Kahapon, Ngayon, at Bukas)

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Lingua Franca during American colonization

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English

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The first filipino play written in english

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A Modern Filipina

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A Modern Filipina was written by

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Lino Castillejo and Jesusa Araullo (1915)

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Another form of theater that originated in france and became popular in the Philippines during the 1920

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Vaudeville/Bodabil

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A variety show or a motley collection of slapstick, songs, dances, acrobatics, comedy skits, chorus girls, magic acts and stand-up comic acts

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Vaudeville/Bodabil

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Comedy bars were introduced during

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Japanese Era

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When: Bodabil deteriorated into vulgar shows and later replaced by the popularity of film and tv

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Japanese Era (after the war)

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Turning point in the history of the Ph theater

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Decade of the 60s

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Most professional English-speaking theater company in the country

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Repertory Philippines

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Repertory Philippines is formed by

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-Ms. Zenaida Amador

-Ms. Carmen Barredo

-Mr. Leo Martinez

-Mr. and Mrs. Tony Mercado

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Founded PETA in 1967

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Cecile Guidote-Alvarez

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Is an organization of creative and critical artists-teacher-cultural workers committed to artistic excellence and people's culture that fosters both personal fulfillment and social transformation

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PETA

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Founded on September 1966. The premier bureaucratic entity through which art acquisition, exhibition making, workshops, grants, and awards were implemented

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Cultural Center of the Philippines

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Supported artists by providing venues and grants and served as a validating entity that institutionalized major awards like the National Artist Awards

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Cultural Center of the Philippines

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One of the most active purveyors of both local and foreign performances in dance, musical concerts, and experimental theater

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Cultural Center of the Philippines

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Traditional ballet as performed by both local and western ballet companies are staged at

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Cultural Center of the Philippines

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Formed by 25 students under the supervisions of professor myrna hilario and professor piedad guinto on september 1977

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Teatro Tomasino