History Of Modern Art B103

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Degenerate Art Exhibition, Munich, 1937

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Hoch, Cut with the Kitchen Knife, 1919-20

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Hausmann, The Spirit of Our Time, 1919

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ARP, Collage of Squares Arranged According to the Laws of Chance, 1916-17

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Man Ray, The Gift, 1921

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First International Dada Fair, June 30- August 25, 1920

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Hugo Ball reciting the poem Karawane at the Cabaret Voltaire, Zurich, 1916.Photograph, 28-1⁄8 × 15-3⁄4” (71.5 × 40 cm). Kunsthaus, Zurich. [Fig. 10-02]

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Marcel Duchamp, Étant Donnés 1. La Chute d’Eau, 2. Le Gaz d’Éclairage. (Given 1. The Waterfall, 2. The Illuminating Gas), 1946–66.Mixed-media assemblage: wooden door, bricks, velvet, wood, leather stretched over an armature of metal, twigs, aluminum, iron, glass, Plexiglas, linoleum, cotton, electric lights, gas lamp (Bec Auer type), motor, etc., 7’ 11-1⁄2” × 5’ 10” (2.42 × 1.78 m). Philadelphia Museum of Art. [Fig. 10-14a]

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Marcel Duchamp, Boîte en valise (Box in a Valise), 1941.Leather valise containing miniature replicas, photographs, and color reproductions of works by Duchamp.Philadelphia Museum of Art. [Fig. 10-13]

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Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even or The Large Glass, 1915–23.Oil, lead wire, foil, dust, and varnish on glass, 8’ 11” × 5’ 7” (2.7 × 1.7 m).Philadelphia Museum of Art. [Fig. 10-12]

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Marcel Duchamp, 3 Stoppages Étalon (3 Standard Stoppages), 1913–14.Assemblage: 3 threads glued to 3 painted canvas strips, each mounted on a glass panel; 3 wooden slats, shaped along one edge to match the curves of the threads; the whole fitted into a wooden box, 3 painted canvas strips, each 5-1⁄4 × 47-1⁄4” (13.3 × 120 cm); each mounted on a glass panel, 7-1⁄4 × 49-3⁄8 × 1⁄4” (18.4 × 125.4 × 0.6 cm); 3 wooden slats, 2-1⁄2 × 43 × 1⁄8” (6.2 × 109.2 × 0.2 cm), 2-1⁄2 × 47 × 1⁄8” (6.1 × 119.4 × 0.2 cm), 2-1⁄2 × 43-1⁄4 × 1⁄8” (6.3 × 109.7 × 0.2 cm); overall, fitted into wooden box, 11-1⁄8 × 50-7⁄8 × 9” (28.2 × 129.2 × 22.7 cm). The Museum of Modern Art, New York. [Fig. 10-10]

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Marcel Duchamp, Bicycle Wheel, New York, 1951 (third version, after lost original of 1913).Assemblage: metal wheel, 25-1⁄2” (63.8 cm) diameter, mounted on painted wooden stool, 23-3⁄4” (60.2 cm) high;overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8” (128.3 × 64.8 × 42.2 cm).The Museum of Modern Art, New York. [Fig. 10-09]

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Umberto Boccioni, Development of a Bottle in Space, 1912.Silvered bronze (cast 1931), 15 × 23-3⁄4 × 12-7⁄8” (38.1 × 60.3 × 32.7 cm).The Museum of Modern Art, New York. [Fig. 09-15]

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Umberto Boccioni, Development of a Bottle in Space, 1912.Silvered bronze (cast 1931), 15 × 23-3⁄4 × 12-7⁄8” (38.1 × 60.3 × 32.7 cm).The Museum of Modern Art, New York. [Fig. 09-15]

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Carlo Carrà, Patriotic Celebration (Free-Word Painting), 1914.Pasted paper and newsprint on cloth, mounted on wood, 15-1⁄4 × 12” (38.7 × 30.5 cm). Private collection. [Fig. 09-12]

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Gino Severini, Red Cross Train Passing a Village, 1915.Oil on canvas, 35-1⁄4 × 45-3⁄4” (89.5 × 116.2 cm).Solomon R. Guggenheim Museum, New York. [Fig. 09-10]

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Giacomo Balla, Dynamism of a Dog on a Leash (Leash in Motion), 1912.Oil on canvas, 35 × 45-1⁄2” (88.9 × 115.6 cm).Albright-Knox Art Gallery, Buffalo, New York. [Fig. 09-07]

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Umberto Boccioni, States of Mind I: The Farewells, 1911.Oil on canvas, 27-3⁄4 × 37-7⁄8” (70.5 × 96.2 cm).The Museum of Modern Art, New York. [Fig. 09-05]

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Umberto Boccioni, States of Mind I: The Farewells, 1911.Oil on canvas, 27-3⁄4 × 37-7⁄8” (70.5 × 96.2 cm).The Museum of Modern Art, New York. [Fig. 09-05]

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Antonio Sant’Elia, Train and plane station for project for Città Nuova, 1914.Probably black ink on paper. Musei Civici, Como. [Fig. 09-18]

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Giorgio De Chirico, The Melancholy and Mystery of a Street, 1914.Oil on canvas, 34-1⁄4 × 28-1⁄8” (87 × 71.4 cm).Private collection. [Fig. 09-04]

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Marc Chagall, Paris Through the Window, 1913.Oil on canvas, 52-3⁄8 × 54-3⁄4” (133 × 139.1 cm).Solomon R. Guggenheim Museum, New York. [Fig. 09-02]

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Vladimir Tatlin, Model for Monument to the Third International, 1919–20.Wood, iron, and glass, height 20’ (6.09 m).State Russian Museum, St. Petersburg. [Fig. 09-35]

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Auguste Perret, Church of Notre Dame, 1922–23.Le Raincy, France. [Fig. 08-24]

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Erich Mendelsohn, Einstein Tower, 1920–21.Potsdam. [Fig. 08-20]

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Adolf Loos, Front and garden view, Steiner House, 1910.Vienna. [Fig. 08-15b]

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McKim, Mead & White, Pennsylvania Station, 1906–10.New York. Demolished 1966. [Fig. 08-12]

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Frank Lloyd Wright, Robie House, 1909.Chicago. [Fig. 08-07]

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Richard Morris Hunt; McKim, Mead & White; Burnham and Root; and other architects, World’s Columbian Exposition, Chicago, 1893.Demolished. [Fig. 08-04]

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William Le Baron Jenney, Home Insurance Building, 1884–85.Chicago. Demolished 1929. [Fig. 08-02]

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Henry Hobson Richardson, Marshall Field Wholesale Store, 1885–87.Chicago. Demolished 1931. [Fig. 08-01]

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Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912.Oil on canvas, 58 × 35” (147.3 × 88.9 cm).Philadelphia Museum of Art. [Fig. 07-46]

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Wearing the Pierrot-Éclair costume designed by Sonia Delaunay, on the set of René Le Somptier’s film Le P’tit Parigot, 1926Courtesy of Bibliothèque Nationale de France, Paris

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Sonia Delaunay, Blanket, 1911.Appliquéd fabric, 42-7⁄8 × 31-7⁄8” (109 × 81 cm).Musée National d’Art Moderne, Centre National d’Art et de Culture Georges Pompidou, Paris. [Fig. 07-43]

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Robert Delaunay, Eiffel Tower in Trees, 1910.Oil on canvas, 49-7⁄8 × 36-1⁄2” (126.7 × 92.7 cm).Solomon R. Guggenheim Museum, New York. Solomon R. Guggenheim Museum Founding Collection. [Fig. 07-40]

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Juan Gris, Still Life and Townscape (Place Ravignan), 1915.Oil on canvas, 45-7⁄8 × 35-1⁄8” (116.5 × 89.2 cm).Philadelphia Museum of Art. [Fig. 07-36]

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Raymond Duchamp-Villon, The Horse, 1914.Bronze (cast c. 1930–31), 40 × 39-1⁄2 × 22-3⁄8” (101.6 × 100.1 × 56.7 cm).The Museum of Modern Art, New York. [Fig. 07-31]

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Pablo Picasso, Maquette for Guitar, Paris, October 1912. Construction of cardboard, string, and wire (restored), 25-3⁄4 × 13 × 7-1⁄2” (65.1 × 33 × 19 cm).The Museum of Modern Art, New York. [Fig. 07-27]

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Georges Braque, 1914.The artist’s Paris studio with a paper sculpture, now lost. [Fig. 07-26]

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Pablo Picasso, Guitar, Sheet Music, and Wine Glass, fall 1912.Pasted papers, gouache, and charcoal on paper, 18-7⁄8 × 14-3⁄4” (47.9 × 37.5 cm). McNay Art Museum, San Antonio, Texas. [Fig. 07-23]

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Pablo Picasso, Still Life with Chair Caning, 1912.Oil and oilcloth on canvas, edged with rope, 10-5⁄8 × 14-5⁄8” (27 × 37 cm).Musée Picasso, Paris. [Fig. 07-21]

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Georges Braque, Violin and Palette, 1909.Oil on canvas, 36-1⁄8 × 16-7⁄8” (91.7 × 42.9 cm).Solomon R. Guggenheim Museum, New York. [Fig. 07-16]

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Pablo Picasso, Les Demoiselles d’Avignon, June–July 1907.Oil on canvas, 8’ × 7’ 8” (2.4 × 2.3 m).The Museum of Modern Art, New York. [Fig. 07-07]

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Pablo Picasso, Gertrude Stein, 1906.Oil on canvas, 39-1⁄4 × 32” (99.7 × 81.3 cm).The Metropolitan Museum of Art, New York. Bequest of Gertrude Stein, 1946.[Fig. 07-05]

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Pablo Picasso, Family of Saltimbanques, 1905. Oil on canvas, 6’ 11-3⁄4” × 7’ 6-3⁄8” (2.1 × 2.3 m). National Gallery of Art, Washington, D.C. [Fig. 07-04]

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Pablo Picasso, La Vie (Life), 1903.Oil on canvas, 6’ 5-3⁄8” × 4’ 2-5⁄8” (2 × 1.29 m).The Cleveland Museum of Art. Gift of Hanna Fund. 1945.24. [Fig. 07-02]

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Franz Marc, The Large Blue Horses, 1911.Oil on canvas, 41-5⁄8 × 71-5⁄16” (105.7 × 181.1 cm).Walker Art Center, Minneapolis. [Fig. 06-20]

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Vasily Kandinsky, Sketch for Composition II, 1909–10.Oil on canvas, 38-3⁄8 × 51-3⁄4” (97.5 × 131.5 cm).Solomon R. Guggenheim Museum, New York. [Fig. 06-15]

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Karl Schmidt-Rottluff, Self-Portrait with Monocle, 1910.Oil on canvas, 33-1⁄8 × 30” (84.1 × 76.2 cm).Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Nationalgalerie. [Fig. 06-14]

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Erich Heckel, Two Men at a Table, 1912.Oil on canvas, 38-1⁄8 × 47-1⁄4” (96.8 × 120 cm).Kunsthalle, Hamburg. [Fig. 06-08]

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Lovis Corinth, Nude Girl, 1886.Oil on canvas, 30 × 25-1⁄4” (76.2 × 64.14 cm).Minneapolis Institute of Arts. Gift of Mr. and Mrs. Donald Winston. [Fig. 06-01]

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Emil Nolde, The Last Supper, 1909.Oil on canvas, 33-7⁄8 × 42-1⁄8” (86 × 107 cm).Statens Museum for Kunst, Copenhagen. [Fig. 06-06]

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Ernst Ludwig Kirchner, Seated Girl (Fränzi Fehrmann), 1910; altered 1920. Oil on canvas, 31-3⁄4 × 35-7⁄8” (80.6 × 91.1 cm).Minneapolis Institute of Arts. The John R. Van Derlip Fund. [Fig. 06-04]

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Ernst Ludwig Kirchner, Street, Dresden, 1908 (dated 1907 on painting).Oil on canvas, 4’ 11-1⁄4” × 6’ 6-7⁄8” (1.51 × 2 m).The Museum of Modern Art, New York. [Fig. 06-03]

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Paula Modersohn-Becker, Self-Portrait on Her Sixth Wedding Anniversary, 1906.Oil on canvas, 39-3⁄4 × 27-1⁄2” (101 × 69.9 cm).Kunstsammlungen Böttcherstrasse/Paula Modersohn-Becker Museum, Bremen.[Fig. 06-02]